claude brulé (24 Ergebnisse)

mass_market. Zustand: Good.

Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. Based on the 1959 novel "Epitaph for an Enemy," by George Barr, and sequel to the 1962 film "The Longest Day." The film follows the days after the Invasion of Normandy, and of Allied attempts to "liberate" a nearby French village previously under the control of an uncommonly kind German commandant. Set in Normandy, France, shot on location in Normandy, and Manche, France. 10 x 8 inches.

Couverture Souple illustrée. Zustand: Bon. Collection "Mlle age tendre", 248 pages, couverture illustrée par Isabelle Rochefort.

Zustand: Neuf.

paperback. Zustand: Ottimo (Fine). Con fotografie in nero. Traduzione di Paola Zerbino . 8vo. pp. 162. . Ottimo (Fine). . . . Book.

Vintage studio still photograph from the 1964 film. Based on the 1956 novel "Angélique, Marquise des Anges," by Anne and Serge Golon. The first of a series of five films, followed by "Marvelous Angelique" (1965), "Angelique and the King" (1966), "Untamable Angelique" (1967), and "Angelique and the Sultan" (1968). Angelique finds herself entangled in a political assassination and becomes betrothed to a man twelve years her senior, rumored to be a sorcerer. Set in 17th century France, shot on location in Cote-d'Or, France and Lazio, Italy. 8 x 10 inches. Near Fine.

Couverture souple. Zustand: bon. R200102073: 1971. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages augmentées de nombreuses photos et illustrations, en couleurs et noir et blanc,dans et hors texte. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Zustand: new. vendeur pro. Envoi soigne en 24/48h.

Broché. Huit volumes in-16 brochés ( 12 x 8 cm.), couvertures illustrées en couleurs, chaque volume fait environ 240 pages, ce lot comprend les titres suivants : Il suffit d'un nuage - Rose rouge pour Agathe - Ces diables d'angez - Le remonte-coeur - Espionnissimo - Blue - Cécile-Brésil - Quel voyage ! tous imprimés dans les années 70 ; Rhodoïd plissé sur les dos, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Mlle Age Tendre.

Broché. Huit volumes in-16 brochés ( 12 x 8 cm.), couvertures illustrées en couleurs, chaque volume fait environ 240 pages, ce lot comprend les titres suivants : Un amour à l'américaine - Ohé gitanos ! - Agathe Chérie - Oh Laurent - Viva Patricia - Blue - Quel voyage - Cécile-Bresil, tous imprimés dans les années 70 ; Rhodoïd plissé sur les dos, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Mlle Age Tendre.

Couverture souple. Zustand: bon. RO30138400: 1970. In-24. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 247 pages. . . . Classification Dewey : 843.085-Le roman sentimental.

Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. Based on the adult comic book by Jean-Claude Forest and published in the French magazine "V" in 1962 and 1964, about the adventures of space traveler and "queen of the galaxy" Barbarella (Jane Fonda). Likely the campiest space-opera sex comedy in history, a film which bombed upon its release but was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians. Set in outer space and shot on location in Rome. 8 x 10.5 inches. Near Fine. Vogel, Film as a Subversive Art.

Original press kit for the 1962 French-Italian film. Includes seven- and four-page pamphlets detailing film production, sequences, and synopses, with a press note and two accompanying film credit sheets from R. Chabert to Monsiuer Gay-Lussac, indicating the supplied press kit, and a note from Christiane Fournier, a film critic, discussing her plans to include the film in an essay for the magazine, Les Dessous Élegants, dated Ocotber 17, 1961, in manuscript ink. Any ephemera relating to this film is scarce. Little known French anthology film composed of sequences, not unlike the De Sica-Fellini-Monicelli-Visconti collaboration, "Boccaccio '70" (1962), released the same year. Of note is the last sequence, involving Johnny Hallyday who sings the Aznavour song "Hold Back the Night" to Catherine Deneuve. Pamphlets 8.25 x 13 inches, side-stapled, printed on rectos. Press note 5.25 x 8 inches, film credit sheets 8 x 10 inches. Slight uniform toning, else Near Fine.

Vintage borderless reference photograph from the set of the 1966 film, showing actor Jean-Paul Belmondo doing a stunt in which he falls off his bicycle on the Champs-Élysées. Printed mimeo snipe, Dalmas Agency stamp, PIX agency label, and library stamp on the verso. Based on the 1965 book by Larry Collins and Dominique Lapierre. A retelling of the World War II liberation of Paris in August 1944 by the French Resistance and Free French Forces. Set in Paris and Germany, shot on location in Paris. Fro the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 10.25 x 8 inches. Very Good plus.

Vintage borderless reference photograph from the 1968 film, showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest and published in the French magazine "V" in 1962 and 1964, about the adventures of space traveler and "queen of the galaxy" Barbarella. Likely the campiest space-opera sex comedy in history, a film which bombed upon its release but was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians. Set in outer space, shot on location in Rome. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage oversize borderless double weight reference photograph of director Roger Vadim, actor Honey Autumm, a crew member, and an extra, from the set of the 1968 film. Shot by still photographer Emilio Lari, with his stamp on the verso, as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc," "APIS-PARIS." Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 9.5 x 11.75 inches. Light edgewear, else Near Fine. Vogel, Film as a Subversive Art.

