cornelis bie (19 Ergebnisse)

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Taschenbuch. Zustand: Neu. Image de Divers Hommes d'Esprit Sublime, Qui Par Leur Art Et Science Devraient Vivre Éternellement | Cornelis De Bie | Taschenbuch | Kartoniert / Broschiert | Französisch | 2016 | Hachette Livre - BNF | EAN 9782013725682 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Antwerpen, 1662 [Reprint Soest, Davaco Publishers, 1971]. 15, 585,[2] pp. B./w. title-plate & [103] b./w. plts (portraits). Orig. green h.leather, spine raised in compartments & gilt tooled, marbled covers. - Library stamp on title-page. (Davaco collection). Copy of the Deluxe edition with green half leather binding with raised spine and marble covers. - Reprint of: Het gulden cabinet vande edele vry schilder-const [.], waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken. (Antwerpen, Juliaen van Montfort, 1662). - - With an introduction in English by G. Lemmens. - - Cornelis de Bie (1627- after 1711) was a notary in his native town of Lier who made his mark in history or more precisely in art history, with his Gulden Cabinet, a series of biographies and panegyrics on artists. His subjects are most South Netherlandish painters, sculptors and architects of the 17th and late 16th centuries.

Antwerpen, 1662 [Reprint Soest, Davaco Publishers, 1971]. 15, 585,[2] pp. B./w. title-plate & [103] b./w. plts (portraits). Orig. brown h.leather, very light shelfwear. (Davaco collection). Copy of the standard edition with brown half leather binding. - Reprint of: Het gulden cabinet vande edele vry schilder-const [.], waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken. (Antwerpen, Juliaen van Montfort, 1662). - - With an introduction in English by G. Lemmens. - - Cornelis de Bie (1627- after 1711) was a notary in his native town of Lier who made his mark in history or more precisely in art history, with his Gulden Cabinet, a series of biographies and panegyrics on artists. His subjects are most South Netherlandish painters, sculptors and architects of the 17th and late 16th centuries.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.' Image on application.

Reprint Soest, Davaco Publishers. 15,5 x 23 cm. 15, 585 (2) S. Goldgeprägtes Originalhalbleder. Sprache: Englisch, Frontispiz, Zahlreiche Porträts. Minimale Lagerspuren, Schnitt minimal angestaubt, innen sauber und gut. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Antwerpen, 1662 [Reprint Soest, Davaco Publishers, 1971]. 15, 585,[2] pp. B./w. title-plate & [103] b./w. plts (portraits). Orig. brown h.leather, spine raised in compartments & gilt tooled, marbled covers. - Spine ver sl. discol. (Davaco collection). Copy of the Deluxe edition with brown half leather binding with raised spine and marble covers. - Reprint of: Het gulden cabinet vande edele vry schilder-const [.], waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken. (Antwerpen, Juliaen van Montfort, 1662). - - With an introduction in English by G. Lemmens. - - Cornelis de Bie (1627- after 1711) was a notary in his native town of Lier who made his mark in history or more precisely in art history, with his Gulden Cabinet, a series of biographies and panegyrics on artists. His subjects are most South Netherlandish painters, sculptors and architects of the 17th and late 16th centuries.

Antwerpen, 1662 [Reprint Soest, Davaco Publishers, 1971]. 15, 585,[2] pp. B./w. title-plate & [103] b./w. plts (portraits). Orig. full green leather, spine raised in compartments, gilt ttitle on spine. - Spine ver sl. discol.; two corners with light shelfwear. (Davaco collection). Copy of the Deluxe edition with green full leather binding with raised spine. - Reprint of: Het gulden cabinet vande edele vry schilder-const [.], waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken. (Antwerpen, Juliaen van Montfort, 1662). - - With an introduction in English by G. Lemmens. - - Cornelis de Bie (1627- after 1711) was a notary in his native town of Lier who made his mark in history or more precisely in art history, with his Gulden Cabinet, a series of biographies and panegyrics on artists. His subjects are most South Netherlandish painters, sculptors and architects of the 17th and late 16th centuries.

