collier arthur james (12 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Gebunden. Zustand: New.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First edition, first printing. Signed by the author. Limited editions. Complete in twelve volumes. Publisher's original cloth, each with an unique design in gilt to the upper board and titles in gilt to the spine, in dustwrapper. Each volume with a frontispiece illustration. Volume 1, H. E. Bates: The Duet. Numbered 95 of 285 copies. Black cloth. Illustrated with line drawings within the text. A very good or better copy, just a couple of foxing spots to the prelims, in a very good dustwrapper that is toned to the spine and nicked and creased at the edges; Volume 2, A. L. Pavey: At Home. Numbered 68 of 285 copies. Brick red cloth. A very good copy, a few spots of foxing to the prelims and text block edge, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 3, Rhys Davies: One of Noah's Early Days. Numbered 71 of 285 copies. Dark grey cloth. A very good copy with light spotting, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 4, John Collier: Variation on a Theme. Numbered 34 of 285 copies. Green cloth. A very good copy, spotted to the prelims, the dustwrapper toned, nicked and chipped at the spine, the edges a little nicked and creased; Volume 5, John Hampson: Man About the House. Numbered 5 of 285 copies. Grey cloth. A near fine copy, faintly spotted to the prelims, the dustwrapper toned to the spine and a little nicked and creased to the edges; Volume 6, Patrick Kirwan: The Life and Death of St. Herbault. Numbered 39 of 285 copies. Black cloth. A near fine copy, the prelims with faint spotting, the dustwrapper toned to the spine and a little nicked and creased at the edges; Volume 7, H. A. Manhood: Maiden's Fury. Numbered 3 of 285 copies. Pink cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 8, James Hanley: At Bay. Numbered 38 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 9, Arthur Calder-Marshall: A Pink Doll. Numbered 9 of 285 copies. Pink cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 10, Seàn O'Fàolain: There's a Birdie in the Cage. Numbered 13 of 285 copies. Green cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper with a few nicked to the somewhat toned spine; Volume 11, Graham Greene: The Bear Fell Free. Numbered 7 of 285 copies. Greyish brown cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few nicks and closed tears to the edges and fold corners; Volume 12, T. F. Powys: Make Thyself Many. Numbered 1 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned and with some creasing to the head of the spine. Each volume is signed by the author on the limitation page. The 12 titles in the Grayson Books series were issued in a limited edition of 285 copies, of which 250 were for sale to the public. All books feature an original work of short fiction and were published in 1935. The series was edited by John Hackney. It is uncommon to encounter a complete set. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Limited Edition. The Complete Grayson Books Series. London: Grayson and Grayson, 1935. Edited by John Hackney. Limited numbered first editions, all signed by the respective author. Twelve Volumes. Octavo. Publisher's cloth stamped in gilt; original illustrated dust jackets. Minor edgewear, head and foot of spines pushed. Endpapers illustrated with publisher's device; some foxing. Internally generally clean and tight; scattered foxing and light soiling, text block edges toned and foxed with minor wear. Dust jackets with minor to moderate edgewear with some losses, chipping to head and foot of spines with some losses, spines sunned, scattered foxing. Very good to near fine books with very good dust jackets. John Hampson. Man About the House. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 122, signed by the author. Graham Greene. The Bear Fell Free. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 152, signed by the author. Seán O'Fáolain. There's a Birdie in the Cage. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 153, signed by the author. H.A. Manhood. Maiden's Fury. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 127, signed by the author. T. F. Powys. Make Thyself Many. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 151, signed by the author. L. A. Pavey. At Home. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 179, signed by the author. Patrick Kirwan. The Life and Death of St. Herbault. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 125, signed by the author. John Collier. Variation on a Theme. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 143, signed by the author. H. E. Bates. The Duet. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 193, signed by the author. Arthur Calder-Marshall. A Pink Doll. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 234, signed by the author. Rhys Davies. One of Norah's Early Days. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 155, signed by the author. James Hanley. At Bay. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 219, signed by the author. Signed by Author(s).