Clark lygia (28 Ergebnisse)

Soft cover. Zustand: Very Good. Paperback. Binding sound, text clean, light shelfwear. 80 pages. German text. Illustrated. Hard-to-find title. Book.

Zustand: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Zustand: Brand New. 128 pages. 10.28x8.35x0.75 inches. In Stock.

Zustand: Nuevo. The letters are, first and foremost, a testimony to their friendship and complicities, bonds that had grown since the mid-1950s, when they first met amid an atmosphere of huge creative ferment in Brazil. Their encounter turned out to be transcendental in the life and career of both, in a country that was, moreover, preparing for the surge of the so-called second Modernidade, the artistic development which, according to Ivo Mesquita, began in the 1950s and lasted until the 1980s. The letters are much more than unexpected, privileged accounts of the international art scene, told in the register of the intimacies of letter-writing. They are a testimony of affection, respect, trust, and fidelityùartistic tooùof two friends who were also two great artists. These layers present a mix of journeys, impressions, and clues about their works; proximities, complicities, and even hardships and worries, those that inhabit the life of human beings.This book gives continuity to the Ars Litterae series whichùfollowing the footsteps of LiberArs, artist books for allùhas the goal of making little known texts by twen. …

Zustand: Nuevo. Las cartas intercambiadas por Lygia Clark y Hélio Oiticica entre 1964 y 1974 trazan un retrato cálido de la amistad de dos artistas brasileños claves de la estética de neovanguardia del siglo XX. "Una carta es siempre un pedazo de la persona", dice Lygia Clark en un pasaje que registra la alegría que emana del epistolario así como las obsesiones que atraviesan las obras de quienes lo escriben: el cuerpo -o su fantasmática, es decir, las percepciones sensoriales que lo derraman en "pedazos"- y lo que sucede entre las personas cuando median entre ellas objetos artísticos. Clark y Oiticica extremaron las investigaciones sobre la percepción y el "no objeto" del neoconcretismo de Brasil y, en su afán por volverlo participativo, abrieron el arte y lo pusieron en diálogo con el crisol de prácticas culturales que ocurrían a su alrededor: el under y la cultura rock, la experimentación con drogas y el psicoanálisis, el carnaval y la militancia radicalizada. Por eso, además de las esperables menciones a los artistas visuales y críticos más resonantes de la época, en estas cartas aparecen personalidades de la música p.…

Zustand: New. Idioma/Language: Español. Este volumen acompaña a la exposición en el Museo Guggenhaim de Bilbao (6 de marzo ? 31 de mayo de 2020) y explora la producción artística de Lygia Clark durante la primera década de su carrera, en la se dedicó a la creación de pequeñas pinturas en blanco y negro y de esculturas, constantemente experimentando con nuevas técnicas, gracias a lo que llegó a ser una importante figura de la vanguardia brasileña. Su trabajo durante estos años oscila entre la figuración y la abstracción geométrica, creando un lenguaje visual en el que se adivina su futura evolución hacia una dimensión más social y participativa. Es reconocida como uno de los mayores referentes del arte contemporáneo, convirtiendo el objeto artístico en una herramienta de comunicación interpersonal y de autoconocimiento. Todas estas facetas forjaron su compromiso para redefinir la relación entre el arte y el ser humano a nivel conceptual y sensorial *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Zustand: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

01-05-2023 edición Rústica Las cartas intercambiadas por Lygia Clark y Hélio Oiticica entre 1964 y 1974 trazan un retrato cálido de la amistad de dos artistas brasileños claves de la estética de neovanguardia del siglo XX. "Una carta es siempre un pedazo de la persona", dice Lygia Clark en un pasaje que registra la alegría que emana del epistolario así como las obsesiones que atraviesan las obras de quienes lo escriben: el cuerpo -o su fantasmática, es decir, las percepciones sensoriales que lo derraman en "pedazos"- y lo que sucede entre las personas cuando median entre ellas objetos artísticos. páginas/pasges.…

Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Zustand: Brand New. 128 pages. 10.75x8.25x0.75 inches. In Stock.

Couverture souple. Zustand: Très bon état. In-8 broché 27,6 cm sur 22. 96 pages. Très bon état d'occasion. in-8°.

Soft cover. Constantemente exibido em exposições retrospectivas em museus e mostras por todo o País, o trabalho de Lygia é mostrado aqui de forma especial para as crianças. No caderno-ateliê que acompanha a obra, elas podem exercitar a criatividade a partir do exemplo dessa consagrada artista contemporânea brasileira. Prêmio:/nAcervo básico FNLIJ - Categoria informativo (2006).…

Zustand: New. 2020. Bilingual. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. Zustand des Schutzumschlags: NUEVO.

Zustand: New. KlappentextLygia Clark is primarily remembered for her participation in the Constructivist movement (leading abstract artist at the forefront of the Neo-Concretist movement in Brazil), her innovative approach to modular sculpture and the.

