collier john payne editor (5 Ergebnisse)

First Edition. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Provenance; from the libraries of Daniel Canon Rock and Seminarii S. Ioannis with their respective bookplates. Series; Camden Society. Old Series ; 2. Physical description; xiv, 110 pages 22 cm. Subjects; John King of England (1167-1216) ; Drama. English drama Early modern and Elizabethan, (1500-1600) ; Sources. Great Britain History John, (1199-1216) ; Drama. Great Britain History John, (1199-1216) ; Drama. Drama. 19th century. Plays. 19th century. Genres; Drama. History. Plays - England - 1838. Plays - English - 19th century. 3 Kg.

Hardcover. Zustand: Very Good. No Jacket. Benjamin Blom, New York, 1966, 2 vols, hb no d/w, maroon cloth boards with a black box and gilt titles to spine, head and foot of spine very lightly bumped else few signs of wear, pages clean and bright, good tight secure bindings, both volumes very good copies [Box 42].

Hardcover. Zustand: Very Good. First. In worn green embossed cloth, corners and edges a little bumped. Spine, decorative gilt tooling, gilt title, edges bumped. Internally, yellow endpapers, [4], 23, 28, 7, 84, 12, 32, 16 pp, small binders label to ep, many pages uncut, some very faint browning at page edges, printed by JB Nichols and Son, 23, Parliament Street, London. (219*170 mm). Title continues: Register and chronicle of the Abbey of Aberconway; Chronicle of the rebellion in Lincolnshire in 1470; Bull of Pope Innocent VII on the marriage of Henry VII with Elizabeth of York; Journal of the siege of Rouen in 1591; Letter of George Fleetwood describing the Battle of Lutze and death of Gustavus Adolphus. Diary of Dr. Edward Lake, Chaplmain and tutor to the Princesses Mary and Anne, 1677-1678. The Royal Historical Society (and its predecessor body, the Camden Society) has since 1838 published editions of sources on British History. It is a very good collection of editions of sources and important unpublished texts for historians, with expert commentary, and many of the early volumes remain in regular use. The publication is on-going (two volumes per annum), and the volumes are currently published by Cambridge University Press. The series now comprises over 325 volumes.

Hardcover. Zustand: Very Good. First of this edition. Full brown tooled leather, raised bands and marbled endpapers. Unusual tooled, gilt edges. Light rubbing at raised bands. Purported to be a collection of 1,341 broadside ballads from the seventeenth century.

See the entries on Collier and Dilke in the Oxford DNB. The eight volumes of Collier's edition of Shakespeare's works were first published between 1842 and 1844, with the sonnets and other poems in the last volume. The Athenaeum carried a long review of vols.2 and 3 of Collier's edition on 9 July 1842, and another dealing with the biographical element of the entire work on 2 March 1844. From this letter it is clear that Chasles intended to review the eighth and last volume containing the sonnets (and may well have done so). The present item is 3pp, 12mo. On bifolium. In fair condition, aged, spotted and worn, with long closed tear at foot of gutter. Folded for postage. Addressed to 'Cher Monsieur' and signed 'Philarète Chasles'. Accompanied by a passable modern typescript translation of the letter. Chasles begins by thanking the recipient (Dilke) for his 'bonnes paroles', and the 'place' he has given him at the Athenaeum, with 'votre protection si amicale et si complète'. There follows a strange self-abasing passage in which Chasles states that his only desire is to be accepted and excused, and that as his impudence is great, he is blessed not to have been punished. He proposes, with the recipient's permission, to the 'rearrangeur et au vieux et respectable M. Payne Collier'. He transcribes Collier's reproduction of the dedication to Shakespeare's sonnets, accusing Collier of 'inexactitude' in his printing: 'Il imprime ainsi la valeur relative des lignes; et il oublie les blancs qui sont si importans'. He gives one two-line example, claiming that by omitting the white space between them 'elles sont une iteration, une masse et absurde tautologie. Ce Well-wisher qui Wishes, est ridicule.' He undertakes to be 'très courtois, bien entendu pour M. Collier', and besides he will submit blindly to the recipient's corrections. See Image of pp.2/3/.