contini giovanni (11 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Catafalque for Marchese Bartolomeo Ruspoli, S. Maria in Vallicella, Rome, September 21, 1681 German: Katafalk für Marchese Bartolomeo Ruspoli, S. Maria in Vallicella, Rom, 21. September 1681 French: Catafalque pour Marchese Bartolomeo Ruspoli, S. Maria à Vallicella, Rome, 21 septembre 1681 Spanish: Catafalque para Marqués Bartolomeo Ruspoli, S. Maria in Vallicella, Roma, 21 de septiembre de 1681 High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (1681). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: COME NUOVO. Firenze, Polistampa cm.24x30,5, pp.192, illustrazioni. brossura con copertina figurata a colori. Celebre istituzione caritativa fiorentina, composta da dodici Procuratori e destinata a soccorrere i poveri vergognosi, fu fondata nel 1442 da sant'Antonino Pierozzi. Aiutava - e ancora aiuta, con le stesse regole di allora - coloro che, avendo goduto di agiatezza o di un tenore di vita decoroso, si trovassero ridotti in povertà e si vergognassero a elemosinare. Il volume contestualizza le vicende dei Buonomini di San Martino nella tradizione fiorentina di cura dei poveri; ne ripercorre la storia, ininterrotta dalla fondazione a oggi; ne illustra il patrimonio artistico e il ciclo pittorico della bottega dei Ghirlandaio con le opere caritative compiute; descrive gli importanti lavori di restauro che hanno reso di nuovo leggibili gli affreschi, rarissima testimonianza della Firenze di fine Quattrocento. A cura di Ludovica Sebregondi.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Discrete con Difetti, bruniture.

Zustand: DISCRETO USATO. ITALIANO Sottile brossura filo refe, minime le imperfezioni da conservazione alla copertina in cartonato ruvido, con striature da contatto e tracce d'uso, fogli in calda tonalità avorio, fioriture ai tagli. N. pag. 70.

Zustand: BUONO USATO. ITALIANO Brossura tascabile, copertina in cartonato comune, segnata da striature e lievi abrasioni da contatto, fogli ben preservati velati da ossidazione tono seppia, intensa ai tagli, firma di possesso al frontespizio, adesivo con cancellature su carta finale. N. pag. 67.

Zustand: NEW.

Zustand: NEW.

Hardcover. Zustand: As New. 1st Edition. 4° - 192pp - Color & B/w reproductions. Zoran Music (1909-2005) Slovene painter, printmaker, and draughtsman. He was the only painter of Slovene descent who managed to establish himself in the elite cultural circles of Italy and France, particularly Paris in the second half of the 20th century, where he lived for most of his later life. He painted landscapes, still lifes, portraits, and self-portraits, as well as scenes of horror from the Dachau concentration camp and vedute of Venice. First edition, published as exhibition catalogue, text in Italian, German and English. Original binding. As New!

Soft cover. Zustand: Very Good. 1st Edition. 8° - 167pp - Color & B/w reproductions. Exhibition Catalog: Giovanni Serodine (1494-1630) Swiss-Italian painter. First edition, text in Italian language. Original wrappers. In Very good condition.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Very slight tan to page edges. Plates and pages bright. Softcover. Italian. See images for condition. About the book >.>.> Artemisia by Roberto Contini and Giovanni Papi explores the multifaceted contributions of Artemisia Gentileschi, a significant yet often overlooked figure in art history. This book serves as a companion to a major exhibition at Casa Buonarroti, focusing on Gentileschi's works while also considering the influence of her father, Orazio Gentileschi. The exhibit, facilitated by the support of Banca Toscana, highlights a pivotal moment in the cultural narrative of the Buonarroti family and aims to celebrate the legacy of Artemisia in the context of her artistic lineage.The authors delve into Artemisia's role as a woman artist in a predominantly male-dominated environment, presenting her as both a skilled painter and a compelling personality. The text outlines the original decorative programme she worked on between 1612 and 1643 at Via Ghibellina, emphasising her creative collaboration with prominent artists in Florence. This programme included the Galleria I, dedicated to her celebrated ancestor, Michelangelo, framing a blend of biography, public life, and allegory, enriched by the captivating allegorical representation of Gentileschi herself.This comprehensive examination not only illuminates Artemisia's artistic achievements but also underscores her importance within the broader artistic community of her time. The exhibition represents the first substantial opportunity to view her works collected in Italy, alongside contributions from her father, thus enriching the discourse on gender and artistry in the Baroque era. Artemisia offers a unique perspective, supported by the collaboration of various institutions and collections, providing readers with a deeper appreciation of this remarkable artist's legacy and her place in art history.

Varese, Civico Museo d`Arte Moderna e Contemporanea, Castello di Masnago, 14 dicembre 2007 - 2 marzo 2008. 4°. 167 S. mit zahlreichen Abb., OKart., originalverpackt, neuwertig.