Cocteau jean text (8 Ergebnisse)

Zustand: Gut. Jahr: c1949. Einband: Broschur. Beschreibung: Revidierte Ausgabe (1948). Titel in Dt./Engl./Frz. VN/Pl. no. B. & H. 16497. c1927 by Edition Russe de Musique (Russischer Musikverlag). New version c1949 by Boosey & Hawkes. Texte de J. Cocteau mis en latin par J. Danielou. English translations of speaker s text (Prologue) by E. E. Cummings. Deutsche Übertragung von L. Thurneiser. Mit Personen und Angaben zur Orchesterbesetzung. Vorwort (Frz./Engl./Dt.). 25 x 18 cm. Kapitale etwas lädiert. Mit Stempel einer Musikalienhandlung und Namenseintrag mit Blei auf dem Titel. Innen gut und sauber erhalten. VI, 144 S.…

Zustand: Gut. Jahr: c1949. Einband: Broschur. Beschreibung: Studienpartitur. Revidierte Ausgabe (1948). Titel in Dt./Engl./Frz. VN/Pl. no. B. & H. 16497. c1927 by Edition Russe de Musique (Russischer Musikverlag). New version c1949 by Boosey & Hawkes. Texte de J. Cocteau mis en latin par J. Danielou. English translations of speaker s text (Prologue) by E. E. Cummings. Deutsche Übertragung von L. Thurneiser. Mit Personen und Angaben zur Orchesterbesetzung. Vorwort (Frz./Engl./Dt.). 25 x 18 cm. Beiliegend das Textheft (17 x 13 cm, 16 S.). Gut und sauber erhalten. VI, 144, 16 S. …

Soft cover. Zustand: Good. Inscribed to Tony Brand and signed by Lucien Clergue (noted French photographer, author and filmmaker, 1934-2014) on the half title page. This trio collaborated on another bullfighting title: Toros Muertos in 1962. French language text. Some light surface wear. 4to. 77 pp.

Softcover. 4to. 58pp. Original photographic wraps. Frontispiece. Photographic work on Paris, profusely illustrated with reproductions in photogravure. Preface by French artist Jean Cocteau. Photographs by Roger Schall. Text in French. Front and rear wrapper detached. Spine torn, parts of backstrip missing. Wraps in poor, interior in overall very good condition. Schall (illustrator).…

Hardcover. Zustand: Very Good. Hardcover. Folio. Edition Russe de Musique. 1928. 94 pgs. For voice and piano. Signed by Arthur Hackett, Tenor; Margaret Mattenauer, Mezzo-Soprano& Payl Leyssac and Serge Koussewitzky, The Conductor and one other person I have yet to identify. Laid in material (playbill) from the first US performance laid in. Bound in cloth with gilt titles present to the spine. Boards have wear present to the extremities of the boards (corners and extremities bumped and rubbed; stain present to the rear board) Previous owner's note stating that this copy had been signed at the first US performance of this opera (First Presentation in America with the Harvard Glee Club at the Boston Symphony Orchestra on 2/24/1928 & 2/25/1928). Stamp of Schirmer music present to the FFEP and the titel page. Text is clean and free of marks. Binding tight and solid. Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience. E-133.…

Zustand: Good. The complete portfolio of thirty-two lithographs (sixteen in colors), hors-texte, title page, text in French, and justification. This is the deluxe edition of 48 copies with a an extra suite of the lithographs on Rives.Sheets loose (as issued), with original brown paper wrapper with original lithographic cover, and yellow cloth-covered portfolio stamped with artist's name in red. Front cover slightly time stained.15.5 x 11.5 inches sheet size; 395 x 290mm.The last artist book by Cocteau, finished a few hours before he died. Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975, no. 7626.32 lithographies en couleurs par Jean COCTEAU, dont un frontispice et un titre-frontispice.Tiré à 200 et quelques exemplaires, celui-ci (n° 48), un des 48 sur vélin de Rives comprenant une suite supplémentaire des lithographies en couleurs.…

Geh. 8°, o. P.: 16 Bl. mit 24 Abb. (ganzseitig oder auf Tafeln). Einband min. gebrauchsspurig; allg. tadellos. EA. Mit Widmung von Lucien Clergue in schwarzer Tinte an Sebastian Goeppert auf Titelblatt (datiert [wohl] Januar 1982). Mit einem Text zu Antonio Ordonez Araujo (der Torero «numero uno») von Jean Cocteau (2 S.), ausserdem dessen Kurzbiografie (2 S.). …

Zustand: Good. Letterpress on card stock. 35.5 x52 cm.14" x 19 7/8" broadside. Philip Hofer. Broadside of an Alphabet with quotes by Douglas C McMurtrie, Jean Cocteau and Emanuel Geibel about letters and the alphabet in a variety of languages. Calligraphed by Hermann Zapf and commissioned by Philip Hofer. Printed in 7 colors. The colophon line is in German, and can be translated as "For Philip Hofer in Cambridge, written by Hermann Zapf, Frankfurt am Main 1959". Hermann Zapf (pronounced "tsáff," born November 8, 1918) was a German typeface designer who lived in Darmstadt, Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf's work, which includes Palatino (1948, named after 16th century Italian writing master Giambattista Palatino) and Optima (1952, a flared sans-serif, released by Stempel in 1958. Zapf disliked its name, which was invented by Stempel's marketers), has been widely copied, often against his will. The best known example may be Monotype's Book Antiqua, which shipped with Microsoft Office and was widely considered a "knockoff" of Palatino. In 1993, Zapf resigned from ATypI (Association Typographique Internationale) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there, using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938, Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt, a fraktur type called Gilgengart.In 1976, the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming, the first of its kind in the world. He taught there from 1977 to 1987, flying between Darmstadt and Rochester. There he developed his ideas on digital typography further, with the help of his connections in companies such as IBM and Xerox, and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the "hz-program", which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIER,Expert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en ?uvres d'art5, rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid p.…