coppel alec (31 Ergebnisse)

Paperback. Zustand: ACCEPTABLE. THE SCRIPT! A really useful ACTING EDITION SCRIPT except for the fact that the former actor has written his name largely across the cover. The binding is good and the dialogue flows clearly.

Softcover. Zustand: Fair. First Printing. d1616. Some creasing and wear; pages toned, bookstore stamp inside, else a good vintage paperback. Movie tie-in cover. Quantity Available: 1. Category: Vintage Paperbacks; Inventory No: 224720.

Paperback. Zustand: Acceptable. THE SCRIPT! Not so pretty. ACTING EDITION SCRIPT will serve as a useful Starving Student Edition when you need an extra! Some shelf wear and edge wear to the covers.Or no covers. THE FORMER ACTOR HAS MARKED UP THE SCRIPT including name,.highlighting, underlining and sidebar notes. Economically priced ACTING EDITION for your performance needs. Book.

Couverture souple. Zustand: Bon. Gallimard collection carré noir, 1983. 1 volume broché(s) format In-12 bon.

Zustand: Good. No Edition Remarks. 192 pages. Paperback book with pictorial cover. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Paper cover has mild edge wear with light rubbing and creasing. Some light marking and tanning.

Softcover. Zustand: Very Good. First edition. First printing. 63 pp. in stiff wrappers. About very good, some soiling and creasing to the covers and a few character names underlined toward the conclusion. Stageplay adapted from a story by Myra and Alec Coppel written in 1957 and revised in 1959. A comedy/mystery set on Long Island, the show opened on Broadway in December, 1959 and ran for 266 performances. It starred Walter Slezak and Jayne Meadows. It was also made into a movie the same year and starred Debbie Reynolds and Glenn Ford.

Zustand: Fair. 1939. First Edition. 252 pages. No dust jacket. Red cloth boards with lettering. Hinges are moderately cracked with exposed netting. Clean pages with light tanning and mild foxing throughout. Pencil and pen markings to front pastedown, half and full title pages. Free endpapers are missing. Binding is loose. Boards have moderate edge-wear with bumping to corners and rubbing to surfaces. Gilt lettering is darkened. Moderate tanning to spine and edges with crushing to spine ends. Visible wear and white liquid marks to boards.

Zustand: Fair. 1939. First Edition. 252 pages. No dust jacket. Red cloth with black lettering. Rear free end paper is missing. Binding remains firm. Pages are moderately tanned. Pen inscription to front free end paper. Rear hinge is cracked. Boards have moderate edge-wear with bumping to corners and noticeable rubbing to surfaces.Book is cocked. Notable staining to both boards.

Decorative Cloth. Zustand: Fair. Zustand des Schutzumschlags: Fair. The cover is blue with dark red lettering and title block. The top end of the spine strip is chipped. The cover is darkened along the top edge and less so along the bottom edge. The title page/copyright page is missing. Library ink stamps are on the top and bottom ends of the text block and the front endpaper. The top end of the text block has a little foxing. The endpapers have glued down paper debris and a darkened area. DJ: A street scene illustration spans the front and spine panels. Price clipped. The bottom margin, 5/8 in., is clipped off. Six closed tears are 1/8 in. to 3/8 in.

104pp. 8vo. Original wrappers, a little marked and edgeworn. Previous owners name in pencil, booksellers sticker and actors edition stamp to upper wrapper. Scattered foxing. A few loose leaves, but all present. A good copy. First acting edition.

104pp. 8vo. Original wrappers, name in ink to upper wrapper. A very good copy.

Four vintage studio still photographs from the 1985 television re-release of the 1951 film. A brilliant yet socially awkward aeronautical engineer predicts that the newest airplane model, the Raindeer, will break up mid-flight after reaching 1,440 hours of use due to accumulated stress. The engineer, Theodore Honey (played by James Stewart), tries desperately to prove his prediction and alert the those in charge before another disaster occurs. Shot on location in England. 8 x 10 inches. Near Fine with pin holes to each.

Softcover. Zustand: Very Good. Ian Henry 1977. Softcover with tight binding. Condition: Very Good. Clean and bright text. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: Good. Bon état. 1983. Alec Coppel - L'assassin revient toujours / Carré noir 1983. Good.

Etat luxe - Jaquette belle présentation .

Zustand: BE. Paris, br.; in-12, 222 pp. Bon état.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition / First Print. Hardback copy in red cloth boards with black lettering to spine. Unclipped dustjacket (18s net) in new removable protective clear sleeve. 222pp. Not library copy, no inscriptions, crease to front dustjacket. (44/2).

Couverture rigide. Zustand: bon. R150106903: 1953. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 183 pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Couverture souple. Zustand: bon. R150099982: 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 180 pages. 1ère de couverture illustrée en couleurs. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Couverture rigide. Zustand: bon. R150106403: 1953. In-12. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 183 pages. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Couverture rigide. Zustand: bon. RO40097798: 1949. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 241 pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Zustand: Good. Scarce 1st edition. DJ has spotting and a few tears to edges. Book has a small lean. Contents are clean but lightly toned.

