cooper billy (32 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Very Good. Dorrance & Co., Inc January 1986 Binding: Hardcover.

Zustand: New. In.

Zustand: New. In.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Dust jacket in very good condition. First edition, first printing. SIGNED and inscribed by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Signed by Marty Coates and another contributing author Secure packaging for safe delivery. signed and inscribed by author.

Zustand: New. In.

Zustand: New. In.

Zustand: Gebraucht / Used. Fine state. d595e.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780944823248.

Paperback. Zustand: Fair. wraps are shelf rubbed and creased. inscriptions and markings. sound binding. fair copy.[SK]. Our orders are shipped using tracked courier delivery services.

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

Paperback. Zustand: As New. A collection of seven booklets, each with approx 24 pages, illustrated. These are the catalogues from the seven one room exhibitions held during the Summer of 2009. The books are housed in a printed cardboard slipcase. A Fine, crisp copy.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - An autobiography of Brigadier General Billy R. Cooper, whose military career has taken him across the United States, to Germany and Vietnam.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Zustand: New. In.

Zustand: New. This book provides a historical overview of athletics at Historically Black Colleges and Universities (HBCUs) and the current social educational significance of these athletic programs. It also provides a conceptual framework that contributes to the debate on college athletics and higher education, in general, and athletics at HBCUs, specifically. Editor(s): Hawkins, Billy; Cooper, Joseph; Carter-Francique, Akilah; Cavil, J. Kenyatta. Num Pages: 282 pages, 8 tables. BIC Classification: 1KBB; 3JJ; JFSL3; JNB; JNM; WSK. Category: (P) Professional & Vocational. Dimension: 238 x 159 x 31. Weight in Grams: 580. . 2015. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. In.

Hardcover. Zustand: Brand New. 270 pages. 9.50x6.50x1.00 inches. In Stock.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 352 | Sprache: Englisch | Produktart: Bücher | This book examines the role of race in athletic programs in the United States. Intercollegiate athletics remains a contested terrain where race and racism are critical issues often absent in the public discourse. Recently, the economic motives of intercollegiate athletic programs and academic indiscretions have unveiled behaviors that stand to tarnish the images of institutions of higher education and reinforce racial stereotypes about the intellectual inabilities of Black males. Through the lens of Critical Race Theory (CRT), this volume analyzes sport as the platform that reflects and reinforces ideas about race within American culture, as well as the platform where resistance is forged against dominant racial ideologies.

Hardcover. Zustand: Brand New. 330 pages. 8.50x5.75x1.00 inches. In Stock.

Zustand: New. Editor(s): Hawkins, Billy J; Carter-Francique, Akilah R; Cooper, Joseph N. Num Pages: 330 pages, 6 black & white illustrations, biography. BIC Classification: 1KBB; JFSL3; JHBS; JNM. Category: (P) Professional & Vocational. Dimension: 210 x 148. Weight in Grams: 585. . 2016. 1st ed. 2017. hardcover. . . . . Books ship from the US and Ireland.

CD. Zustand: Sehr gut. 1 CD ; 12 cm + Beih. Kleine Lagerspuren ,CD Wie NEU J81M-F1CD1 Sprache: Deutsch Gewicht in Gramm: 505.

Vintage reference photograph of Ernst Lubitsch from the set of the 1938 film. Mimeo snipe on verso. Based on the 1921 French play "La Huitieme Femme de Barbe-Bleue" by Alfred Savoir. Previously Filmed as a silent film in 1923, now lost, directed by Sam Wood, and starring Gloria Swanson and Huntley Gordon. The first of many collaborations between screenwriters Charles Brackett and Billy Wilder. Nicole (Claudette Colbert) marries the wealthy American businessman Michael Brandon (Gary Cooper), only to learn he has been married seven times before, and she is determined that there will not be a ninth. 8 x 10 inches. Faint diagonal crease near top, else Near Fine. Byrge and Miller, The Screwball Comedy Films: A History and Filmography, 1934-1942.

Vintage reference photograph from the 1938 film, showing director Ernst Lubitsch in conversation with actors Gary Cooper and Claudette Colbert on the set, between takes, with a camera crew in the foreground. Based on the 1921 French play by Alfred Savoir. After discovering her multimillionaire fiance has already been married seven times, the daughter of an impoverished marquis decides to develop her own strategy to lock him down. The first of many collaborations between screenwriters Billy Wilder and Charles Brackett, including "Ninotchka" (1939), "Ball of Fire" (1941), "The Lost Weekend" (1945), and "Sunset Boulevard" (1950). Set in France. 8 x 10 inches. Near Fine. Byrge and Miller, The Screwball Comedy Films.