cornell george a (17 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Trade Paperback. Zustand: Good - Very Good. No Jacket. George Salter (cover) (illustrator). First Edition. Vol 15 # 76 of Ellery Queen's Mystery Magazine, March 1950. Contains stories by Cornell Woolrich (The Humming Bird Comes Home), Louis Golding (Pale Blue Nightgown), Frank Gruber (1000-to-1 for Your Money), T S Stribling (A Daylight Adventure), Dorothy L Sayers (The Necklace of Pearls), Melville Davisson Post (The Twilight Adventure), A Conan Doyle (The Red-Headed League), Thomas Narcejac (The Vampire), Anthony Boucher (William Anthony Parker White) (The Best Mysteries of the Month), Francisco A Branco (The Dwarfs' Club), and others. Light wear at the edges with rubbing to the spine. Browning to the pages and the edges of the front cover. A good to very good copy.

First edition, first printing; 8vo; cloth covered boards, hardcover; 266 pages; a very good, clean copy in a lightly soiled dust jacket with a sunned spine.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - A Manual of Marching is a book written by George A. Cornell in 1906. The book is a comprehensive guide that provides detailed instructions on how to march correctly. It covers a wide range of topics such as the proper way to stand at attention, how to execute different types of steps, how to turn and pivot, and how to march in formation. The author also discusses the importance of discipline, coordination, and teamwork in marching. The book is aimed at military personnel, but it can also be used by anyone who wants to learn how to march correctly. It is written in a clear and concise style, with illustrations and diagrams to help readers understand the instructions. Overall, A Manual of Marching is a valuable resource for anyone who wants to improve their marching skills.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Zustand: Good. 4to. 20 x 26.5 Half contemporary red morocco. Waterstain in upper right corners.Light foxing. [2], 119, [1] p., [22] leaves of plates : ill., Sabin 51149, 74169; Library of Congress Control Number11030527.OCLC Number / Unique Identifier:476398487:Added engraved title page: Mount Auburn illustrated in a series of views from drawings by James Smillie. Letter press description by Cornelia W. Walter. . Entered according to act of Congress in the year 1847 by Robert Martin .Added series title page: The rural cemeteries of America. Mount Auburn.Engravings by James Smillie, J.A. Rolph, E.G. Dunnel, O.G. Hanks, Alfred Jones, R. Hinshelwood, and Rice & Buttre. The last five plates are architectural details of railings at Mount Auburn and Greenwood Cemeteries designed and executed by the architects, T. Voelckers, George W. Stilwell, and Cornell & Jackson.From the Rural Cemeteries of America series. Extensive foxing.Mount Auburn Cemetery was established in 1831 with a most ambitious vision. Within a forested landscape nestled between Cambridge and Watertown, our founders created an extraordinary place, one where the living mourner would come to find solace and the public would come to find inspiration.The founders envisioned the Cemetery as the place where the great and the good of Boston ? without restrictions on religion or race ? would be remembered and celebrated for all of time in a setting of exceptional beauty. Nearly 190 years and more than 100,000 burials later, we continue to honor that founding vision, offering burial space and end-of-life services to families in their time of need and preserving this landscape of memory for 200,000 annual visitors.Mount Auburn Cemetery is a singular treasure, a place where history and beauty meet memory and nature. Whether you come to bird watch, enjoy the ever-changing landscape, admire the monuments, or enjoy a contemplative moment in this urban oasis, Mount Auburn is here for you. And it's here for everyone: Mount Auburn is a National Historic Landmark that is open to the public at no cost, 365 days a year.