Claudio bacciagaluppi (21 Ergebnisse)
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Sprache: Englisch
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Sprache: Italienisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015
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Sprache: Englisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2013
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Zustand: New. Illustrates the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. This title describes pergolesi sources to details of writing, with an eye both to the critical edition and to historically informed performing practice. Editor(s): Bacciagaluppi, Claudio;…Ottenberg, Hans-Guenter; Zoppelli, Luca. Series: Studi Pergolesiani / Pergolesi Studies. Num Pages: 519 pages, 75. BIC Classification: AVA; AVG; AVGC9; AVGD. Category: (P) Professional & Vocational. Dimension: 152 x 231 x 28. Weight in Grams: 720. . 2013. Bilingual. Paperback. . . . . Books ship from the US and Ireland.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Sles…ia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall'Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo. Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi's such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.
Sprache: Italienisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015
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Taschenbuch. Zustand: Neu. Studi Pergolesiani- Pergolesi Studies | Claudio Bacciagaluppi (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | Peter Lang | EAN 9783034312066 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu….
Sprache: Italienisch
Verlag: Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, New York, Wien: Peter Lang, 2015
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Copertina morbida. Zustand: Sehr gut. 238 p., 11 ill. a colori, 9 ill. b/n Copia impeccabile. - Summary: Il presente volume raccoglie i risultati di due seminari svoltisi nel 2011 a Roma e nel 2013 a Friburgo. Unampia gamma di soggetti è rappresentata nei saggi pubblicati, che spaziano dal tardo Cinquecento al pieno Settecento.…Un saggio esce dalla città di Napoli per paragonare la vita musicale partenopea a quella palermitana. Alcuni saggi affrontano argomenti storici di ampia portata: il mecenatismo nobiliare al tempo degli ultimi viceré spagnoli; la pratica musicale nei monasteri e conservatori femminili napoletani, finora oscurata dai celebri conservatori maschili; i concerti per strumenti a fiato di autori attivi a Napoli, con i loro problemi analitici e attributivi. Altri saggi si soffermano su singoli compositori, analizzando specifiche composizioni e manoscritti. Si indagano così le composizioni di Giuseppe Scarlatti nella biblioteca del Conservatorio San Pietro a Majella, e la fortuna della Messa in fa maggiore di Giovanni Battista Pergolesi nellInghilterra del Settecento. Un ultimo saggio descrive infine i vantaggi di unapplicazione di tecnologie digitali nel correlare dati archivistici sui musicisti attivi a Napoli. / This volume collects the results of two seminars, held in 2011 in Rome and in 2013 in Fribourg. A wide range of subjects is represented in the essays, ranging from the late sixteenth to the mid-eighteenth century. An essay leaves the city of Naples to compare the musical life of Naples with that of Palermo. Some essays address broad historical subjects: the aristocratic patronage at the time of the last Spanish viceroys; musical practice in convents and female conservatories in Naples, hitherto obscured by the fame of the male conservatories; the concerts for wind instruments of authors active in Naples, raising issues of attribution and analysis. Other essays dwell on individual composers, analyzing specific compositions and manuscripts. Compositions by Giuseppe Scarlatti in the library of the Conservatory 'San Pietro a Majella', and the reception history of the Mass in F major by Giovanni Battista Pergolesi in eighteenth-century England are investigated. A final essay describes finally the advantages of an application of digital technologies in correlating archival data on musicians active in Naples. - Indice: Paologiovanni Maione: Prefazione -- Claudio Bacciagaluppi, Angela Fiore: Introduzione -- Ilaria Grippaudo: Fra Palermo e Napoli. Attività musicali presso la Reale Cappella Palatina di Palermo -- José Maria Dominguez: Oltre il viceré: mecenatismo musicale della nobiltà di corte a Napoli alla fine del Seicento -- Angela Fiore: Musica nelle istituzioni religiose femminili a Napoli (1650-1750) -- Alessandro Lattanzi: II repertorio napoletano di concerti per strumenti a fiato Materiali per una ricognizione preliminare -- Sarah M. Iacono: Considerazioni su alcuni manoscritti napoletani di Giuseppe Scarlatti: testi, contesti e paratesti -- Andrew Woolley: Neapolitan Sacred Music in Eighteenth-Century Britain: The Case of Pergolesi's "Messa di S. Emidio" -- Claudio Bacciagaluppi, Angela Fiore, Rodolfo Zitellini Musico Napolitano: indice delle maestranze musicali attive a Napoli. ISBN 9783034316095 Sprache: Italienisch Gewicht in Gramm: 373.
