Verlag: Doubleday & Company Inc
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 38,43
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 39,66
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 48,11
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 116 pages. 8.50x5.43x8.50 inches. In Stock.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 75,37
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 81,29
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Princeton University Press, 1996
ISBN 10: 0691036918 ISBN 13: 9780691036915
Anbieter: Agapea Libros, Malaga, MA, Spanien
Zustand: New. Idioma/Language: Inglés. Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergà re, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 102,99
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 128 pages. 8.50x5.44x0.46 inches. In Stock.
Verlag: N.p., N.p., 1976
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Revised Draft script for the 1977 film, here with the slightly different working title "Empire of Ants." Loosely based on the 1905 short story by H.G. Wells. American International Pictures (AIP) third and final film in their H.G. Wells trilogy, beginning with "The Food of the Gods" (1976), directed and written by Bert I. Gordon and starring Marjoe Gortner and Pamela Franklin, and followed by "The Island of Dr. Moreau" (1977), directed by Don Taylor and starring Burt Lancaster and Michael York. Another classic "giant" movie from Bert I. Gordon following "King Dinosaur" (1955), "The Amazing Colossal Man" (1957), "Earth vs. the Spider" (1958), "Village of the Giants" (1956), and "Food of the Gods" (1976), this time featuring giant ants, mutated by radioactive waste, which attack a shady land developer and her prospective clients and threaten to take over a whole island town. Set in the Florida everglades and shot on location in Fort Pierce, Belle Glade, and Jensen Beach, Florida. Brown titled wrappers. Title page present, dated October 8, 1976, noted as REVISED DRAFT, with credits for screenwriter Jack Turley and story by Bert I. Gordon. 105 leaves, with last page of text numbered 104. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.