cornelis noorde (30 Ergebnisse)

Canaletto, 1969. 2de druk. Facsimilé. Met uitklapbare kaart. Goed aantrekkelijk exemplaar.

Softcover. Zustand: Gut. 8,7 x 7,5 cm Original-Kupferstich, verso typografisch bedruckt, GUTES EXEMPLAR---In niederländischer Sprache. Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.

Te Haarlem, By J. Bosch, 1761 [herdruk Alphen aan de Rijn, Canaletto, 1979]. Ongepagineerd. Z./w. platen naar gravures van Hendrikus Spilman & Cornelis van Noorde. Bruin kunstleer met goudkleurige belettering. Klein folio. - Opdruk wat vervaagd (geoxideerd).

Alphen aan de Rijn, Canaletto, 1969, 2nd edition, facsimile edition of the 1763 original in faux leather binding, large fold out map of Haarlemmerhout.

Maße: ca. 27 x 18 cm. -- Schönes Kupferstich-Portrait. -- im Außenrand etwas fleckig, sonst gut erhalten. || Copper engraved portrait. -- with some staining on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 15.

First Edition. Bound in contemporary stiff card; terminal page attached. Page edges ceased as with age. An uncommonly good example of a scarce edition. Scans and additional bibliographic detail on request. ; 281 pages; Description: [12], 281, [5] p. : ill. (copper engravings) ; 19 cm. (8vo) . Subjects: Bellinckhuys, Roelof. Didactic poetry, Emblem Books - Dutch. Mysticism - Poetry. Related item: Referenced by: Landwehr 420; Springer 5103. 3 Kg.

Herdruk uitgave van 1763 door Canaletto, Alphen a.d.Rijn 1969 [tweede druk]. 32,5 x 21 cm. In kunstleer gebonden. Hardcover. Met afbeeldingen in z/w + vouwkaart van de Haarlemmermeer. ALS NIEUW & FRAAI [Topography / Dutch [Nederlandse Topografie] Haarlem ].

Original copper engraving, total: 100 x 185 mm, no margins. Print made by Cornelis van Noorde (1731-1795). Print used in Aangenaame Gezichten in de Vermakelyke Landsdouwen van Haarlem by Cornelis van Noorde and H. Spilman, J. Bosch Haarlem.Print on slightly cooked paper.Het dorp Overveen bij Bloemendaal, Noord-Holland, engraving, gravure, kopergravure, Van Noorde.

Haarlem, gedrukt bij C.H.Bohn, 1767, format in-8°, (16 cm), (20)nnpp (engraved title plate included) + 281 pp + (5)nn pp (index); with 85 large copper engravings (contained in the pagination). Bound in contemorary half leather, decorated spine with green leather title label. Boards covered with brown marbled paper. A few minor stains at some pages, binding with slight traces of use but still a fine copy. See Landwehr; Emblemata Low Countries, item 528. Published 55 years after Luyken's death.

Zustand: sehr guter Zustand. Kupferstich in Crayonmanier, in Braun, 1765. 20,6:15,8 cm. Wurzbach 3; Thieme/Becker XXV, p. 510, Nr. 13. - Mit etwas Plattenton, auf Bütten. Unter Verlust der Plattenkante beschnitten. Provenienz: Sammlung Th. Graf, Berlin, Lugt 1092 a.

No binding. Zustand: Very Good. Etching on laid paper, total size: 190 x 110 mm. Two holes in the paper, one on the left and one on his head, hardly visible, not disturbing the portrait. Print cut on the margins or near the margings. Pasted on a bigger sheet of paper total size 220 x 163 mm. Text on the object in French: Voici George Voorhelm ce celebre Fleuriste, (etc).[NL] Portret van bloemist George Voorhelm met links achter hem een hyacint in een pot. Hij deed onderzoek naar hyacinten. In de marge een Franse tekst over zijn werk als bloemist. George Voorhelm Schneevoogt was een telg uit het bekende Haarlemse familie van bloembollenkwekers. 1712-1787. Hij droeg bij aan de ontwikkeling van de hyacintenteelt, in de internationale plantennaamindex (IPNI) wordt Voorhelm aangeduid met de afkorting Schneev. Hoofd van bloembollenfirma 'De Bloemtuin' aan de Kleine Houtweg te Haarlem. Verkocht noodgedwongen in 1837 de firma aan Ernst Heinrich Krelage en vertrok tijdelijk naar Bentheim maar keerde terug naar Heemstede. Vervaardigde de flora 'Icones plantarum rariorum' (bron: genealogie online).

