Collins baker c h (51 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Dust Jacket. Ex-college library marks, light wear; pages toned with age; a solid book. A few illustrations. Quantity Available: 1. Category: Art & Design; Inventory No: 236036.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. 6 in. X 9 in. high. viii + 42 pages and 24 B&W plates. Half green cloth with brown paper boards & paper labels on spine & cover. Condition of book is VERY GOOD; Spine label chipped, binding is tight, text is clean. 0.0.

Paperback. Zustand: VERY GOOD. 1958 printing; 45 clean, unmarked, tight pages with a mild crease at upper corner; lightly penciled price and initials on upper front flyleaf; very light shelf and corner wear on cover with tanning around edges.

Zustand: Good. 1926. No Edition Remarks. 62 pages. No dust jacket. This is an ex-Library book. Red leather spine with gilt, red cloth covered boards. Book has been rebound by library using new boards, with expected inserts, stamps and inscriptions. Contains black and white photographic plates. Pages and plates remain bright and clear. Binding remains firm. Boards have mild edge wear with slight rubbing to surfaces. Mild crushing to spine ends. Gilt lettering has become dull. Sunning to spine and board edges. Book has a slight forward lean. Book has a slight forward lean. Boards have minor damp and dust stains.…

Zustand: Good. 1922. First Edition. 137 pages. No dust jacket. This is an ex-Library book. Pictorial cloth covered boards. Sepia plates. Ex library copy with associated labels, inserts, stamps and annotations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have moderate shelf wear with some rubbing, fraying and corner bumping. Some moderate sunning and tanning, particularly to spine. Gilt lettering to spine is dulled but remains brighter on front.…

Zustand: Good. 1933. No Edition Remarks. 319 pages. No dust jacket. Red cloth boards with lettering. Contains black and white illustrations. Clean pages and illustrations with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Hinges are slightly cracked with exposed netting. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces and bumping to corners. Lettering is darkened. Moderate sunning to spine and edges with crushing to spine ends. Visible wear marks to boards.…

hardcover. 24 black & white plates. Thin 8vo, cloth-backed boards. San Marino, CA, 1938.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: good-. First. 8vo. Discolour to edges of boards. Dedication to ffep. Spotting to pegs and prelims. Dw has chips to corners wear to spine ends with loss to head of spine. Book.

Zustand: Good. Good condition. (william blake, catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Very good in good dust jacket. Hardcover lightly rubbed at spine ends and corners, spine and pages lightly browned. Dustwrapper soiled with tears at edges, very worn at spine ends and corners.

First Edition. Poor copy, wear and tear as with age. Boards detached. Text remains in fine condition. Physical description; xiii, 62 pages color frontispiece, LXIX plates (1 color) 22 cm. Subjects; Painting Netherlands History. Painting, Dutch 17th century History. 1 Kg.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

San Marino, CA: Henry E. Huntington Library and Art Gallery, 1936. Small 8vo, 15pp. plus 12 plates in black and white. Blue printed wrappers. Very good. § Introduction by C.H. Collins Baker. Bentley, Blake Books, 640.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

1st ed. Owner's name & small stamp; binding tight; orange cloth faded on spine & mottled at board edges. Used - Very Good. VG hardback (no dust jacket) Used - Very Good. VG hardback (no dust jacket).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hard. Zustand: Very Good. No Jacket. 1st. First edition, limited to twelve hundred copies. Hard cover. Published San Marino: Henry E. Huntington Library and Art Gallery, 1936. Folio, 9 1/4" x 12 1/4", 100pp. text, plus 50 plates. Wear at the tips and spine ends, spine bit sunned. Very good, clean, bright. …

viii+56+[36]pp. 8vo. Original illustrated boards with cloth backstrip and slightly chipped paper title label. All else near fine. B/w plates.

Hardcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Year 1933. Hardcover. English. See images for condition. About the book >.>.> It would be otiose and impertinent of me to say more in this Introduction in respect of the first chapter of this book than that our readers are fortunate in having the medi?val period of British Painting so compactly and clearly suggested by the authority of Dr. James. Would that a comparable lucidity and comprehension persisted throughout this short history! But I am conscious that in its account of British Painting from Tudor times till 1900 this book will not answer many questions that might be put to it. To some, I think, the most interesting passage in the history of English portrait painting is the Tudor, because of its inex-plored possibilities. Most students of that period, though constantly disappointed of hoped for revelations, yet keep a sneaking faith that eventually their hope will be justified by the discovery of a substantial number of paintings of the standard set by Margaret Beaufort's devout fine portrait in the National Portrait Gallery. In this painting, more certain.…

Hardback edition. Near fine copy in the original colour-printed boards. Spine bands and panel edges very slightly dulled. Remains particularly well-preserved overall. Physical description; vii, 55 pages, 19 unnumbered leaves of plates : illustrations ; 24 cm. Subjects; Blake, William 1757-1827 ; Exhibitions. Blake, William 1757-1827 ; Catalogs. Blake, William 1757-1827 Expositions. Henry E. Huntington Library and Art Gallery Catalogs. Arts, English ; Catalogs. 1 Kg. …

Hardcover. Zustand: Good. 157 pages, ill. First edition, first printing. Red and black cloth boards, rubbed edges, signature of architect William G. Rowntree Bodie on front free endpaper, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Acceptable. 157 pages, 16 of text and 141 of b &w photographs. The jacket is torn with loss, but is now in a protective sleeve. A previous owner's impressed stamp is on the fep.

First Edition. Good, strong copy in the original title-blocked red cloth boards, now lightly scuffed and dust-dulled overall. Rear board shows substantial sun-toning, with spotted shadow stains around the margins. Text edges, preliminary and final leaves lightly foxed, with the interior remaining tight, bright and clean. Frontispiece retains its tissue-guard; a well-preserved copy overall. Provenance: from the library of Sir Lawrence Gowing. Physical description; xxxvi, 319, [1] pages : colour frontispiece, illustrations, plates (some colour), portraits (some colour) ; 24 cm. Notes; With a chapter on primitive painting by Montague R. James (1862-1936). Includes bibliographical references (pages xxxv-xxxvi). Contents: Appendices: 1. Some characteristic works 2. Miniatures 3. British paintings in American collections. Subjects; Baker, C. H. Collins 1880-1959. Painting, British History. Painting, English History. Primitivism in art Great Britain. Portrait painting, British. Landscape painting, British. Miniature painting, British. Artists Great Britain. Reynolds, Joshua 1723-1792. Gainsborough, Thomas 1727-1788. Romney, George 1734-1802. West, Benjamin 1738-1820. Constable, John 1776-1837. Raeburn, Henry 1756-1823. Fuseli, Henry 1741-1825. Barry, James 1741-1806. Blake, William 1757-1827. Burne-Jones, Edward Coley 1833-1898. Pre-Raphaelites. Impressionism Great Britain. 1 Kg.…

Leinen. Zustand: Gut. EA. ca. 200 S. Großer Bildteil. Großformat. Rücken mit dem Titel beschriftet. Mehrere Büchereistempel und Einkleberreste. Altersübliche Gebrauchs- und Lagerspuren. Gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1500.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN.…

Taschenbuch. Zustand: Neu. Neuware - 'Masters of Painting: Pieter De Hooch' offers a sophisticated exploration of the life and legacy of one of the Dutch Golden Age's most influential painters. Written by C. H. Collins Baker, the former Keeper of the National Gallery, this work provides an expert analysis of the artist whose depictions of domestic interiors and tranquil courtyards remain unparalleled in their use of light and spatial composition.As a leading figure of the Delft School, Pieter de Hooch is celebrated for his ability to transform ordinary 17th-century life into scenes of profound atmospheric beauty. This volume examines his technical mastery and the evolution of his style, from his early soldier scenes to the sun-drenched architectural views that would define his career. Baker's commentary guides the reader through the subtle nuances of De Hooch's color palette and his exceptional command of perspective, which often draws the eye through complex sequences of rooms and doorways.This study serves as both a historical record and a critical appreciation of a painter who captured the quiet dignity of the Dutch home. It is an essential resource for art historians and collectors interested in the structural precision and luminous quality that characterize the works of this master of the Baroque era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

31 x 25 cm, paper boards with printed title label, 10 pages text, 12 plates. Text in English, very good condition, see picture. Monograph on the Dutch Golden Age painter Pieter de Hooch, published in the Masters of Painting series. Illustrated with tipped-in colour plates Pieter de Hooch. 620g.