Clark hulse (33 Ergebnisse)
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Zustand: New. pp. 192.
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Paperback. Zustand: Brand New. 168 pages. 9.75x8.75x0.50 inches. In Stock.
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Verlag: The University of Chicago Press,, 1990
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In den WarenkorbAus der Bibliothek von Wolfgang Grindemann. Vorsatz mit handschriftlichem Vermerk von Wolfgang Grindemann und Monogramm. 215 Seiten, gr.-8°. Gestempelt, gutes Exemplar. [BHN-D-8] Original-Leinwand, illustrierter Original-Schutzumschlag.
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Zustand: New. Tells the story of England's Queen Elizabeth as handed down by history. This volume describes Elizabeth's relationship with her father, Henry VIII, and the manoeuvring that led to her eventual coronation upon the death of her half-sister Mary Tudor in 1558. It contains over one hundred photographs of books and arte…facts dating from her reign. Num Pages: 192 pages, Illustrations. BIC Classification: 1DBKE; HBTG. Category: (P) Professional & Vocational. Dimension: 6452 x 5817 x 330. Weight in Grams: 748. . 2003. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
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- Hardcover
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Hardcover. Zustand: Very Good. Hardcover. Large 8vo. University of Pennsylvania Press, Philadelphia, PA. 2000. 403 pgs. Illustrated. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding… tight and solid. An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. E-083; New Cultural Studies; 10.0 X 7.3 X 1.0 inches; 403 pages.
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
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Sprache: Englisch
Verlag: Chicago, London: The University of Chicago Press, 1990
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Hardcover with dust jacket. Zustand: Sehr gut. XV, 215 p. Schutzumschlag sehr leicht berieben, ca. 10 Seiten mit Bleistiftanstreichungen / Dust jacket very lightly rubbed, approx. 10 pages with pencil markings. - What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the… links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a rule of art, a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world. Beginning with a discussion of the medieval, theologically grounded hierarchy of the arts in which poetics was considered a subdivision of rhetoric, Hulse finds that the discourse of painters remained a form of craft- or shoptalk. He then examines how Alberti used poetic theory to transform the intellectual and social status of painting, rejecting the language of the shop and raising painting to a position of parity with literature. Through Albertis redefinition of painting, Hulse argues, a new idea of the artwork, a new personality for the artist, and a utopian history of the arts emerged. In the hands of Raphael, Castiglione, and their circle these concepts became deeply enmeshed with disputes over the nature of imitation and with issues of gender and social position. Hulse then shifts to Elizabethan England, demonstrating how Hilliard and Sidney dismantled and reconstructed the discourse of Italian humanism to fit English conditions and purposes. He concludes with Spensers Shepheardes Calender as the final moment of his inquiry into the relationship of artistic theory to practice and into the value of comparative discourse in both Renaissance and modern criticism. Beautifully illustrated and lucidly written, this innovative study will be of interest to students of literature, art history, and Renaissance studies. / CONTENTS LIST OF ILLUSTRATIONS ACKNOWLEDGMENTS 1 TOWARD A NEW THEORY OF THE ARTS 2 THE RULE OF THE WORD 3 ALBERTI AND HISTORY 4 THE CIRCLE OF RAPHAEL 5 SIDNEY AND HILLIARD 6 BETWEEN THEORY AND PRACTICE NOTES INDEX. ISBN 9780226360522 Sprache: Englisch Gewicht in Gramm: 647.
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Zustand: New. A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England. Editor(s): Erickson, Peter; Hulse, Clark. Series: New Cultural Studies. Num Pages: 408 pages, 133 illus. BIC Classification: 1DBKE; 3…H; 3JB; AC; JFC. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 256 x 178 x 22. Weight in Grams: 762. . 2000. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name.
- Softcover
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Paperback. Zustand: Brand New. 403 pages. 10.00x7.25x0.75 inches. In Stock.
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Zustand: New. 2019. Reprint. paperback. . . . . . Books ship from the US and Ireland.
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Kartoniert / Broschiert. Zustand: New. Tells the story of England s Queen Elizabeth as handed down by history. This volume describes Elizabeth s relationship with her father, Henry VIII, and the manoeuvring that led to her eventual coronation upon the death of her half-sister Mary Tudor in 1558.
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hardcover without dj. Zustand: Sehr gut. 403 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). -… Ein gutes und sauberes Exemplar. - content: Clark Hulse and Peter Erickson 1. Imaginary Conquests: European Material Technologies and the Colonial Mirror Stage Steven Mullaney 2. Mapping the Global Body Valerie Traub 3. Second-World Prosthetics: Supplying Deficiencies of Nature in Renaissance Italy Harry Berger, Jr. 4. Reading Painting: Holbein, Cromwell, Wyatt Clark Hulse 5. Art for the Sake of Dynasty: The Black Emperor in the Drake Jewel and Elizabethan Imperial Imagery Karen C. C. Dalton 6. Staging Women's Relations to Textiles in Shakespeare's Othello and Cymbeline Susan Frye 7. Idols of the Gallery: Becoming a Connoisseur in Renaissance England Stephen Orgel 8. Madagascar on My Mind: The Earl of Arundel and the Arts of Colonization Ernest B. Gilman 9. "God for Harry, England, and Saint George": British National Identity and the Emergence of White Self-Fashioning Peter Erickson 10. Object into Object?: Some Thoughts on the Presence of Black Women in Early Modern Culture Kim F. Hall Epilogue Peter Erickson ISBN 9780812235593 Sprache: Englisch Gewicht in Gramm: 1126.
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Zustand: New. A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England.Über den AutorPeter Erickson, of the Clark Art.
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Paperback. Zustand: Brand New. reprint edition. 312 pages. 9.25x6.25x0.50 inches. In Stock.
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- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Early Modern Visual CultureRepresentation, Race, and Empire in Renaissance EnglandEdited by Peter Erickson and Clark Hulse'As a picture of what currently might be most profitably studied in the visual culture of early modern England, and of how to conduct scholarship in the field, the volume…is exemplary. . . . [It] treats a culture for which there is considerable scholarly interest, but from angles which have been woefully ignored up until now.'--Joseph Koerner, Harvard UniversityAn interdisciplinary group of scholars applies the reinterpretive concept of 'visual culture' to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire.Several essays focus on the construction and representation of the human body--including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women 'present' in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter.All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts--and the acts of creating, collecting, and admiring them--are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.Peter Erickson, of the Clark Art Institute, is author of Patriarchal Structures in Shakespeare's Drama and Rewriting Shakespeare, Rewriting Ourselves.Clark Hulse is Professor of English and Art History at the University of Illinois at Chicago and author of The Rule of Art: Literature and Painting in the Renaissance.New Cultural Studies2000 | 408 pages | 7 x 10 | 133 illus.ISBN 978-0-8122-1734-6 | Paper | $32.50s | £21.50 World Rights | Fine Arts, Cultural Studies, HistoryShort copy:A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England.
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Verlag: Published by Samuel French Limited, 26 Southampton Street, Strand, London . London 1952., 1952
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In den WarenkorbZustand: Very Good. Publisher's original illustrated card wrap covers [softback]. 8vo. 8½'' x 5½''. Contains 74 printed pages of text. 25 mm piece of paper missing to the foot of the spine, tan age spots to the covers and in near Very Good condition, no dust wrapper as published. Member of the P.B.F.A. PLAYS (Theatre Performance…).