No binding. Zustand: Very Good. Etching on laid paper, total size: 280 x 213 mm. Text on the object: Hier straalt uit Deckers oog de kwikke Schilder-geest, door lees-lust, kundeen vlyt, geschoeid op Oudheids leest. P. Merkman.Print in good condition, some very light foxing in the edges.[NL] Frans Decker werd geboren in Haarlem in 1684 en overleed daar ook in 1751. Hij was leerling van Romeyn de Hooghe en Bartholomeus Engels. Lid van het Gilde van Sint Lucas, hij had verschillende leerlingen waaronder Cornelis van den Berg, Tako Hajo Jelgersma en Cornelis van Noorde (1731-1795). Van Noorde was een van de oprichters van de Haarlemsche Teekenacademie in 1772.

Half-length portrait of Johannes Enschedé (1708-1780), printer and publisher in Haarlem. A bookshelf in the background. Enschedé is holding a sheet of paper in his right hand and a composing stick in the left.Titled, signed and dated at the bottom: 'JOANNES ENSCHEDE / Lettergieter en Boekdrukker / Geboren den 10 Juny 1708 in Haarlem. / C.v.Noorde ad Viv. del. & Fe. 1768.'[NL] Portret van Johannes Enschedé, lettergieter, drukker en uitgever te Haarlem met in zijn linkerhand een zethaak. Etching and engraving on paper, with some margin; mounted on thick laid paper, pasting down external margins only, mounted in passepartout; plate mark: 164 x 100 mm, total: 188 x 125 mm; very good impression in outstanding condition; Muller 1474a, Wurzbach 6.

Portrait of Jan Christiaansz. van der Winde at 100 years of age (100-jarige Van der Winde). Bust portrait, looking right, sitting behind a table, hands resting on the top, with gloves.Inscription at the bottom: 'JAN CHRISTIAANSZ. VAN DER WINDE: Gebooren te Lit, int Graafschap Rheda, den 1 Mey 1663. Overleeden te Haarlem, den 18 April 1764.' Signed below: 'Naar 't Leeven Geteekend en in't Koper Gebragt door C.V. Noorde 1764.' Etching and engraving on paper with margins; plate mark: 240 x 177 mm, total: 258 x 197 mm; state II/2; in very good condition; Wurzbach 26.

Portrait of Jozina Keuse seated at a window.As recorded in the inscription below this woman was hundred years old at the time of the portrait, quite exceptional at that age. She lived two years more and died in 1775 at the age of 102.Inscription at the bottom: 'JOZINA KEUSE Wed. van JAN COMES / Geboren te Haarlem 28 Sept. br 1673 / Leeft daar dog Welvarende. / door C. van Noorde naar 't leven Geteken in 't koper gebracht 1773 in October.' Etching and engraving on paper with small margins; plate mark: 240 x 172 mm, total: 256 x 179 mm; state II/2; paper cooked; Wurzbach 14, Van Someren 2930.

Portrait of the painter Isaac Vogelensanck, after his own self-portrait. Bust portrait with a hat, looking at the observer.Inscription at the bottom:'IZAAK VOGELESANGK. Schilder. / Geb= te Amste= overl: te Londen. 1753 6m / 1.d'signed below: 'ipse pinxit / C.V.Noorde fe: 1754.'[NL] Portret van de schilder Izaak Vogelensanck. Etching on paper with margins; plate mark: 110 x 77 mm, total: 137 x 88 mm; very thin paper; mounted on cardboard mat; Wurzbach 24, Muller 5753, van Someren 5926.

Portrait of Willem Opperdoes, at the age of 100. Opperdoes survived the explosion of his ship in 1704. This event is depicted in a drawing to the left hanging from the wall in the background. To the right of the wall hangs a painting of the Waag in Haarlem, where Opperdoes was a warden until his death.Inscription at the bottom: 'WILLEM OPPERDOES, geboren te Haarlem 26 Decemb: 1674. leeft'er nog in Welstand.' Signed and dated at bottom: 'Naar 't Leevn getek: en in 't koper gebragt door C.V. Noorde, 1774.'[NL] Portret van Willem Opperdoes, op 100-jarige leeftijd. Opperdoes overleefde de ontploffing van zijn schip in 1704. Deze gebeurtenis is op een tekening links aan de muur afgebeeld. Rechts aan de muur hangt een schilderij van de Waag in Haarlem, waar Opperdoes tot aan zijn dood waagmeester was. Etching and engraving on paper with margins; plate mark: 253 x 194 mm, total: 284 x 222 mm; smudges and some dirt on the paper; some repaired tears on the margins, overall in good condition; Muller 4017-a, Wurzbach 16.

