Coleman les editor (2 Ergebnisse)

Autor: 
Mit der Detailsuche verfeinern

Optimieren Sie Ihre Suche

  • Bücher (2)

bis

Benutzerdefinierte Preisspanne (EUR)

bis

  • Sprache: Englisch

    Verlag: Research Group for Artists Publications, UK, 2011

    0955827388 / 9780955827389

    • Hardcover

    Anbieter: Marcus Campbell Art Books, London, Vereinigtes KönigreichMarcus Campbell Art Books

    Verkäufer/-in mit 4 Sternen
    Verkäufer/-in kontaktieren

    Verbandsmitglied: ABAPBFAILAB

    Zustand: Gebraucht - Gut

    EUR 36,81

    EUR 22,63 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    Hardback. Zustand: Very good. 20 x 26cm 192pp very good hardback with a text by Michel Remy: The Contagious Surrealist together with colour plus black and white reproductions. Earnshaw worked as an engineering fitter, and later as a lathe turner and a crane driver, while educating himself at Leeds City Library. At 20 he became interested in Surrealism and, with his lifelong friend Eric Thacker, devised surreal activities such as boarding and alighting from trains at random. In the early 1960s he met several other like-minded people, including Patrick Hughes, Ian Breakwell and Glen Baxter. Hughes persuaded Earnshaw to hold a retrospective at the Leeds Institute in 1966, which was followed by an exhibition in Exeter.…

  • Verlag: RedFoxPress, 2008

    • Hardcover

    Anbieter: Marcus Campbell Art Books, London, Vereinigtes KönigreichMarcus Campbell Art Books

    Verkäufer/-in mit 4 Sternen
    Verkäufer/-in kontaktieren

    Verbandsmitglied: ABAPBFAILAB

    Zustand: Gebraucht - Gut

    EUR 55,21

    EUR 22,63 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    In den Warenkorb

    Hardback. Zustand: Very good. 11 x 16cm very good hardback. Les Coleman writes: 'Early in 1982 I wrote to George Brecht, with whom I was in intermittent contact, suggesting the idea that I might edit a small anthology of his scattered contributionsto journals and magazines. After waiting sometime I received his reply. "O.K. with me if you want to re-publish the writings, but I guess my putting off so long answering you means I don't want to put any time on it myself". I could understand his lack ofinterest in getting involved and let the proposal drift to the back of my mind and did nothing further. It was not as if I ha a publisher in mind, let alone anyone who had agreed to undertake what was, essentially, a 'labour of love' on my behalf.I have never met, or spoken, with George but over the years our occasional correspondence has continued. I send him books og mine as they appear which he consigns to his "chamber-reading collection". He in turn sent photocopies of his early and difficult to locate, published works and self-published postcards. When, in 2006, Francis Van Maele invited me to contribute to his series of books 'C'est mon dada' resulting in Thunks, the idea of a small George Brecht collection was resurrected in my mind. These books dedicated to experimental, concrete and visual poetry inspired by the spirit of Dada and Fluxus presented an unexpected opportunity to gather together in one place some of George's 'lost' works.'.…