clyfford (35 Ergebnisse)

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: poor. Still, Clyfford (illustrator). First. With 165 illustrations, including 89 in color, some folding. 222 pages. Oblong 4to, black cloth, worn/torn and lightly soiled d.w. New York: Metropolitan Museum of Art/Abrams, (1979). A very good(+) copy in a poor dust wrapper. Records the 1979-80 exhibition at The Metropolitan Museum of Art, and is the most comprehensive book on Still's work.

First Edition. First edition. Softcover. 175 pages. Exhibition catalog for a show that ran June 21 through September 16, 2001. Features acknowledgements by and an introduction by James T. Demetriion, and essays by David Anfam, Neal Benezra, and Brooks Adams. Includes numerous illustrations, a chronology, a list of paintings in public collections, a list of previous exhibitions, and a selected bibliography. A near fine copy in wrappers.

Hardcover. Zustand: Very Good. Roughly square 7" Gatefold gala invitation card on textured, stamped boards. Clean and unmarked. An attractive, sturdy invitation card promoting the gala opening of the Clyfford Still Museum in Denver, Colorado, 2011.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. First Edition. Dust jacket in acceptable condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. SMALL AMOUNT OF SPINE LEAN. CLEAN CONTENT PAGES. See photos for more information. Secure packaging for safe delivery.

4°, Gebundene Ausgabe. Zustand: Sehr gut. 87 Seiten Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1043.

First edition. [44 pp]. Small sticker shadow to upper corner of front cover, else near fine in printed wrappers. Essay by Ti-Grace Sharpless. Eight color reproductions, more in b&w.

Leinen. Zustand: Sehr gut. 32,5x24,5cm 87 Seiten. Hardcover oder Leinen. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Erste Auflage. 32,3 x 24,3 cm. 87 S. Geprägtes OLeinen. Einband minimalst angestaubt und mit winzigem Fleckchen, innen papierbedingt an den Rändern wenig lichtschattig, sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Mit einem Künstlerstatement in englischer Sprache.

Hard cover. Sewn binding. Paper over boards. 176 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Shelf wear to jacket, now in mylar. Abrasions to ffep from label or sticker removal, else very good.

Zustand: Near fine in near fine jacket. Zustand des Schutzumschlags: dj. First printing. First edition of this exhibition book on one of the fathers of abstract expressionism, focusing on a period of his career wherein his "creativity burst forth and flowered." 11.5'' x 9.75''. Original black paper boards, silver-lettered spine. In original color pictorial jacket, no price (as issued). Black endpapers. Illustrated throughout in black and white and color. 176 pages. Jacket with trace edgewear. Touch of toning internally. Bright and tight.

Zustand: Very good in very good plus. Zustand des Schutzumschlags: dj. First Edition. First edition catalogue of the largest exhibition ever held of this noted Abstract Experssionist, from the library of artist and photographer William Christenberry. 10.5'' x 11.25''. Original black cloth, red lettering on front and spine. In original color pictorial jacket (no price, as issued). 165 illustrations including 89 in full color. 222 pages. From the collection of noted artist and photographer William Christenberry, with his penciled name to the front pastedown. Jacket with some gentle toning. Book with a few small spots of soil on front board; dampstain to lower corner of rear endpapers and last few leaves. Else sound.

First Edition. First edition and first printing. Hardcover. 87 pages. Features a foreword by Katharine Kuh and a biographical note by Ethel Moore. Includes an artist statement along with 33 color images. A near fine copy in cloth boards with some very minor wear. No dust jacket.

Paperback. Zustand: Good. PAPERBAC edition. Fading to spine. Light rubbing to extremities. Minor marks to covers.

Paperback. Zustand: Near fine in wraps. First Edition. 23 x 30cm 42pp near fine paperback auction catalogue Includes an anthology of writings by the artist and others about himself and his work togerther with full page colour reproductions plus a black and white reproduction of a portrait of Still by Hans Namuth.

SOFTCOVER. Zustand: As New. 1st Edition. Extra Large 4to. in colour printed stiff glossy card covers, 175pp on thick art paper, colour plates, illustrations in text, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy (merest hint of tanning to leaves) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

hardcover. Zustand: very good(+). Clyfford Still (illustrator). 27 full page illustrations, many in full color. Unpaginated, approximately 40 pages, oblong 4to, stiff white wrappers (very slight rubbing). Philadelphia: Philadelphia Institute of Contemporary Art, 1963. First Edition. Very good (+). Catalog printed for solo exhibit October 18-November 29, 1963.