Portrait of the painter Frans Decker (1684-1751). In front of the portrait are the painter's stick, palette and brushes. Behind Decker is an easel with a painting of a Madonna and child.Inscription at the bottom on the pedestal: 'Hier strallat uit DECKERS oog de kwikke Schilder-geest Doorlees lust kunde en vlyt, geschoeid op Ouderheids leest. / P. Merkman' Signed at bottom: 'THJelgersma ad vivum del. / C.V. Noorde fecit 1755.' Inscribed also above: 'FRANS DECKER; Geb. te Haarlem 6 Maart 1684 aldaar Overl: 28 Novemb. 1751'.[NL] Portret van de schilder Frans Decker. Voor het portret liggen schilderstok, palet en penselen. Achter Decker staat een schildersezel met een schilderij van Madonna met kind. Etching and engraving on paper with margins; plate mark: 204 x 119 mm, total: 243 x 156 mm; thin paper, some smudges on the margins; in good condition; Wurzbach 4.

Portrait of the painter Isaac Vincentsz. van der Vinne in his studio.Inscription at the bottom: 'IZAAK van der VINNE. / Heeft in syn tyd den Tyd gelyk als niet geacht / Daarom de Waerheyd naer den Eeuw'gen grond betracht. / Zulk lustig tyd-verdryf behaagde 'em wel het meest: / Liet somstyds wel een Rymtje ook syne pen ontvallen, / Doch, Reeden, Reedenkunst gold by hem boven allen'. Inscribed above: 'Gebooren te Haarlem, den 24e October, 1665; aldaar Overleeden den 15e April, 1740.'Signed and dated below: 'door T. Jelgersma na 't leeven get: 1736.' 'door zig zelfs gemaakt. / geetst door C.V.Noorde. 1754.'[NL] Portret van kunstenaar en boekverkoper Isaac Vincentsz. van der Vinne in zijn werkkamer, terwijl hij tekent. Etching and engraving on paper with margins, cut on or within plate mark; total: 173 x 124 mm; some foxing, mounted on cardboard, in fair condition; Wurzbach 21.

G.C. de Prenner (illustrator). 'P. BORN, CONSUL GENERAAL VAN HET H. HOOG MOG. DEN KERKELYKE STAAT. ÆTATIS SUÆ 64 / C. V. NOORDE AD VIV. DELIN. 1764 / G.G. DE PRENNER DELIN. ROMAE / C. V. NOORDE SCULP.'Oval bust portrait of P. Born, at age 64, in a turban-style cap and patterned robe, set within a highly decorative frame featuring a heraldic crest with rams and crown.Made by Cornelis van Noorde after G.C. de Prenner.Medium: Engraving / etching on hand laid (verge) paper.Sheet size: 24.5 x 33 cm (9.65 x 12.99 inch). Image size: 19.1 x 27.3 cm. (7.52 x 10.75 inch).P. BORN, DUTCH PORTRAIT, CONSUL GENERAL, 18TH CENTURY, CORNELIS VAN NOORDE, ROME, HERALDIC CREST, ETCHING | PCO-E22-48BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Rijksmuseum RP-P-1884-A-7737; FMP 574-a.Biography engraver: Cornelis van Noorde (1731-1795) was a Dutch draftsman and printmaker active in Haarlem. He produced numerous portraits and views.Biography artist: Georg Kaspar von Prenner (c.1720-1766) was an Austrian artist and engraver active in Rome in the mid-18th century. He was known for drawing and etching portraits and ecclesiastical figures. Condition: very good, given age. Light creasing, foxing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Portrait of Jacob de Bucquoy (1693-??). Bust length. The portrayed is wearing a hat and sits behind a table with his left hand resting on an open book. With his right hand he points at a globe. In the foreground rests a compass. In the background books and the tools of his work, as he was a land map maker.Inscription at the top: 'Gebooren te Amsterdam den 26 Octob.r 1693.' at bottom, six lines in Dutch by P.r Langendyk: 'Wilt gy het Weezen zien eens. in prent geets naar 't leven.' Signed at bottom: 'C.V. Noorde fecit 1758.'[NL] Portret van kaartmaker, landmeter en reiziger Jacob de Bucquoy met zijn hand op het boek dat hij over zijn zeereizen schreef. Met de andere hand wijst hij naar een globe en op tafel ligt een passer. Etching and engraving on paper with some margins; total: 212 x 163 mm; state II/2; smudges and some dirt on the paper, a worm hole on the bottom left corner; in good condition; Muller 796, Wurzbach 2.

