Contile luca (27 Ergebnisse)

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Verlag: Eos, 1999
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In den WarenkorbZustand: Buone. italiano Condizioni dell'esterno: copertina leggermente logorata e macchiata Condizioni dell'interno: scritta in biro in prima pagina.

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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

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Verlag: Per Francesco Marchesino, In Milano, 1550
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In den WarenkorbCopertina rigida. Zustand: Buono. Opera dedicata a Muzio Sforza Marchese di Caravaggio. Cm.21x16. Carte 2 non numerate, 52 numerate solo al recto, 2 non numerate, la seconda delle quali bianca. Legatura coeva in piena pergamena semirigida, con titoli calligrafati al dorso. Marca tipografica in ovale al frontespizio, attribuibile a Martino Cravotto, con figura femminile (Eva) appoggiata ad una colonna con serpente e mela. Nella cornicetta il motto "Neque qui neque dolo". Al colophon invece marca tipografica del Marchesino, con ancora accollata da delfino in cerchio cimato da croce doppia, con le iniziali "F.M.". Spazi per capilettera con letterine guida. Foglio di guardia posteriore in carta moderna. In fine al volume sono aggiunte tre carte cinquecentesche originali, impresse a stampa, senza numerazione, che contengono un testo dedicato da Giovanni Vendramin ad Annibale Visconti, in cui si parla delle tre commedie del Contile, la "Pescara", la "Cesarea" e la "Trinottia". Tale testo è tratto da "La Nice di messer Luca Contile, brevemente comentata dal signor cavaliero Vendramini" (In Milano, per Valerio, & Girolamo fratelli da Meda, adi 6. del mese de luglio, 1551). Si tratta della terza edizione, prima definitiva, di una commedia morale del letterato Luca Contile (Cetona, 1505 - Pavia, 1574, autore di svariati testi poetici. La prima edizione è del 1542, la seconda del 1544, ambedue a Roma per i tipi di Baldassarre de Cartolari. Ambientata a Siena, narra le vicende di tre personaggi, Filargiro, Brondio e Icanio, che rappresentano rispettivamente i vizi capitali dell'avarizia, della lussuria e della superbia. Sulle opere del Contile vedasi "Il ruginoso stile. Poeti e poesia in volgare a Milano nella prima metà del Cinquecento" di Simone Albonico (Milano, 1990, pg. 310-321). > Catalogo della Biblioteca de Capponi, 129-130, "Il Cavalier [Giovanni] Vendramini nella lettera premessa ad Annibale Visconti dice d'aver avuto in mano le tre commedie di Contile, cioè la "Pescara", la "Cesarea" e la "Trinozzia", e di averle giudicate degnissime della stampa. Il cavalier Vendramini fù anche amico di Claudio Tolomei, come si vede dalle lettere del medesimo Tolomei. Finalmente la "Trinozzia" viene dal medesimo Contile dedicata al Marchese Muzio Sforza Marchese di Caravaggio; la chiama "Trinozzia", perché tratta di tre vizj principali, che sono la ruina dell'uomo, cioè di un ricco avaro, di un povero superbo, e di un vecchio lussurioso". Gay, 276, "Parmi le personnages figurent les deux cortigiane Laide et Hersilia, et Brondio, vecchio lussurioso". Biblioteca Heberiana, II, 1440. Gamba, 397, in riferimento alle tre Commedie, "Scrive l'Editore, che sono tutti e tre gravi, piacevoli, et limitatissimi componimenti". Haym, 132.16. Operetta non censita da Adams. 100 gr.…
Weitere BilderVerlag: Pavia, Girolamo Bartoli, Pavia, 1574
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In den WarenkorbZustand: Good. ACCADEMIA DEGLI AFFIDATI-PAVIAFolio (349x230 mm). [6], 1-43, [1], 44-161 [recte 162], [1] leaves. Collation: *6 A-Z4 Aa-Pp4 Qq4(-Qq4) Rr8. The final quire was added later, so the previously final leaf Qq4 was excised, and its content (register, errata, and table) was reprinted on the recto and verso of leaves Rr1 and Rr8, respectively. A few other leaves were sometimes cancelled, in this copy leaves S1-2, Aa4, Bb3, Cc1, Hh4 and Mm4 appear to be cancels. Roman type, 54 lines plus headline. Engraved title page, woodcut initials, woodcut printer's device above colophon on l. Rr8r. Leaf Rr8v is a blank. With 116 engraved illustrations in the text, the first of which is full page and unnumbered, and depicts the device of Philip II of Spain, to whom the work is dedicated; the remaining half-page illustrations show the devices of the Accademia degli Affidati and its members. The illustrations