Antwerpen, 1662 [Reprint Soest, Davaco Publishers, 1971]. 15, 585,[2] pp. B./w. title-plate & [103] b./w. plts (portraits). Orig. brown h.leather, gilt lettered on spine. (Davaco collection). - - New copy !!Copy of the standard edition with brown half leather binding. - Reprint of: Het gulden cabinet vande edele vry schilder-const [.], waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken. (Antwerpen, Juliaen van Montfort, 1662). - - With an introduction in English by G. Lemmens. - - Cornelis de Bie (1627- after 1711) was a notary in his native town of Lier who made his mark in history or more precisely in art history, with his Gulden Cabinet, a series of biographies and panegyrics on artists. His subjects are most South Netherlandish painters, sculptors and architects of the 17th and late 16th centuries.

Hardcover. Zustand: Good. Full leather binding with damages, in-4, 4º quarto edition, 20 x 17 cm. With decorated spine with 4 ribs. Spine damaged. Interior in reasonable good condition. Titlepage cut off on the top (no text loss). Full title: Treur-spel van het bitter lyden Christi oft Goddelyck Ransoen der Sielen Salicheyt door Cornelio de Bie tot Lyer anno 1687. Met vintse te coop by den Autheur tot Lyer. P. 54 is wrongly numbered as 36. Titlepage is missing some paper on the top.Content: Noodwendich voor-bericht, Dedication to Joanni Ferdinando Van Beugem (Ix bisschop Antwerpen also Beughem), Inleydinghe tot den weet-lievenden leser, Vermaen-Rym tot alle werelsche taefel-vrienden. 't Dor wert Groyende Goddelyck Ransoen der Zielen Salicheyt in Dry besondere Deelen: Trafedie-wijs af-ghebeldt in 't Leven ende Doodt vanden Oodtmoedigehen en Verduldighen CHRISTUS Sone vanden Onsterffelijcken Godt. (.) den groeyenden boom tot Lyer 1680, nieuw gerijmt ende in 't licht gebrocht door Cornelio de Bie. Waerheyt baert Nijdt. Eerste vertoogh Het triumpherende gheloof met eenen vlieghenden Enghel in Machien. Tweede deel van het Bitter Lyden Christi - Vervolgh. Het derde deel van het Bitter Lyden Christi.Extra 2 engravings in the back with explanation: Foetor et Horror: "Stanck en schroom sijn quaet van aert, mits 't een en 't ander lijden baert" (over de wormen in de drek, modderpel, duivels net). Nil sub Sole Novum: Opkomst van de zon, duister van de nacht, Maan en sterrelicht.With illustrations: 1) Door deught en Stantvastigheyt. 2) Den Troon christi ende des werelts by Ph. de Mallery after Van Horst. 3) Virtute et constantia. 4) Mater Saluatoris. 5) S. Petrus (by I. Callot). 6) S. Joannes (By I. Callot). 7) Apparuit autem illi Angelus de coelo confortans eum (by Th. van Merlen). 8) Ecce Mater Tua (By Th. van Merlen). 9) Virtute et constantia (by G. Bouttats). 10) Summus autem sacerdos scindens vestimenta ait quid adhuc desiderans (by Th. van Merlen). 11) S.Petrus (by Th. van Merlen). 12) preunt autem illum sic indutum veste alba, et remisit ad Pilatu. 13) Tunc ergo aprehendit Pilatus Iesum et flagellant. 14) Iesus spinis coronatur (by C. Galle). 15) Dicit eis; Ecce Homo Clamabant decentes Crucifige, eum (by Th. van Merlen). 16) Bajulans fibi Crucem exivit in eum qui dicitur Caluaria Locus (by Th. van Merlen). 17) Inri. 18) Acceperunt ergo corpus Iesu (by V. Gaspar Huberti). 19) "Dead Jesus" (by A. Voet). 20) Posuit eum in momnumento (by Th. van Merlen). 21) Resurrectio Christi (by Th. van Merlen). 22) Titlepage of beschermde Suyverheyt by Martinus vanden Enden. 23) S. Theodora and S. Didymus (by Harrewyn). 24) In cruce mea Salus (by Harrewyn). 25) Foetor et Horror. 26) Nil sub sole novum. 27) Pasted on drawing of Sancta Maria. Ora pro nobis.Provenance: On the flyleaf handwritten text in Latin and Greek by Petrus Rigouts (this could be Petrus Rigouts who was born in Lier Belgium on 1 June 1875). On the back also some latin text in brown ink: Tantem ergo sacramentum. On the last two pages again manuscript annotations. Left the text Tantum ergo sacramentum. On the right: Desen boeck hoor toe aen ian albert Mirou (a Johannis Albertus Mirou died in 1768 at Bergen op Zoom). Die hem vind die brengt hem tuijt, die sal hebbe eenne goede drinckpenninck anno 1770. Albertus Mirou. Ick was soo groot, als dat ick mij. Lier door de Loie.  .