Taschenbuch. Zustand: Neu. Neuware - Este volumen acompaña a la exposición en el Museo Guggenhaim de Bilbao (6 de marzo 31 de mayo de 2020) y explora la producción artística de Lygia Clark durante la primera década de su carrera, en la se dedicó a la creación de pequeñas pinturas en blanco y negro y de esculturas, constantemente experimentando con nuevas técnicas, gracias a lo que llegó a ser una importante figura de la vanguardia brasileña. Su trabajo durante estos años oscila entre la figuración y la abstracción geométrica, creando un lenguaje visual en el que se adivina su futura evolución hacia una dimensión más social y participativa. Es reconocida como uno de los mayores referentes del arte contemporáneo, convirtiendo el objeto artístico en una herramienta de comunicación interpersonal y de autoconocimiento. Todas estas facetas forjaron su compromiso para redefinir la relación entre el arte y el ser humano a nivel conceptual y sensorial.…

726 pp.; 27 x 20.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. Includes artists:Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke. Includes chronology, checklist and biographies for participating artists. Texts in English and Portuguese. Very Good. Light wear to covers and cover corners with light soiling from dust to page edges. Creasing of spine and 8 mm. tear to spine edge. Contents clean and unmarked. Due to very large size and weight additional shipping charges may be required.…

19 x 14 cm., 2023, rústica con solapas, 224 págs. NUEVO. Las cartas intercambiadas por Lygia Clark y Hélio Oiticica entre 1964 y 1974 trazan un retrato cálido de la amistad de dos artistas brasileños claves de la estética de neovanguardia del siglo XX. "Una carta es siempre un pedazo de la persona", dice Lygia Clark en un pasaje que registra la alegría que emana del epistolario así como las obsesiones que atraviesan las obras de quienes lo escriben: el cuerpo -o su fantasmática, es decir, las percepciones sensoriales que lo derraman en "pedazos"- y lo que sucede entre las personas cuando median entre ellas objetos artísticos. Clark y Oiticica extremaron las investigaciones sobre la percepción y el "no objeto" del neoconcretismo de Brasil y, en su afán por volverlo participativo, abrieron el arte y lo pusieron en diálogo con el crisol de prácticas culturales que ocurrían a su alrededor: el under y la cultura rock, la experimentación con drogas y el psicoanálisis, el carnaval y la militancia radicalizada. Por eso, además de las esperables menciones a los artistas visuales y críticos más resonantes de la época, en estas cartas aparecen personalidades de la música popular como Caetano Veloso, Gilberto Gil y Gal Costa, pero también John Lenon, Yoko Ono y Frank Sinatra; figuras del cine experimental estadounidense como Jack Smith y de la "nouvelle vague" como Jean-Pierre Léaud; y algunos protagonistas de la contracultura brasileña como Wally Salomão, Glauber Rocha y Suely Rolnik.En estos envíos, los amigos tejen una crónica aguda y en tiempo real de acontecimientos políticos y culturales decisivos, desde la emoción del estallido tropicalista hasta la indignación y las tácticas de supervivencia tras el recrudecimiento de la dictadura brasileña, desde el asesinato del Che Guevara en Bolivia hasta la explosión de la cultura rock con el Festival de Woodstock. Pero probablemente el legado más deslumbrante de estos intercambios sea el estado de invención permanente de las vidas de Lygia y Hélio, el delirio nómade y programado al que consagraron su obra y su cotidianeidad. Ensayo. Ediciones independientes ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS. …

16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). ~~~ 1. AUFLAGE, BROSCHIERTE ORIGINALAUSGABE. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .

830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Aberta em 1997 na Fundação Tapies, a mostra passou pela Galeries Contemporain des Musées de Marseille; Fundação Serralves, na cidade do Porto; e pelo Palais de Beaux-Arts em Bruxelas antes de chegar ao Rio de Janeiro (Paço Imperial) em dezembro de 1998.…

Zustand: Very Good.

Museum of Modern Art, New York 2014. 336 pages. Illustrated in colour and b/w. Orig. cloth in dust wrapper. Near fine/Near fine- wrapper.

