collalto (23 Ergebnisse)

[23] Bl. mit 24 Abb. 8°. Orig.-Kart. Text dt. und ital.

Paperback. Zustand: Brand New. 74 pages. Italian language. 8.27x5.83x0.17 inches. In Stock.

[48] S., viele Abb. ; 23x22 cm. Orig.-Kart. (gut erhalten).

Tapa blanda. Zustand: Bueno. coleccion CONOCIMIENTOS UTILES, sin fecha de edicion, 127 paginas, tapa dura sin sobrecubierta, buen estado.

Softcover. 14,5 x 21 cm. Querformat. Originalbroschur mit Leinenrücken. 2 Blatt, 119 Seiten in Maschinenschrift bedruckt. Leicht gebräunt, aber sauber und in gutem Zustand. Ursprünglich als unverkäufliches Manuskript für die Bühnen vervielfältigt. - Aus der Bibliothek des Altorientalisten Volkert Haas. Seine zentralen Forschungsthemen waren die Sprache, Literatur und Religionsgeschichte der Hurriter und Hethiter. Haas galt als einer der renommiertesten Spezialisten im Bereich der Hethitologie. Neben den genannten Projekten forschte Haas auch zu den altorientalischen Religionen, hethitischen Heilverfahren und arbeitete an einer Geschichte der hethitischen Literatur. Haas war Herausgeber der Zeitschrift Altorientalische Forschungen. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! K01195-413787.

Zustand: New. In.

Tapa blanda. Zustand: Bueno. coleccion CONOCIMIENTOS UTILES, sin fecha de edicion, 127 paginas, tapa dura.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Discrete con Difetti, macchie.

Zustand: BUONO USATO. IED. ITALIANO Brossura commerciale in cartonato flessibile, dalla copertina ben tenuta, leggermente annerita da polvere, illustrata da figura stilizzata. Presunta firma con dedica dell' Autore al frontespizio. Buono l' interno, pagine velate da tonalità brunita, più intensa ai tagli, integri e puliti. Con alcune tavole in bianco e nero fuori testo. Numero pagine 178.

Paperback. Zustand: Brand New. 426 pages. Italian language. 8.27x5.83x0.96 inches. In Stock.

Zustand: leido. sin fecha. 8º. 127 pp. Cartoné, lom tela. buen estado.

Firenze, Paolo Sacchi, 1989, in-8 piccolo, br. edit., pp. 126, [2].

In 8 (cm 17 x 24,4), pp. 28 + (2). Brossura editoriale con danni riparati al dorso. Dedica autografa al piatto anteriore. ITA.

(1930)? Editorial David, BCA Col. Manuales de la Familia. 191 pp. 17x12 cm. Nueva encuadernación holandesa pergamino. Ex-libris Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.(literatura catalana, literatura catalana).

Broché. Zustand: Bon. 1 fascicule broché, sous couverture muette de papier marbré ancien, 66 pages. Antonio Cristoforo Collalto Mattiuzzi. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).

Brossura. Zustand: Discreto. 2° migliaio. 16°,pg.130. Legatura in tela. 400 gr.

Buch. Zustand: Neu. Neuware - Les Trois Jumeaux Venitiens. d'Antonio M. Collalto est une pièce de théâtre captivante qui plonge le lecteur dans le Venise du XVIIIe siècle. Cette Å'uvre explore des thèmes d'identité, de confusion et d'intrigue à travers le prisme de trois jumeaux.

rigide. Zustand: Bon. 1 vol. in-8 reliure demi-basane verte, contient : Hauteroche : Crispin Médecin, Comédie, Chez Brunet, Paris, 1789, 54 pp. - L'Amant, auteur et Valet, Comédie en un acte, Chez les Libraires Associés, Paris, 1785, 40 pp. - Fagan : La Pupille, Comédie, Par la Compagnie des Libraires, Paris, 1762, 38 pp. - Rochon de Chabannes : La Manie des Arts ou, La Matinée à la Mode, Comédie en un acte et en prose, représentée pour la première fois, par les Comédiens ordinaires du Roi, le Mercredi premier Juin 1763, Chez la Veuve Duchesne, Paris, 1775, 29 pp. - Caillava d'Estandoux : Le Tuteur dupé, Comédie en cinq Actes et en Prose, Chez la Veuve Duchesne, Paris, 1771, 63 pp. - Goldoni : Le Bourru Bienfaisant. Comédie en trois actes et en prose, Chez La Veuve Duchesne, 1781, 76 pp. - A. Collalto : Les Trois jumeaux vénitiens, Comédie italienne, en quatre vers, Chez Ruault, Paris, 1777, 79 pp. - J. Patrat : L'Heureuse erreur, Comédie, en un acte et en prose, représentée pour la première fois, par les Comédiens Italiens ordinaires du Roi, le 22 Juillet 1783, Chez Broulhiet, Toulouse, 1783, 44 pp. - Abbé de Vermond : La Cour plénière, héroï-Tragi-Comédie, en trois actes et en prose, Jouée le 14 juillet 1788, par une Société d'Amateurs, dans un Château aux environs de Versailles, Chez la Veuve Liberté, Baville, Paris, 1788, 77 pp. - Le Président Dupaty aux Champs-Elisées, 1788, 24 pp. - Desaudras, Les deux Figaro, Comédie, en cinq actes et en prose, représentée à Paris, sur le Théâtre Français, Louvois et Faydeau ; et à Bordeaux sur le Grand Théâtre, Chez Chapuy, Bordeaux, An VI, 1798, 56 pp. - Pelletier-Volméranges : Le Mariage du Capucin, Comédie en trois Actes, en prose, Chez Barba, Paris, An XI, 1803, 63 pp. Très intéressant recueil de pièces datant de la fin de l'ancien Régime et de la période révolutionnaire, dont plusieurs en édition originale (La Cour Plénière, L'Heureuse erreur ) ou introuvables (Minuit, Le Président Dupaty aux Champs-Elisées, Les deux Figaro, Les Trois Jumeaux Vénitiens). Bon état (dos portant le n°1). Langue: Français.

