Clive phillpot and jon hendricks (3 Ergebnisse)

Sprache: Englisch
Verlag: The Museum of Modern Art, New York/Thames and Hudson, New York/London, 1988
- Softcover
Anbieter: Karen Jakobsen (Member of the PBFA), Sturminster Newton, Vereinigtes KönigreichKaren Jakobsen (Member of the PBFA)
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: PBFA
Zustand: Gebraucht - Gut
EUR 36,06
EUR 22,00 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Very Good. No Jacket. Softcover. Condition: Very good, with just a hint of shelfwear to covers. Binding sound, no inscriptions. 64pp. Many b/w illustrations. This catalogue was produced to accompany the eponymous exhibition held at the Museum of Modern Art Library from November 17, 1988 to March 10, 1989.…

Verlag: Museum of Modern Art, New York, 1993
- Softcover
Anbieter: Invisible Books, Brighton, Vereinigtes KönigreichInvisible Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 24,04
EUR 23,34 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbSoftcover. Zustand: Very Good. Light wear to unlaminated cover & edge.

- Hardcover
- Erstausgabe
Anbieter: Antiquariat UEBUE, Zürich, SchweizAntiquariat UEBUE
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 326,44
EUR 26,90 VersandVersand von Schweiz nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21,5 x 28 cm, Hardcover, cloth binding, 448 pages, 96 color & 267 b/w illustrations - Voids. A Retrospective is a paradoxical exhibition: by re-actualizing nine empty exhibitions, it is simultaneously an experimental project that refuses the classic rules of the visual arts and an historical object which confronts the projects of Art & Language, Robert Barry, Stanley Brouwn, Maria Eichhorn, Bethan Huws, Robert Irwin, Yves Klein, Roman Ondák, and Laurie Parsons. At once the support and an extension of the event, this publication outlines the concept of the void in art, aesthetics, philosophy, religion, science, popular culture, architecture, and music, and broaches the subject of nothing, of vacuity, of the invisible and the ineffable, of rejection and destruction. Opening with a catalogue section that documents the nine selected historical and contemporary exhibitions, the publication also contains an anthology of more than forty texts, many published here for the first time, as well as contributions by artists created especially for this volume.…