compiled jon bird michael evans (4 Ergebnisse)

Stapled, A4, paper covers, b&w ills with purple spot colour on front cover pp56 Condition Near Fine, light shelf wear with covers beginning to pull away from staples, and small light stain to front cover, page block clean, tight and unblemished. Contributions from Griselda Pollock, Michel Thevoz, Tony Rickaby, Michel Serres, Bob Ferguson among others, see images for contents. The editorial on the contents page sets out the remit of the magazine within the historiography of Art History which saw a new focus away from high art to the histories of design, mass media and what later became known as visual culture. These influential disciplinary developments emerged from the British Art Schools, largely incorporated into the Polytechnics, and focussed on theoretical approaches and practice-based disciplines such as Art & Design and Communications now being taught at degree level throughout the higher education sector.

Stapled, A4, paper covers, b&w ills with red spot colour on front cover pp68 Condition Fine, clean, tight and unblemished. Contributions from Victor Burgin, Joan Copjec, Tony Fry, Nicholas Green & Frank Mort, Suzanne Lacy, Kathy Myers among others, see images for contents. The magazine positions itself within the historiography of Art History which saw a shift in focus at the end of the 1970s away from high art to the histories of design, mass media and what later became known as visual culture. These disciplinary developments emerged from the British Art Schools, largely incorporated into the Polytechnics, and focussed on theoretical approaches and practice-based disciplines such as Art & Design and Communications now being taught at degree level throughout the higher education sector.

Perfect bound, A4, paper covers, b&w ills with red spot colour on covers pp86 Condition As New. Contributions from Fred Orton, Michael Melot, Tamar Garb, John Barrell, Nicholas Green & Frank Mort, Iain Chambers, Laurence Budge, Jonathan Harris among others. The magazine situates itself within the historiography of Art History which saw a shift in focus in thew late 1970s away from high art to the histories of design, mass media and visual culture. These disciplinary developments emerged from the British Art Schools, largely incorporated into the Polytechnics, and focussed on theoretical approaches and practice-based disciplines such as Art & Design and Communications now being taught at degree level throughout the higher education sector.

Perfect bound, A4, paper covers, b&w ills with red spot colour on front cover pp83 Condition As New, Contributions from Dick Hebdige, Terry Smith, Sdrian Rifkin, Peter Dunn & Lorraine Leeson, Jessica Evans, Jon Bird among others. The magazine situates itself within the historiography of Art History which saw a shift in focus away from high art to the histories of design, mass media and visual culture. These disciplinary developments emerged from the British Art Schools, largely incorporated into the Polytechnics, and focussed on theoretical approaches and practice-based disciplines such as Art & Design and Communications now being taught at degree level throughout the higher education sector.