3 parts in 1 volume. First and only edition of this extensive biographical work of late sixteenth and seventeenth-century painters, engravers, sculptors and architects living and working in the Southern and Northern Netherlands. The text contains biographical notes as well as many laudatory poems in Dutch (some in Latin) by many poets mainly from the Southern Netherlands. The work is divided into three parts, the first comprising painters who died in the seventeenth century with 33 portraits of Abraham Bloemaert, Adam Elsheimer, Peter Paul Rubens, Willem and Adriaan van Nieuland, Anthony van Dyck, Gerard Segers and others. The second part moves on to painters who were alive in 1662, with 42 portraits of these painters such as Daniel Segers, Adriaan de Bie (the father of Cornelis de Bie), Adriaan van de Venne, Jacob Jordaens, David Teniers Jr., Jan Meyssens. It also includes a poem on Rembrandt van Rhyn, but, curiously, there is no portrait of him, nor of other famous painters such as Nicolas Poussin, Pietro da Cortona, Francesco Albani and Govert Flinck. The last part treats architects, sculptors and engravers together with 22 portraits depicting i.a. Dirk Coornhert, Cornelis Cort, Hendrik de Keyser, Hendrick Hondius and Wenceslaus Hollar. These three parts are followed by a prayer by Cornelis de Bie, laudatory poems by Theodoor van Kessel and Gerard Wolsschatius. See for a very extensive description, mentioning all the artists and portraits, the Biblioteca Belgica.With 2 dated 19th-century (1801 and 1810) German ownership annotations, and an armorial bookplate on the first free flyleaf, remnants of two bookplates on the front pastedown. The edges and corners of the boards are scuffed, the front joint is somewhat weakened. The leaves are slightly browned, the head margin has been cut somewhat short, but without loss of text, occasional annotations in the margins. Otherwise in good condition.l Bibl. Belg. 1, pp. 442-7; Ter Laan, pp 49; STCN 31547047X; STCV 3154579; USTC 1842678. 18th-century gold-tooled half sheep, with a brown morocco title label on the spine lettered in gold, sprinkled paper sides, red edges, marbled pastedowns. With an engraved frontispiece by Cornelis Meyssens after Abraham van Diepenbeeck, a full-page portrait of the dedicatee Antoine van Leyen by Richard Collin (1661), a full-page portrait of the author by Jan Meyssens after Erasmus Quellinus, and 97 full-page engraved and etched portraits of painters, engravers, architects and sculptors, engraved by Jan Meyssens, Wenceslaus Hollar, and numerous others, after drawings by Anthony van Dyck, Paulus Pontanus, Jan Lievens, etc. Pages: [2], "584" [= 586], [3] pp.

Zustand: Good. 8vo. Old calf. binding worn. [26], 271, [1] pp and 83, [1] pp. Plates and engravings in the text.Some water stains.OCLC Number: 888918971In-8°, [26], 271, [1] pp, gegraveerde titel, wapenschild van Joseph vander Male, (kanunnik van de Abdij van het Park), plaat b.t. (verkeerdelijk tussen pp. 22/23) en 10 emblemen in kopergravure i.t. (Bouttats). Enkele vlekjes en waterranden. Gevolgd door: idem. Den verloren sone Osias oft Bekeerden Sondaer. Antwerpen, Iacob Mesens, 1689. In-8°, 83, [1] pp.Gebonden in vol kalfsleder, scharnieren gescheurd, rug gewreven, hoeken versletenRef. Funck, p. 279 ; Landwehr 59 ; de Vries 231 ; BCNI 14872.