Portrait of Hendrik Tilly at 102 years of age. According to the inscription, he lived in the Aalmoezeniershuis in Haarlem.Inscription at the bottom: 'HENDRIK TILLY, Gebooren te Oostende den 29 September 1662 woond te Haarlem in 't Aalmoesseniershuis Gezond van Verstand en Lighaam. / door C. V. Noorde na 't Leeven get. en geetst 1764.' A later state of this plate suggests that Tilly died in 1767.Quadrant, sextant, octant (nautical instuments), compass, Hendrik TillyPortret van Hendrik Tilly op 102-jarige leeftijd. Zijn hand rust op een octant. Daarnaast ligt een kompas. Tilly woonde in het Aalmoezeniershuis van Haarlem en stierf op 105-jarige leeftijd. Etching and engraving on paper with margins; printed in brown ink; plate mark: 239 x 171 mm, total: 248 x 184 mm; state II/3; in very good condition; Muller 5351-a, Wurzbach 20.

View of Spaarndam with the Oude Kerk on the left and the village to the right. Masts of ships are visible beyond the houses. In the foreground are two anglers, one on the jetty and one in a rowing boat. In the right foreground are some cows resting on the ground. Etching on paper with broad margins; printed in brown ink; plate mark: 158 x 217 mm; total: 220 x 265 mm; some light foxing along the margins; mounted in passepartout; pencil annotations on the bottom margin.

A man stands, with his hand on his back, looking down at his seated wife, who is surrounded by three children. Printdrawing on laid paper, by Cornelis van Noorde after Johannes Lingelbach, 1767. Sheet size 166 x 150 mm., carrier size 285 x 268 mm. Printdrawing is a graphic technique that resembles drawing, and uses combinations of etching, roulette, stipple engraving, and aquatint to accomplish this. Cornelis Ploos van Amstel was an avid collector of Dutch drawings, and is credited with inventing the technique of printdrawing. Cornelis van Noorde (Haarlem 1731 - 1795 Amsterdam) was a Dutch landscape painter and printmaker. He is one of the founders of the Haarlemse Teekenacademie (Haarlem Academy of Drawing). Johannes Lingelbach (Frankfurt am Main 1622 - 1674 Amsterdam) was een German-born Dutch painter. His work is often associated with that of Philip Wouwerman, the famous horse and battle painter. In excellent condition, on the original carrier sheet, presented in the much the same way as the printdrawings issued by Ploos van Amstel. An annotation in ink in a contemporary hand on the verso gives details of the artists involved.

Portrait of Jacob de Groot, alias Jaap Stront, innkeeper at the Hof van Holland in the Warmoesstraat, Amsterdam. In the background a curtain and moldings. After a drawing by Cornelis Visscher II.Inscribed on the top left: 'C. Visscher fe A.o 1652.' Handwritten on verso in pen and ink: 'in 't koper gebragt door Corn: van Noorde, 1769.'Portret van Jacob de Groot, alias Jaap Stront, waard in Hof van Holland in de Warmoesstraat. Techniek: zwart krijt, gewassen. Etching in crayonmanier cut on plate mark and mounted on cardboard mount with hand drawn frame; total: 274 x 201 mm; despite some smudges in very good condition; Wurzbach 8, Van Someren 2157.

Self-portrait of Cornelis van Noorde, sitting next to his easel, pointing to the painting on it. It shows an allegory of vanitas. In the foreground are the engraver's attributes.Titled and dated at bottom: 'Corn: Van Noorde, 1765.' On verso, with similar handwiriting: 'na't Leeven getekend en in't koper gebragt door Corn: Van Noorde, 1765.' Etching in crayonmanier cut on plate mark; total: 205 x 160 mm; despite some light staining in very good condition; Wurzbach 3, Muller 3909.

