cornell jim (11 Ergebnisse)

Zustand: Good. Revised. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: Good. DJ is torn with some loss and chipping. DJ is somewhat tattered. Boards are a bit worn with scratches and edgeworn corners. Scholar's blindstamp and name to ffep (Robert Brown). ; 4to 11" - 13" tall; 240 pages.

Paperback. Zustand: Very Good. The Miracles of Barefoot Capitalism: A Compelling Case for Microcredit This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: Fine. 152 pages : illustrations ; 21 cm ; ISBN 9781569550038, 1569550034 ; OCLC 34984273 ; LCCN 96027833 LC F3722.1.H83 E45 1996 ; color pictorial stiff paper wrappers ; name on front endpaper ; Contents: Foreword / Cornell Capa -- Introduction -- 1: I must tread alone -- 2: Gate of the Lord -- 3: Mintaka and Mankamu-They're just indians -- 4: Take me to Mintaka's house -- 5: Strong city -- 6: Place to hang your hammock -- 7: Menu: Manioc, monkey and Nescafe -- 8: Best things in life are free -- 9: Civil savages -- 10: Earless foreigners -- 11: Neither foreigner nor savage -- Epilogue -- Epilogue 2 ; In January of 1956, the world recoiled in shock with the news. Five American missionaries had been speared to death in the Ecuadorian jungles by Auca Indians-reportedly the most savage tribe on earth. Years later, it became clear that what had seemed to be the tragic ending of those missionaries' dreams was only the first chapter of one of the most breathtaking missionary stories of the twentieth century. The Savage, My Kinsman tells the story, in text and pictures, of Elisabeth Elliot's venture into Auca territory three years after the death of her husband, Jim Elliot. Elisabeth and her daughter Valerie, then three years old, returned to the jungle along with Rachel Saint, the sister of one of the other slain men. The linguistic work of these women brought Christ's message of salvation to the tribe that had killed their loved ones. They became the first to enter Auca territory-and live to tell the story ; FINE. Book.

Soft cover. Zustand: Good. A clean, bright copy.

Buch. Zustand: Neu. Neuware - Documents the current distribution and changes in status for over two hundred bird species in Ohio, based on surveys across the state from 2006 to 2011.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.