Corman june (13 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: FINE. First appearance in print of these works. Excellent literary magazine edited and published by R.H. Miller, June Oppen Degnan and George Hitchcock. This issue includes contributions from George Taylor (My Days of Hunger), Adrien Stoutenburg, Pablo Neruda (3 poems translated by Clayton Eshleman), Earl Jean Prahl, Tu Fu (translated by David Rafael Wang with William Carlos Williams), Herbert Morris, Jack James, George Hitchcock, Francesca Greene, William Saroyan (a poem entitled The Messenger Asleep, Cid Corman, James Spencer, Georg Trakl, Lawrence Spingarn, Rick Rubin, William Harmon, Earl Birney (Christmas Comes), Storm de Hirsch, Gil Orlovitz, George Oppen, Gene Frumkin, Edward Lucie-Smith, and Jack Leavitt. Notes on contributors. 88 pp. We specialize in literary journals, and have many others - including many not yet catalogued and listed on line. Near fine in stiff white wrappers with red and black graphics (previous owner's name, that of a minor poet.).…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. pp. 360.

Paperback. Zustand: Brand New. 1st edition. 360 pages. 8.75x6.00x1.00 inches. In Stock.

Zustand: New. Describes the experiences of daily life for predominantly white, working class women and men during the period of "economic restructuring" begun in the 1980s. Num Pages: 360 pages. BIC Classification: 1KBC; JFSJ; JHBL. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 155 x 228 x 35. Weight in Grams: 512. . 2001. 2nd ed. Paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Neuware - Getting By in Hard Times describes the experiences of daily life for predominantly white, working class women and men during the period of 'economic restructuring' begun in the 1980s. Luxton and Corman show how the shift from a pattern where women were full-time housewives and men were income earners, to one where women are increasingly income earners as well, is altering the experience of everyday life Based on a case study conducted from 1980 to 1996, of households where one person was employed at Stelco's manufacturing plant in Hamilton, Ontario, the book examines how working class families make a living by combining paid employment and unpaid domestic labour. During this period of government cutbacks the loss of secure employment for men (as the steel plant cut its labour force by about two-thirds), combined with women's increasing participation in the labour force, resulted in lower standards of living, reduced income, and the imposition of more unpaid work on family households. Getting By in Hard Times examines how growing insecurities undermined class politics while increasing gender, racial, and ethnic tensions. By focusing on the daily coping strategies of white working class women and men, the book shows the human face of changing gender, race, and class politics in Canada.…

Collection of 4 vintage black-and-white studio still photographs from the 1957 film. Included are two film still photos and two advertisement layout photos. Mimeo snipes once affixed to the versos of the film stills (detached but present). Director Corman at his noir-est. The Black Widows, a teenage girl gang led by Helen (Spain, an early favorite of Russ Meyer), suspect Barbara (Kenney) of killing one of their members. Barbara is the sometimes girlfriend of the leader of rival gang, and the two gangs prepare for warfare. As the gangs prepare, the stories of their private lives unfold, and every aspect of family dysfunction is represented, showcasing an example of the mid-century "juvenile delinquency" scare. 8 x 10 inches, advert photos slightly larger. Very Good plus overall, with a corner crease to one film still photo, and minor creasing to others. Grant US. Lyons US. Martin 382. Selby US. Spicer US.…

Draft script for the 1957 film. Copy belonging to actor Dick Miller, who had a sizable role in the film, with his name to the title page, and his manuscript pencil and ink annotations throughout. The finished film runs a little over an hour, so the script, at 127 pages, was cut down substantially in the filming and editing process, leaving a remarkable amount of content for study. An alienated, wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students, until her manipulation goes too far. An early role for Miller, who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961, and would continue to work with Corman throughout his career. Brown titled wrappers. Title page present, undated, with credits for screenwriter Ed Waters. 128 leaves, with last page of text numbered 127. Mimeograph duplication, rectos only. Pages and wrapper Near Fine, bound internally with three silver brads.…

Revised Draft script for the 1957 film, here under the working title "Viking Women." Copy belonging to uncredited actor Dick Miller, with his name in manuscript ink to the title page, and manuscript pencil annotations throughout underlining lines for Ottar, although the role was played by actor Jonathan Haze. A group of Viking women-warriors go on a sea voyage to recover the missing men from their village, but an encounter with a massive dragon-serpent forces them to take shelter on a mysterious island. Beige titled wrappers, noted as Revised on the front wrapper. Title page present, dated undated, noted as Revised, with credits for screenwriter Lawrence Louis Goldman, and story credits to Irving Block. 102 leaves, with last page of text numbered 101. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.…