Couverture souple. Zustand: bon. R160174147: 1966. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 185 Pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First American edition. Faint foxing on the page edges, toning on the boards, and edgewear thus very good in a very good dust jacket with chips, tears, and creasing. Comedy thriller in which Mr. Denning tries to dissuade his daughter from marrying an unsavory character at the point of a gun. He accidentally kills the international thief but his plans to dispose of the body go awry when the corpse disappears. Coppel also wrote the screenplay for the underrated 1952 Anthony Krimmins film that featured John Mills, Phyllis Calvert, Eileen Moore, Sam Wanamaker, and Herbert Lom.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. First American edition. Foxing on topedge and endpapers, very good in near fine dust jacket with a little toning and tiny bits of edgewear. Comedy thriller in which Mr. Denning tries to dissuade his daughter from marrying an unsavory character at the point of a gun. He accidentally kills the international thief but his plans to dispose of the body go awry when the corpse disappears. Coppel also wrote the screenplay for the underrated 1952 Anthony Krimmins film that featured John Mills, Phyllis Calvert, Eileen Moore, Sam Wanamaker, and Herbert Lom.

Post-production Continuity and Dialogue script for the 1957 film noir. An alcoholic reporter gains one last chance to save his career when he receives a tip on a well-known criminal's wrongful arrest for murder, and decides to write an investigative piece naming the true killer. White titled self wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, dated JULY 18, 1958, with credits for director Richard Carlson, actors George Nader, Joanna Moore, Brian Keith, Virginia Field, Frank deKova, and Stephen Chase, noting 4 reels and production No. 1878. Title page integral with the front wrapper, as issued. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with fading on the front wrapper and rust at the binding, bound with two silver brads at the top edge. Grant US. Selby US. Spicer US.

Zustand: 3. coins cornà s.

Two vintage photographs of director Mervyn LeRoy and actors Jean Seberg, Sean Garrison, and Honor Blackman on the set of the 1966 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Kay Seaton (Jean Seberg) and her psychiatrist husband Neil Stanton (Arthur Hill) live on the French Rivera. Kay has an affair with an Mark (Sean Garrison), an American Naval officer who she accidentally shoots while trying to end their relationship. She abandons the body and anonymously reports it to the police. Later Neil takes on an amnesiac patient recovering from a gun shot wound. Shot on location in the South of France. 8 x 10 inches. Near Fine.

[Cover title]. Sydney, NSW : Publicity Pty. Ltd., 1941. Small quarto (247 x 184 mm), original pictorial wrappers (light vertical fold), staple bound, 16 pp, with photographic portraits, including writer/director Alec Coppel and actors, advertisements for local businesses; a good copy. Programme produced for the world premiere on May 10 1941 of the play Mr. Smart Guy, written and directed by internationally acclaimed Australian screenwriter, novelist and playwright Alec Coppel, at the Minerva Theatre, Orwell Street, in Sydney's King's Cross. Coppel, who was born in Melbourne and educated at Wesley College, had just returned from England where he had already worked as a writer for theatre, radio and film. In Sydney he co-founded Whitehall Productions, an adventurous theatre company for which he also wrote and directed plays. After the war Coppel would return to London, where he wrote the script for Edward Dmytryk's celebrated film noirObsession(1949) - based on Coppel's own novel, A Man about a Dog. He then moved to Hollywood, where his career really took off: he became the first Australian to receiveanAcademy Awardnomination for screenwriting withThe Captain's Paradise (1953). But Coppel's most significant achievement - albeit one that is not as well known in Australia as it should be - was to co-write the screenplay for a film that is consistently acknowledged as one of the greatest of all time, Hitchcock's Vertigo (1958). 'The time has come for the legitimate theatre in Australia to re-establish itself, and Whitehall Productions intends to see that it does exactly this. During the past few years it has been generally thought that the talkies have killed the theatre. This is not so. Talkies hit the public as a novelty, and as a novelty built up a tremendous following. Today, the legitimate theatre has the opportunity to use the same weapon to fight back. In Australia there is a whole generation of people who have never been to the theatre, and to whom legitimate stage production is a novelty. A company that is prepared to show theatre to these people in a modern and attractive form will win the support of this generation. The aim of Whitehall Productions is to establish a permanent theatre in this town which will concern itself purely with the presentation of a continuous series of good, modern and commercial plays.' (p.1) This highly important Sydney theatre programme, associated with Australia's most notable pioneer Hollywood screenwriter, is unrecorded in Australian collections.

Vintage reference photograph taken on the set of the 1966 film, showing director Mervyn LeRoy shooting a beach scene with actors Jean Seberg and Sean Garrison. Printed mimeo snipe affixed to the verso. After shooting her lover, a woman disposes of the body in a ravine, believing him to be dead. After being found by the police, the man-alive, but left with amnesia-consults the woman's husband, a psychiatrist specializing in memory loss. LeRoy's final film. Set and shot on location in Alpes-Maritimes. 10 x 8 inches. Near Fine.