86 pp.; 29.6 x 20.9 cm.; sewn bound; black-and-white; edition size 4000; unsigned and unnumbered; letterpress Exhibition catalogue published in conjunction with show held November 19, 1970 - January 3, 1971. Introduction by Janet Daley. Texts by Karl Gerstner, Reyner Banham, Jiddu Krishnamurti, Anthony Wedgwood Benn and John Berger. Artists include Jean Arp, Thomas Bayrle, Joseph Beuys, George Brecht, Marcel Broodthaers, Lygia Clark, Hélio Oiticica, Robert Filliou, Ian Hamilton Finlay, Eva Hesse, Steven Kaltenbach, George Maciunas, Bruce Nauman, Yoko Ono, Keith Sonnier, Richard Serra, Alan Sarat and many others. Includes illustrated exhibition checklist and an index of lenders to the exhibition. Catalogue incorporates Beuys' edition "I The Chief, II How to Explain Paintings to a Dead Hare," 1970, and "Curriculum vitae and list of works," 1964/70, documented as 'The artist has authorized publication here of his 'official' biography as an original printed multiple work of art" on pages 19 -21 of this publication. Reference : No. 17 in "Joseph Beuys : The Multiples" Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 58, 432. Good. Significant dust soiling to covers with yellowing of cover and page edges. 2 cm. crease and bumping to bottom right corner of publication and 1.9 cm. crease and bumping of top right corner of recto and pages. Contents otherwise clean and unmarked. …

Zustand: Very Good. Camargo, Lygia Clark, Cruz-Diez, Duchamp, Gabo, Goeritz, Klein, Mondrian, Henry Moore, Oiticica, Otero, Schwitters, Soto, Liliane Lijn and Takis, Soundings Two, Signals, London, 1965. 255 x 151mm. 4pp. Folded brochure. 'An International Exhibition of Modern Art organised by Paul Keeler from the Pioneers of Abstraction to today's most significant exponents of Kinetic, Optical and Elemental Art'. Cover image is 'Linear Construction 'Suspended' 1957-1964' by Naum Gabo. Quotes Naum Gabo and Piet Mondrian texts, also quotes Marcel Duchamp on Takis. The show which ran from 22 July-22 September 1965 involved Camargo, Lygia Clark, Cruz-Diez, Duchamp, Gabo, Goeritz, Klein, Mondrian, Henry Moore, Oiticica, Otero, Schwitters, Soto, Liliane Lijn and Takis among others. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Condition: Some toning to front cover and handling marks. No tears or writing. Very Good.…

Hardcover. Zustand: Fine. Near Fine. Book. A complete set of the facsimile edition of 'Signals Magazine, Newsbulletin of Signals London', bound in a green slipcase with printed gold bellyband (350 x 263 mm, unpaginated). Edition size 1000. Off-set printed in a newspaper folded broadsheet format in black-and-white and color. Includes an index by by Julian Zinovieff. Originally published between August 1964 and March 1966 in ten issues by Signals director Paul Keeler, and edited by David Medalla, this avant-garde periodical often presented the ideas of the Kinetic and South American artists who exhibited at the gallery. Specific issues focusing on the work of: David Medalla, Marcello Salvadori, Roberto Ganzo, Constantine Takis, Sergio de Camarg, Lygia Clark, Carlos Cruz-Diez, Jesus-Raphael Soto, and Alejandro Otero. Also featuring: Sinclair Beiles, Alexander Calder, Antonio Calderara, Eduardo Chillida, Jose Maria Cruxent, Naum Gabo, Mathias Goeritz, Dom Sylvester Houedard, Yves Klein, Liliane Lijn, Helio Oiticica, Mira Schendel, John Sharkey. Condition: slipcase fresh and unmarked but with bowed edges (as is usual due to shrink wrap packaging) , all issues fine. Excellent resource.…

Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America, founded by Paul Keeler, Guy Brett, David Medalla, and Marcello Salvadori. Through exhibitions, events, and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Signals is widely regarded as one of the most important galleries for avant-garde activities in London in the 1960s. This archive, acquired over several years between 1995-present, include: (1) Two early documents from the Centre for Advanced Creative Study, including the 1964 Prospectus and the exhibition brochure for the 2nd Pilot Show of Kinetic Art; (2) Complete set of Signals Newsbulletin (1964-1966), edited by David Medalla,with issues featuring David Medalla, Constantine Takis, Lygia Clark, Carlos Cruz-Diez, Jesus-Raphael Soto, Alejandro Otero, Alexander Calder, Jose Maria Cruxent, Dom Sylvester Houedard, Yves Klein, Liliane Lijn, Mira Schendel, John Sharkey, and others; (3) Complete set of Signals exhibition brochures, published to coincide with exhibitions and events featuring artists including Takis, Marcello Salvadori, Naum Gabo, Jesús Rafael Soto, Carlos Cruz-Diez, Lygia Clark, Sergio de Camargo, Alejandro Otero, Antonio Calderara, Pia Pizzo, Hsiao Chin and Li Yuan-Chia; (4) Nicholas Snowden Willey's 1965 book of poetry, The Green Tunnel; (5) Eleven documents, catalogues, and ephemera (published 1960-1969) by Signals-associated artists, including Lygia Clark, Carlos Cruz-Diez, David Medalla, JM Cruxent, and Alejandro Otero; (6) Original programme for David Medalla's 'The Bird Ballet'; and (7) Signals Newsbulletin box set (facsimile edition, 1995).…