Coles robert levitt helen (10 Ergebnisse)

First Edition. First edition. Softcover. Fall 1997. 144 pages. Features contributions by Seamus Heaney, Studs Terkel, Helen Levitt, Thomas Roma, Joel Meyerowitz, and numerous others. Also includes Robert Adams' review of a book by John Gossage. A clean near fine copy in wrappers.

First Edition. First edition. Hardcover. 78 pages. Includes images from these photographers: Dorothea Lange, Eudora Welty, Robert Adams, Robert Coles, Alex Harris, William Christenberry, Garry Winogrand, Helen Levitt, Max Yvano, Walker Evans, Lou Stoumen, Robert Frank, Duane Michals. A near fine copy in glossy boards with sunning to the boards. No dust jacket as issued.…

First Edition. First edition. Softcover. Spring 2002. 120 pages. Features an excerpt from Seamus Heaney's book " The Cure at Troy" The highlight of this issue is Michael Cole's interview of Helen Levitt with some of her photographs as well. Also features poems by Stanley Plumley, April Bernard, fiction by David R. Means and a portfolio of photographs by Joel Sternfeld. A clean very near fine copy in wrappers. …

First Edition. First edition. Softcover. Winter 1996. 144 pages. The highlight of this issue is a selection of previously unpublished photographs by Helen Levitt. Includes other selections of images by Dawoud Bey and Thomas Roma. Features contributions by Jay Tolson, John Huddleston, Bill McKibben, Andre Dubus, Bobbie Ann Mason, Luis Alberto Urrea and poems by Philip Booth, and C.K. Williams. A clean near fine copy in wrappers with some very minor wear. …

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. Subtitled: "Chalk Drawing and Messages New York City 1938-1948." Features an essay by Robert Coles. A charming collection of 114 duotone images from the photographer whose book "A Way of Seeing" is widely considered one of the best photography books of the 20th century. A near fine copy in photo-illustrated wrappers with some very minute wear.…

Broschiert. Zustand: Gut. S. 457 - 663 Volume 19, Number 4, 1975. With contributions by Helen Levitt, Robert Coles, Mark Goodman, Milton Rogovin. Egdes slightly discoloured, otherwise clean and sound. + + + Broschierter Einband tls. leicht berieben und dezent lichtrandig, Schnitt dezent nachgedunkelt, sonst sauber und gepflegt. Keine Besitzvermerke. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 220.…

Zustand: Very Good.

Third printing. Softcover. Subtitled: "Chalk Drawing and Messages New York City 1938-1948." Features an essay by Robert Coles. A charming collection of black and white photographs. A fine copy in photo-illustrated wrappers. Signed by Levitt on the title page and uncommon thus. Signed.

First edition of the photographer's second major photobook. Quarto, original cloth. Signed by Helen Levitt on the title page. Fine in a fine dust jacket. Not to be confused with the more common paperback edition. Helen Levitt and the author James Agee first collaborated in 1945 on a documentary film set in Harlem, called "In the Street." Psychologist Robert Coles contributed the essays to this volume. Owen Edwards from The New York Times has noted that "[i]n common situations Miss Levitt finds the glint of an often bizarre beauty that most of us-including photographers-do not notice. . . . She brings to her pictures an intensity that can be almost hypnotic." "There is no fundamental difference in the great landscapes and quiet portraits of Edward Weston and the profoundly revealing pictures of children by Helen Levitt. Both are photographic perceptions of the highest order" (Ansel Adams).…