are set within elaborate and elegant borders and bear both the motto and the academic name of the owner of the emblem. Contemporary vellum, modern buckram drop-backed box (traces of ties, binding crinkled and somewhat worn, spine slightly torn with old repairs at ends, front hinge repaired). Old manuscript note at the foot of the text on l. 82r, another note on l. 86r. Title-page somewhat soiled, gutter of the title-page reinforced, occasional staining throughout, a few quires slightly browned, occasional offsetting, repaired tear in Cc1, a few small round wormholes towards end. A very good, tall copy with some deckle edges.Provenance: W.D. Worthington, bookplate; Kerr & Richardson, Glasgow, bookseller's label at end; T. Kimball Brooker (Bibliotheca Brookeriana, VIII, lot 95).Original edition of this lavishly printed emblem book divided into two parts. The first part (ll. 1-43), after briefly discussing medals and hieroglyphics, deals with devices from a theoretical point of view by raising specific questions. The author, who demonstrates to be well aware of his predecessors' writings on the subject (citing, among others, Paradin, Giovio, Domenichi, Ruscelli, Ammirato, and Arnigio), distinguishes between crests, coat-of-arms, hieroglyphics, emblems, and devices, seeking to define how the latter differ from the former: the device, which in his opinion is ?componimento di figura e di motto rappresentando vertuoso e magnanimo disegno? (?a composition of figure and motto representing a virtuous and magnanimous design'), is only suitable for virtuous characters and not for ?li tinti d'infamia et i professori dell'arti meccaniche, eccettuati gl'ingegneri che stanno a' servigi de' principi, i pittori eccellenti e gli statuarii famosi? (?those tainted with infamy and those practicing mechanical arts, except for engineers who are in the service of princes, excellent painters, and famous sculptors'). The second part, on the other hand, is a veritable tribute to the members of the Accademia degli Affidati, whose devices are extensively commented on and enriched with numerous biographical details. The devices include that of Contile himself (l. 83), in which he provides valuable information about his life, and that of San Carlo Borromeo (l. 86).Towards the end of April 1574, the printing of Contile's Ragionamento was finally completed, and on August 23, he sent a copy of the newly printed book to the Duke of Parma, informing him that the edition had been ready for four months and, complaining about the quality of the printing, he was hoping for a second edition, which, however, never appeared. The publication had also been delayed by discussions arose among the members of the Accademia degli Affidati regarding its authorship, with some wanting the Ragionamento to be printed in the name of the Accademia, and others wanting it to be published solely under the name of its compiler; the latter party prevailed. Contile's treatise is considered the most accomplished, and certainly the most useful for the history of the genre. Furthermore, the second pa. Book.…
Weitere BilderVerlag: Appresso Gio. Ant. degli Antonii,, In Milano,, 1565
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In den WarenkorbCm. 15,5, cc. (4) 247. Marchio tipografico al frontespizio raffigurante un grifone e capolettera istoriati. Legatura del tempo in piena pergamena semirigida. Qualche piccolo alone chiaro al margine delle prime ed ultima carte e privo dell'ultima carta (bianca). Peraltro esemplare genuino ed in buono stato di conservazione. Timbro Galletti. Seconda edizione apparsa dopo l'originale di Pavia del 1564. Non in Adams.…
Weitere BilderVerlag: Appresso Sansovino et Compagni, In Venetia, 1560
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In den Warenkorbhardcover. Zustand: Good. Cm. 15, cc. (8) 108. Marchio tipografico al frontespizio, testate e capolettera figurati. Legatura settecentesca in piena pergamena. Legatura rimontata con titoli ms. recentemente su tassello al dorso. Esemplare ben conservato. Rara prima edizione delle rime del Contile, raccolta che si compone di tre parti. Le prime due sono dedicate a Isabella Gonzaga d'Avalos, marchesa di Pescara; la terza a Camilla Pallavicina. Cfr. Adams C-2589. Book. …

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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 340 | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.