cooper michael allen (18 Ergebnisse)

Paperback. Zustand: Very Good. Elliott & Wood's Cases and Materials on Criminal Law This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Elliott and Wood's Cases and Materials on Criminal Law (Text & Materials) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 72 pages. 7.00x5.00x0.15 inches. In Stock.

Paperback. Zustand: Brand New. 68 pages. 7.01x5.00x0.14 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Dust jacket in very good condition. First edition, first printing. SIGNED and inscribed by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Signed by Marty Coates and another contributing author Secure packaging for safe delivery. signed and inscribed by author.

Pappband mit Schutzumschlag. Zustand: Befriedigend. 160 Seiten Schnitt und ohne Schutzumschlag fleckig, Aufkleber hinten, Kanten gering bestossen, dezente papierbedingte Seitenbräunung /// Standort Wimregal GUL-30349 ISBN 3444105207 Sprache: Deutsch Gewicht in Gramm: 882.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.

[unpaginated]; 26.5 x 20 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 3 of Shiny International, edited by Michael Friedman. Contents include: interview with Eiko Ishioka by Tim Tucker and Steven Hall; interview with Mike Kelley by Ed Smith; interview with Fetchin Bones by Michael Friedman; interview with Arthur Russell by Todd Eberle; interview with Steve Poleskie by Steven Hall; Prose by Dennis Cooper, Peter Cherches, and Cheri Fein; poetry by Ron Padgett, Joe Brainard, Brad Gooch, David Trinidad, Eileen Myles, Jeffrey Jullich, Sal Salasin, and Tom Savage and "Photo Features" a portfolio by Allen Ginsberg, Fashion photography by Roméo / Latty with fashion by Brian Early, and band photographs by Todd Eberle of Hugo Largo, Zeitgeist, and Wednesday Week. Cover photo by Pat Kepic. Good. Rubbing of covers and light staining of recto with significant creasing to verso and water damage to covers. Light rippling to pages, contents otherwise clean and unmarked.

[4] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale exhibition announcement / brochure published in conjunction with show held May 11 - July 4, 1971. Text by associate curator Jane Livingstone and senior curator Maurice Tuchman. Artists include John Alberty, Michael Asher, James Bradley, Vija Celmins, Ron Cooper, Mary Corse, Robert Cumming, David Deutsch, Guy Dill, Laddie John Dill, Frederick John Eversley, Jack Goldstein, Scott Grieger, Patrick Hogan, Richard Jackson, Peter Lodato, Alan McCollum, Barbara Munger, Peter Plagens, Joe Ray, Allen Ruppersberg, Wolfgang Stoerchle, John White, and William Wegman. Recto / verso features uncredited photograph by Jerry McMillan of 20 of the 24 participating artists -- Richard Jackson, Michael Asher, Jack Goldstein, John White, Robert Cumming, Barbara Munger, Vija Celmins, Wolfgang Stoerchle center: Mary Corse, Peter Plagens, Frederick Eversley, William Wegman, Scott Grieger, Peter Lodato, David Deutsch, Guy Dill, Ron Cooper, Joe Ray, James Bradley, Patrick Hogan. Not shown: John Alberty, Laddie John Dill, Alan McCollum, Allen Ruppersberg -- on the steps of the Los Angeles County Museum of Art. In conjunction with the exhibiton the Museum "co-sponsored a new work by Allen Ruppersberg called 'Al's Grand Hotel'." Good. 1.2 cm. tear to top edge of spine and 4 mm. tear to bottom edge of spine edge. 2.5 cm. dog-ear to top left corner of publication with 9 mm. dog-ear to bottom left corner of publication. Additional light bumping and creasing of corners. Contents clean and unmarked.

Working script for the 1968 Broadway play, which ran from January 16, 1968, to December 14, 1968, at the Helen Hayes Theatre. Copy belonging to assistant stage manager Jim Oyster, with his name on the title page in manuscript ink, and his annotations throughout, amending dialogue and noting deletions. Laid in with the script are six revision pages on white stock. Based on the 1961 novel by Muriel Spark, and basis in turn for the 1969 British film directed by Ronald Neame and starring Maggie Smith. A charismatic middle aged teacher at a Scottish all-girls school in the 1930s leads her favored students into dubious, and eventually dangerous, political ground. Set in Edinburgh. Red titled Studio Duplicating Service wrappers. Title page present, noted as copy No. 16 in manuscript ink, with credits for playwright Jay Allen and novelist Muriel Spark. 139 leaves, with last page of text numbered 3-9-38. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good, moderately edgeworn and chipped, bound with two gold brads.