Hardcover. 239 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L15034 9780985635701 Sprache: Englisch Gewicht in Gramm: 1300.

Soft cover. Zustand: Near Fine. Numerous full page colour reproductions with two critical essays, chronology and bibliography. Faint wear to lower edge of text block. No other signs of use or marks to inside pages. No crease to spine. Binding is firm. 176 pages. s83f19.

30x23 cm, 172 S., OKart., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Munich, Prestel, 1992.175 pp. Col. & b./w. ills. Orig. softcover. - Corners & edges sl. worn. Spine discol.

Paperback. Zustand: Near fine in wraps. First Edition. 20 x 28cm 126pp near fine exhiobition catalogue which includes: 'Sweat Equity: An Interview on Clyfford Still with Mark Bradford' by Michael Auping plus colour reproductions showing Still and Bradford'spaintings.

First Edition. First Edition. Published in conjunction with an exhibition at the Mary Boone Gallery on October 13 through November 10. 1990. Laid in is a type script autograph letter on Mary Boone Gallery letterhead, signed, from Mary Boone, dated 12 October 1990, to noted curator Brenda Richardson, expressing her gratitude for the loan of Clyfford Still's "Painting: 1957-G" from the Baltimore Museum of Art (BMA). From Richardson's collection. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being notable stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well as work by Picasso, Cezanne, Gauguin, and others. She has authored and contributed to dozens of books on contemporary art, and John Waters, one of the most significant thinkers in the world of contemporary art, considers Richardson to be his mentor. Near Fine in illustrated boards with no dust jacket as issued. Small bumps to fore-edge corners of front and rear boards and to crown and heel.

Zustand: Gut. Auflage 4000 Exemplare. 30,5 x 23 cm. 141 S., 2 Blatt. Illustrierter OKarton. Einbandkanten und Rücken gering lichtrandig und berieben. Kapitale und Stoßkanten gestaucht. Sonst gutes Exemplar. Katalog zur Stiftung Clyfford Stills von 28 Gemälden an das Museum of Modern Art San Francisco. Durchgehend mit ganzsetigen Abbildungen versehen. Text in englischer Sprache.

First Edition. Softcover. First Edition. Produced in conjunction with an exhibition at the Des Moines Art Center that ran from March 6 to April 22, 1973. Very Good plus in wrappers, with brief scuffing overall and light toning on the front wrapper and spine.

Zustand: Gut. Auflage 4000 Exemplare. 30,5 x 23 cm. 141 S., 2 Blatt. Illustrierter OKarton. Sehr gutes Exemplar. Katalog zur Stiftung Clyfford Stills von 28 Gemälden an das Museum of Modern Art San Francisco. Durchgehend mit ganzsetigen Abbildungen versehen. Text in englischer Sprache.

hardcover. Zustand: very good(+). STILL, Clyfford (illustrator). Foreword by Katharine Kuh. Full-page color plates throughout. 85 pages. Thin folio, black cloth with red lettering (several small scratches, faint stain at rear). Buffalo: The Buffalo Fine Arts Academy, 1966. Shelf-wear at bottom edge of boards. A very good(+) copy lacking the dust wrapper.

Rizolli Electa, New York 2020. 4°. 128 Seiten. OPappband. mit OUmschlag. Mit zahlreichen Abbildungen.

hardcover. Zustand: very good(+). Clyfford Still (illustrator). Full page color plates. Thin folio, black cloth. Buffalo: Fine Arts Academy, (19656). First edition. Top edge of text block foxed, else a near fine copy. Includes an artist's statement, a Foreword by Katharine Kuh, Introductions and notes on the paintings.

hardcover. Zustand: fine. Zustand des Schutzumschlags: poor. First. Full page color plates. Thin folio, black cloth, tattered d.w. Buffalo: Fine Arts Academy, (19656). First Edition. Fine in a poor dust wrapper. Includes an artist's statement, a Foreword by Katharine Kuh, Introductions and notes on the paintings.

Zustand: Good. 12 x 9 inches. Very Good. Single sheet, printed both sides, folded into 3 panels. Minor wear. Color and B&W plates; map. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.