Collection of 370 original black-and-white keybook still photographs from the 1959 French film, consisting of two unique and complimentary pieces, one being a studio film still keybook with 97 contact prints of small format transparencies, most with 12 images per print, amounting to over 1,000 images captured, nearly all images with series number etched in the original film negative before development, and credits at the top for photo laboratory (Tele-Photo), film studio (Ulysse), film title, and photographer Apoteker, housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian", presumably filmmaker Christian-Jaque, with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers, mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper, printed French titles affixed on the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery, hamming for the camera and in action scenes, with Vidal emerging from a car crash and rarely without a glass in-hand, and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Notebook photos 3.75 x 5 inches, most pages with four mounted photos, keybook photos to 8.25 x 10.5 inches. Very Good plus overall, with light foxing, and curling and rubbing to the studio keybook, a few photos with small edge tears.

Original US one sheet poster for the 1965 film based on the 1959 novel "Epitaph for an Enemy," by George Barr. An attempted sequel to the 1962 film "The Longest Day," "Up from the Beach" tells of the days after the Invasion of Normandie, and of Allied attempts to "liberate" a nearby French village previously under the control of an uncommonly kind German commandant. Set in Northern France, shot there on location. 27 x 41 inches, folded. Very Good plus.

Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan, and a few show other actors, including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member, possibly costume designer Tanine Autré, and eleven still photographs, with Morgan and Blanche at a bar, even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker, numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine (Morgan) is an alcoholic lawyer who enlists the help of reporter Walter (Vidal) to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival (1946). Photographer Apoteker's debut film, followed by successful crime noirs, notably "Classe Tous Risques" (1960), and later worked on "Love and Death" (1975) and the futuristic "cinema du look" film, "Le prix du danger" (1983). Fourth film of noted costume designer Autré, whose other credits include "Love on a Pillow" (1962), "Contempt" (1963), "Lost Command" (1966), and "The Game is Over" (1966). Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches, most stills with a 2-inch border at the bottom. Slight curling, else Near Fine. Box Very Good overall. Complete collation upon request.

Vintage reference photograph taken on the set of the 1960 film, showing director Roger Vadim with his wife Annette, adjusting a prosthetic wound. An erotic horror film based on Sheridan Le Fanu's 1872 novella "Carmilla," with the location shifted from 19th century Styria to twentieth century Italy. Shot at Hadrian's Villa in Tivoli. 8 x 10 inches. Near Fine.

Five vintage reference photographs from the 1965 French mondo film. With a stamp specific to the film's UK release on the verso. A cavalcade of unusual people and practices, including strippers, voodoo priests and priestesses, cross-dressers, bee fetishists, and more. Set and shot on location in Paris. 10 x 8 inches. Very Good plus, lightly creased, and one with faint ink residue on the recto. Bier 1245.

Four vintage borderless reference photographs from the set of the 1966 film, all four showing actor Orson Welles with various cast and crew members. All four with photographer stamps on the verso. Based on the 1965 book by Larry Collins and Dominique Lapierre. A retelling of the World War II liberation of Paris in August 1944 by the French Resistance and Free French Forces. Set in Paris and Germany, shot on location in Paris. 9 x 7 inches. Very Good plus.

Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp, two "La Bride sur le cou" stamps, and faint recurring "Paris Match Marie Claire" stamps, on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman, but with the help of her friend Alain, she resolves on the former. Shot on location in Alps, Haute-Savoie, France. 7.75 x 10.25 inches. Very Good plus.

"Editions René Juillard 1960. In-8 broché de 168 pages au format 19,5 x 14,5 cm. Couverture rempliée avec photographie de Gérard Philippe. Dos carré. Plats et intérieur frais. Préfaces de Roger Vadim et Roger Vailland. Postface de Claude Brulé. Découpage du film de Roger Vadim, avec dialogues de Roger Vailland, Roger Vadim et Claude Brulé, accompagné de nombreuses photographies en noir, in et hors texte, extraites du film. Rare édition originale en superbe état général. Adaptation en film par Roger Vadim, Roger Vailland et Claude Brulé du grand classique de la littérature française " Les Liaisons dangereuses " de Pierre Choderlos de Laclos. Film réalisé par Roger Vadim avec dans les rôles principaux Gérard Philipe, Jeanne Moreau, Annette Stroyberg ( Annette Vadim épouse de Roger Vadim ), Simone Renant, Jean-Louis Trintignant, Nicolas Vogel, Jeanne Valérie, Boris Vian, etc La musique originale était interprété par Thelonious Monk, Charlie Rouse, Sam Jones, Art Taylor, Barney Wilen, Art Blakey's Jazz Messengers, Lee Morgan, Bobby Timmons, Jymie Merritt. Précieux exemplaire accompagné de 2 belles cartes postales en noir et blanc dédicacées par Simone Renant, photographiée au Studio Harcourt et S.E.R.P. Cette dernière interprêtait Madame de Volanges dans le film.".