clive phillpot jon hendricks (8 Ergebnisse)

Soft cover. Zustand: Good. Well-illustrated catalogue first published on the occasion of the exhibition at the Museum of Modern Art Library, November 17, 1988-March 10, 1989. 64 p. : ill. ; 21 cm. Second printing, 1993. Slight shelf wear to cover, creasing to spine, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Zustand: VG. Very Good square format softcover, 8 x 8", 64 pp., with die cut wraparound flap which inserts at rear; some very minor edge-wear esp. to covers.

Zustand: VG. Very Good square format softcover, 8 x 8", 64 pp., first reprint without die cut wraparound flap which inserts at rear. Still in original shrink-wrap.

Soft cover. Zustand: Very Good. No Jacket. Softcover. Condition: Very good, with just a hint of shelfwear to covers. Binding sound, no inscriptions. 64pp. Many b/w illustrations. This catalogue was produced to accompany the eponymous exhibition held at the Museum of Modern Art Library from November 17, 1988 to March 10, 1989.

Softcover. Zustand: Very Good. Light wear to unlaminated cover & edge.

Erste Auflage. 20 x 20 cm. 64 S., 1 Blatt. OKarton. Sehr gutes Exemplar. Text in Englisch / Text English. Durchgehend mit s/w Abbildungen versehen. Einbandvariante mit einfachem Kartoeinband ohne den Einsteckumschlag.

AK. The Museum of Modern Art, New York, 1988. Brauner, rot-schwarz illustr. OBrosch. mit Einstecklasche. 64 Seiten mit unzähligen Fotos und Textillustrationen. -20,5 x 20,5. * Front cover: Yoko Ono. - English text edition in perfect condition !

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21,5 x 28 cm, Hardcover, cloth binding, 448 pages, 96 color & 267 b/w illustrations - Voids. A Retrospective is a paradoxical exhibition: by re-actualizing nine empty exhibitions, it is simultaneously an experimental project that refuses the classic rules of the visual arts and an historical object which confronts the projects of Art & Language, Robert Barry, Stanley Brouwn, Maria Eichhorn, Bethan Huws, Robert Irwin, Yves Klein, Roman Ondák, and Laurie Parsons. At once the support and an extension of the event, this publication outlines the concept of the void in art, aesthetics, philosophy, religion, science, popular culture, architecture, and music, and broaches the subject of nothing, of vacuity, of the invisible and the ineffable, of rejection and destruction. Opening with a catalogue section that documents the nine selected historical and contemporary exhibitions, the publication also contains an anthology of more than forty texts, many published here for the first time, as well as contributions by artists created especially for this volume.