8°. Mit 2 gef. Kupfertafeln. 137 SS. Interims-Pp. (fleckig, angestaubt, Rücken beschädigt und mit Fehlstellen). Indice: "Del punto e della retta nello spazio. Del piano. Dei piani paralleli, perpendicolari ed obliqui fra loro, e colle rette. Della sfera. Dei piani che tagliano e toccano la sfera. Trasformazioni delle coordinate. Costruzioni geometriche. Problemi. Dei poligoni considerati nello spazio. Dei poligoni rovesci. Delle piramide. Dei poliedri. Delle superficie di tutti gli ordini. Divisione delle superficie di secondo ordine e semplificazione delle loro equazioni. Delle superficie di secondo ordine che hanno un centro. Delle superficie di secondo ordine che non hanno un centro. Sezioni particolari dei piani e delle superficie. Dei piani che toccano le superficie. Equazioni delle superficie dedotte dalla loro generazione. Intersecazione delle superficie e curve a doppia curvatura".- Innendeckel mit Bibl.-Schildchen, Titel mit Bibl.-Stempel. Papier stockfleckig.

Due volumi legati in uno di cm. 22,5, pp. viii, 125 (1); 137 (1). Con 5 tavole incise in rame e più volte ripiegate f.t. Legatura coeva in mezza pelle, dorso liscio con titoli e fregi in oro. Qualche scritta a matita, peraltro esemplare genuino e ben conservato.

Roma, 1927, 8vo br. pp. 96 con tav. fotogr. f.t. (In lingua francese).

Zustand: MOLTO BUONO. NOTA:lievi mende al dorso. / cm.23x30, pp.32 ill. bn. legatura editoriale in tutta tela. Copertina figurata. Si tratta di una pubblicazione occasionale con fotografie dei luoghi ricostruiti dopo le distruzioni della prima guerra mondiale, altre foto di famiglie coloniche del luogo e dell'Azienda e dei prodotti agicoli e zootecnici.

No Binding. Zustand: Very Good. Casanova de Seingalt, Giacomo Girolamo (1725-98). Libertine, adventurer, spy & autobiographer. Autograph letter in ink, signed 'G.Casanova' addressed to Count Ottaviano Antonio di Collalto, his benefactor & fellow freemason, Dated: Dux, 2 March 1789, (reply received 9 March 1789). 3 pages in 4to. Writing 2 months before the outbreak of the French Revolution from his home at Dux in Bohemia, Casanova warmly thanks an aristocratic benefactor for his letter of 14 February, addressing him as 'Excellenza mio adorato Padrone' (Excellency my adored master) Your gentle and generous heart dictates to your happy pen everything that can be read in your writing, by which you can only notice sentiments of truth and of virtue May God repay you for the kindness you have shown me, and preserve your good health for a long time as for the advantage of your illustrious family and also to give me, in case of need, new token of your grace and of your protection . He refers to Collalto s sad news that prince Karl von Li[e] chtenstein(1) was dying, but it was also welcomed because over here he was thought dead, and [instead] as long as there is breath there is hope ; Casanova comments on social events Now the Carnival is over and so are the balls and the nice court assemblies, to which Your Excellency deservingly took part A correspondent of mine from Venice tells me that the Doge(2) is dying, and that according to the public opinion the ducal horn will be appointed to His Excellency the Procurator Memmo (3) , but the same [correspondent] also tells me that he has no money, and that he is quarrelling with the Martinenghis, who claim from him 145.000 ducati for works carried out in the palace at S. Marmola which he gave as a dowry to his daughter I am told that in Vienna the Venetian minister will be a patrician with a noble title, but I do not know who he will be. The last paragraph contains an extended reference to [Lorenzo] da Ponte, Mozart s librettist : I was told that the Italian music was dismissed. I am wondering if the abbé da Ponte4 will stay. He doesn t write to me anymore. He is angry with me because I didn t praise his poems. He who flatters is not a friend (1) Karl Joseph Prince of Liechtenstein (1730-89) , Austrian general; (2) Doge Paolo Renier (1779-89) was actually succeeded by Ludovico Manin (1789-97), the last doge; (3) Andrea Memmo (1729-93) Proculator of St Mark s, architectural theorist, was in financial difficulties when he left his palace to his daughter as a dowry to the Martinenghi family; (4) Lorenzo da Ponte (1749-1838), born as Emanuele Conigliano, a converted Venetian Jew, was a gifted opera librettist, poet and priest, who wrote the libretti for Mozart s three most famous operas :Don Giovanni, The Marriage of Figaro & Cosi fan tutte; he made his career as librettist to the Italian opera in Vienna under the patronage of the Emperor Joseph II, but lost his post under the new Emperor Leopold; he had met Casanova in October 1787; both men had been expelled from Venice and had a tempestuous relationship (da Ponte was critical of Casanova in his memoirs); after a spell in London, da Ponte emigrated to New York, where he produced the first full performance of Don Giovanni, and founded the New York Opera Company in 1836, the predecessor of the New York Metropolitan Opera House. Traces of ink oxidization throughout, otherwise in very good condition. Autograph letters by Casanova of this length and interest are rarely offered for sale.