claussin (16 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Hardcover. Zustand: Good. 1st Edition. Paris, Didot, 1824. Revised ed. 244 p. Engraved frontispiece with portrait of Rembrandt. Halfcloth with marbled boards. 8vo. With supplement. Binding sl. worn at edges, foxing on inside.

Two volumes bound in one, complete. This work might be considered the last and best edition of the first catalogue raisonne of Rembrandt's etchings and drypoints, originally compiled by Gersaint and published posthumously in 1751. xx, 217, xv, 245 pp. WITH THE RARE ERRATA LEAF. Thoroughly describes 382 prints by Rembrandt, and hundreds more after his works and by his followers. Beautifully printed on fine laid paper. 8vo. Contemporary cloth, decorated in blind and gilt. Light wear to extremities of binding, else FINE AND BRIGHT. Rare and important.

Nouvelle édition corrigée et consideralement augmentée. 2 Teile in einem Band. 8°. Originalradierung als Frontispiz, XX, 217 S.; 2 nn. Bl., XV, 244 S. Grünes Halbleder der Zeit mit goldgeprägtem Rückentitel, leichter Rückenvergoldung und Blindprägung, goldener Löwe und Initialen W.L. auf Vorderdeckel, (gering beschabt). Eines der maßgeblichen Werkverzeichnisse der Radierungen Rembrandts, herausgegeben durch den Kunstliebhaber Claussin. - Mit der Radierung als Frontispiz nach einem Selbstporträt von Rembrandt, gestochen von Claussin. - Etwas stockfleckig. // 2 tomes en un volume. 8vo. Eau-forte original sur la page de frontispice, XX, 217 pp.; 2 nn. feuillets, XV, 244 pp. Reliure contemporaine en demi-cuir vert, titre doré sur le dos avec une dorure légère et fer à froid, un lion doré et des initials W.L. sur le plat, (légèrement frottée). L'un des catalogues principales des eaux-fortes de Rembrandt, édité par Monsieur Claussin, l'amateur d'art. - Avec l'eau-forte original sur la page de frontispiece. Légèrement piqué.

Nouzvelle Edition. XX, 217 S. Einband berieben und bestoßen. Mit Standortaufklebern und -eintragungen auf Innendeckel und fliegendem Vorsatz. Durchgehend mit Bleiustiftmarginalien und Preiseintragungen. Durchgehend fleckiug und feuchtigkeitsrandig. Sprache: Deutsch Gewicht in Gramm: 1100 22 x 14 cm, Halbleder der Zeit mit 2 Rückenschilden.

édition originale. Bien complet du supplément. 1 volume in-8°. 1/2 basane havane, dos à nerfs orné. Reliure de l'époque usagée.

Zustand: Good. Etching lightly pasted down. Image: 144 x 196 mm. Sheet: 19.5 x 32 cm. Small tear in left side of image; two puncture holes in margins. In left bottom corner of image: "Etched by De Claussin 1807".

Rembrandt van Rijn (illustrator). Joseph and Potiphar's WifeMade by Ignace-Joseph de Claussin after Rembrandt van Rijn.Medium: Etching on hand laid (verge) paper.Image size: 11.4 x 9 cm. (4.49 x 3.54 inch).JOSEPH-POTIPHAR-WIFE | EXPO-FRENCHBACKGROUND INFORMATIONSource: unknown, to be determined.Reference: New Hollstein Dutch and Flemish (Rembrandt text) 128-copy d.Biography engraver: Ignace Joseph de Claussin (1795-1844) was a French engraver and print dealer.Biography artist: Rembrandt Harmenszoon van Rijn (1606-1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

. 21,5 cm. XX-217 pág. Sin el retrato de Rembrandt. [Sigue:] SUPPLÉMENT AU CATALOGUE DE REMBRANDT, SUIVI D'UNE DESCRIPTION DES ESTAMPES DE SES ÉLÈVES, AUGMENTÉES DE PIÈCES ET D'ÉPREUVES INÉDITES. Id. Id., 1828. 2 h., XV-244 pág. Dos vol. enc. en media piel reciente. Ligera señal de óxido. Marca de caucho y anotaciones manuscritas a lápiz de anterior poseedor. CCPB 389427-4. Pintura. Catálogo.

Five man at a window still, drinking and smoking. Signed on bottom: 'Ostade p. / C. Closin s.' possibly from a publication, since the plate is numbered on top left: 'Pl. 4'; 19th century paper l Etching on paper, trimmed to plate mark; total: 294 x 249; cooked paper, some damp stains and traces of previous mountings on verso.

A Frisian horse standing in a field, against a darkening sky. A church village in the distance on the right.Copy after one of the five etchings of the horses by Potter, probably by Ignace-Joseph de Claussin (1766-1844). These prints are to represent different seasonal stages, namely early spring, late spring, summer, fall and winter, and stages of life.Signed and dated at bottom right: Paulus Potter f. 1652.[NL] Een Fries paard staand in een landschap. Gemaakt door Ignace-Joseph de Claussin naar Paulus Potter. Etching on laid paper, cut within plate; total: 152 x 230 mm; some light rubbing due to handling, otherwise in fair condition. Mounted on cardboard and in cardboard passepartout. Copy of the third state. Hollstein 9 (copy).

Copies of the second and third states of the well-known series of five etchings of the horses by Potter, probably by Ignace-Joseph de Claussin (1766-1844). These prints are to represent different seasonal stages, namely early spring, late spring, summer, fall and winter, and stages of life.Complete set bound together in blue paper, with annotation:'Vente de Rigal en 1817 (.)' and a note with description in French on the inside.Sold at the sale of the Count of Rigal in 1817 as a suite of copies in Lot 635 in the 'Catalogue raisonné des estampes du cabinet de m. le comte Rigal', p. 288-289. In the catalogue these prints are praised for their similarity to the originals: same direction but smaller in size. Etchings on 18th century paper, 154 x 233 mm; watermark: Selignat & bunch of grapes.