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Zustand: New. In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, especially in Reformed private music societies ( collegia musica ).In Artistic Disobedience Cl.
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Buch. Zustand: Neu. Neuware - In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be…of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment.
Sprache: Italienisch
Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, 2015
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Il presente volume raccoglie i risultati di due seminari svoltisi nel 2011 a Roma e nel 2013 a Friburgo. Un'ampia gamma di soggetti è rappresentata nei saggi pubblicati, che spaziano dal tardo Cinquecento al pieno Settecento. Un saggio esce dalla cit…tà di Napoli per paragonare la vita musicale partenopea a quella palermitana. Alcuni saggi affrontano argomenti storici di ampia portata: il mecenatismo nobiliare al tempo degli ultimi viceré spagnoli; la pratica musicale nei monasteri e conservatori femminili napoletani, finora oscurata dai celebri conservatori maschili; i concerti per strumenti a fiato di autori attivi a Napoli, con i loro problemi analitici e attributivi. Altri saggi si soffermano su singoli compositori, analizzando specifiche composizioni e manoscritti. Si indagano così le composizioni di Giuseppe Scarlatti nella biblioteca del Conservatorio 'San Pietro a Majella', e la fortuna della Messa in fa maggiore di Giovanni Battista Pergolesi nell'Inghilterra del Settecento. Un ultimo saggio descrive infine i vantaggi di un'applicazione di tecnologie digitali nel correlare dati archivistici sui musicisti attivi a Napoli. This volume collects the results of two seminars, held in 2011 in Rome and in 2013 in Fribourg. A wide range of subjects is represented in the essays, ranging from the late sixteenth to the mid-eighteenth century. An essay leaves the city of Naples to compare the musical life of Naples with that of Palermo. Some essays address broad historical subjects: the aristocratic patronage at the time of the last Spanish viceroys; musical practice in convents and female conservatories in Naples, hitherto obscured by the fame of the male conservatories; the concerts for wind instruments of authors active in Naples, raising issues of attribution and analysis. Other essays dwell on individual composers, analyzing specific compositions and manuscripts. Compositions by Giuseppe Scarlatti in the library of the Conservatory 'San Pietro a Majella', and the reception history of the Mass in F major by Giovanni Battista Pergolesi in eighteenth-century England are investigated. A final essay describes finally the advantages of an application of digital technologies in correlating archival data on musicians active in Naples.
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Taschenbuch. Zustand: Neu. Studi Pergolesiani- Pergolesi Studies | Claudio Bacciagaluppi (u. a.) | Taschenbuch | Kartoniert / Broschiert | Italienisch | 2015 | Peter Lang | EAN 9783034316095 | Verantwortliche Person für die EU: Zeitfracht Medien GmbH, Ferdinand-Jühlke-Str. 7, 99095 Erfurt, produktsicherheit[at]zeitfracht[dot]de…| Anbieter: preigu.
Sprache: Italienisch
Verlag: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften, 2009
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Paperback. Zustand: Brand New. 1st edition. 396 pages. Italian language. 9.37x6.46x0.79 inches. In Stock.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - For decades now, scholars of music theory have firmly established the supranational importance of the pedagogical tradition that flourished in the Neapolitan conservatories from the 17th to the 19th century. Beyond its potential in today's teaching p…ractice, many questions remain open about the didactic tools peculiar to this tradition. As is well known, Neapolitan maestri did not produce theoretical treatises, but drafted short exercises such as partimenti and solfeggi to be realized extempore, which were at the core of their composition teaching. But what about the mechanisms of creation and transmission of these tools And to what extent were Neapolitan methods imitated or adapted across Europe This volume brings together contributions from an international conference (Milan - Bern, 2017) addressing these issues.
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