There are at least seven known drawing by Cornelis van Noorde depicting the former Orphanage in Haarlem. The institute was dismantled in 1768 and locally replaced by the so-called Hofje van Oorschot, built from the year after. One drawing is in Russia at the Pushkin museum (inv. 7766) and other six drawings by van Noorde at the the Noord-Hollands Archief in Haarlem with the same corner of the city represented. All the drawings in public collections appear to be much detailed and proportioned in respect to the drawing in our collection. The dog-shaped wind banderole on the top of the building on the left has lost its original shape and is here indistinguishable. The portal of the church is different, the lantern is shorter, and even the buildings in the far right background look much smaller. This might therefore be a late copy after one of the other drawings. Many details would have become clearer if the author of the drawing could draw after reality. Nevertheless, this is a quite charming proof from the late eighteenth- or beginning of the nineteenth century.The 'Heilige Geesthuis' or City orphanage, on the Krocht in Haarlem before it was to be dismantled, currently the location of the Hofje van Oorschot. Drawing in pencil, pen and black and gray ink, with gray wash; total: 295 x 314 mm; in very good condition.

Bust portrait of painter Ferdinand Bol within an oval frame, holding a glove in his right hand. He is slightly turned to the right, looking at the viewer. He wears a black cap, a blue velvet cloak and a white shirt.The signature of Bol is readable beside him, on the right: FBol, f. 1659.Titled: FERDINAND BOL, Schilder.Signed and dated at bottom right: C:V: Noorde de; 1768.After a small painting (ca. 27,3 x 18,41 cm) at the Indianapolis Museum of Art (inv./cat.nr 79.346) with the following description: 'With his luxurious blue mantle, fine gloves adorned with gold fringe, and self-assured gaze, this man epitomizes the elegance and high status of Bol's patrons in mid-17th-century Amsterdam. While the identity of the sitter is unknown, he may have been connected to the city's magistrates or admiralty, as were many of Bol's sitters after his 1653 marriage into the Amsterdam elite. The small format of the painting suggests that the portrait was executed to be hung in a home.'Although the painting in the US is not identified as a self-portrait, comparing this likeness with the other known pictures of Bol (see inv./cat.nr DM/887/372 at Dordrechts Museum; inv./cat.nr FB-107 at The Leiden Collection, New York City; inv./cat.nr 42.02 Springfield Museum of Fine Arts, Springfield (Massachusetts) The James Philip Gray Collection) it is feasible it represents the artist at 43 years of age.Previously with Mak van Waay (Amsterdam); sold in his sale Openbare verkoping : schilderijen en enkele aquarellen, blauw gedecoreerd Chinees en Japans porselein en aardewerk, gekleurd Chinees en Japans porselein en aardewerk, gekleurd en blauw gedecoreerd Delfts aardewerk en aanverwante soorten . [etc.] 05/18-10 1965, lotnr. 516.At the Regionaal Archief Dordrecht (Dordracum illustratum) is another copy by van Noorde, signed and dated 1770 (inv. nr. 551_36419, ex. 3255).Ingelijst - Framed - Schilder Ferndinand Bol - gesigneerd Watercolor drawing on paper, brush; under passepartout, framed; portrait: 265 x 200 mm, frame: 430 x 360 mm. In great condition.

View of the Rechthuis of Schoten, north of Haarlem. A farmer with cows in the foreground. Etching on hand laid paper, sheet size 240 x 193 mm., platemark 218 x 157 mm. Made by Cornelis van Noorde, after his own design, 1773. Cornelis van Noorde (Haarlem 1731-1795) was a Dutch printmaker, painter, draughtsperson and woodblock cutter. In very good condition. A small dampstain in the right margin edge. With an unidentified collection mark (vdTB or vdBT) stamped on the verso. References: Wurzbach vol. 2, p. 241: 45.

Groot folio, 3 delen in orig. karton, (4) (4) p. tekst en (25) bladen met geëtste gezichten. Buiten de tekst bevat het werk 21 bladen met elk drie gezichten, d.w.z. 63 gezichten van 8,5 x 17, 5 cm, voorts drie grote (ca 19 x 29 cm) prenten en een uitvouwbare kaart van de Hout. Complete set van de eerste druk, met zeer goede afdrukken van de koperplaten. Toen in 1762 en 1763 de vervolgen verschenen werden de eerder gepubliceerde platen opnieuw bijgedrukt. In 1763 kreeg het boek een nieuwe hoofdtitel: ?Verzaameling van zes-en zestig aangenaame gezichten in de vermakelyke landsdouwen van Haarlem? Rond 1830 werden 27 etsen nogmaals uitgegeven door P. Beck in Alkmaar als een kleurboek voor kinderen. De drie fraaie grote prenten tonen twee gezichten op de stad vanaf het Spaarne en een gezicht vanaf de Blinkert op de stad.