Collins cyn (10 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Jim Rownd (illustrator).

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Jim Rownd (illustrator).

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Jim Rownd (illustrator).

paperback. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Jim Rownd (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 377 pages. 9.25x6.00x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In the early 1970s, the Minneapolis music scene was no scene at all. Radio stations played Top 40 music; bars and clubs booked only rock cover bands and blues bands. Meanwhile, cities like New York, Detroit, and London were spawning fresh and innovative and loud and raw sounds by musicians creating a new punk and rock movement. A small but daring group of Twin Cities musicians, artists, entrepreneurs, and enthusiasts wanted a piece of that action. To do it, they had to build it themselves.…

Taschenbuch. Zustand: Neu. Complicated Fun | The Birth of Minneapolis Punk and Indie Rock, 1974-1984 --- An Oral History | Cyn Collins | Taschenbuch | Kartoniert / Broschiert | Englisch | 2017 | Minnesota Historical Society Press-IPS | EAN 9781681340326 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Taschenbuch. Zustand: Neu. Neuware -In the early 1970s, the Minneapolis music scene was no scene at all. Radio stations played Top 40 music; bars and clubs booked only rock cover bands and blues bands. Meanwhile, cities like New York, Detroit, and London were spawning fresh and innovative and loud and raw sounds by musicians creating a new punk and rock movement. A small but daring group of Twin Cities musicians, artists, entrepreneurs, and enthusiasts wanted a piece of that action. To do it, they had to build it themselves. 394 pp. Englisch.…