Clark gregory t (33 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. ORIGINAL 1993 PUBLICATION; softcover; ex-library; missing the rear pocket (but the two large folded plates are present; complete for this publication); spine reinforced with tape; o/w in good condition. Book.

Zustand: New. pp. 104 64 Illus. (40 Col.).

1st edition. Red cloth with gilt lettering. A bright, tidy copy in tight binding with b/w illustrations. Used - Very Good. VG hardback (no dust jacket).

Paperback. Zustand: Brand New. 1st edition. 104 pages. 9.00x7.25x0.25 inches. In Stock.

Hardcover. Zustand: Good. 1st Edition. see photos.

Soft cover. Zustand: Very Good. A portfolio of 10 prints produced by the Tavistock Group of Artists in 1970. All prints (A4) depict scenes in and around Tavistock. Artits include Dorothy T. C. Ward, M. Kelly, T. W. Poulter, G. P. Clark, Victor Gregory, Claud Lewis, M. Nicol, R. E. de A. Woollcombe and Frederick Wells. Folder slightly grubby at edges but contents in near fine condition. Dorothy T. C. Ward, M. Kelly, T. W. Poulter, G. P. Clark, Victor Gregory, Claud Lewis, M. Nicol, R. E. de A. Woollcombe and Frederick Wells. (illustrator).…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: Good. No Jacket. 4to. xviii, 171pp. Frontispiece. 57 illus. on plates.Original cloth, slightly worn.

Couverture souple. Zustand: Comme neuf. Zustand des Schutzumschlags: Comme neuf. prima edizione. The Spitz Master A Parisian Book of Hours a cura di Gregory T.Clark , 2003 Getty Museum studies on art Los Angeles, 98pagine,190X235 mm lingua inglese Size: 190x235mm.

175pp., with bl/w ills., 26cm., editor's red cloth with gilt lettering, very good condition, S87267.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very good. Presumed First Edition, First printing. The format is approximately 7.75 inches by 10.25 inches. xviii, 171, [9] pages. Illustrations. Footnotes. Selected Bibliography of Robert A. Koch. No dust jacket present. Gilt lettering on front cover and spine. Signed with date on the fep. Signature may be that of Harbison--one of the contributors. Acknowledgements by Barbara T. Ross, Associated Curator of Prints and Drawings, The Art Museum, Princeton University. Introduction by John Oliver Hand, National Gallery of Art, Washington, D.C. Robert Koch was a professor emeritus of art at Princeton. In 1942, Koch earned a master's degree from the University of North Carolina. After Army service from 1942 to 1946, he earned in 1954 a Ph.D. in art from Princeton. He started at Princeton in 1948 as a teaching assistant, and in 1949 he became anassistant director of Princeton University Art Museum. Koch became an assistant professor in 1955 and in 1966 was promoted to full professor. He remained as assistant director of the art museum until 1962, and then was faculty curator of prints. He retired in 1990. A scholar of Northern Renaissance art, Koch received a Fulbright grant in 1956 for study in Belgium, and in 1961 won a grant from the American Council of Learned Societies. He authored several books. As described in Princeton Alumni Weekly's June 2, 2010, article "When Art Historians Went to War," more than a dozen Princetonians helped locate and return Nazi-confiscated art works for the Monuments, Fine Arts, and Archives Service. Koch was one of these "Monuments Men," the last surviving Princetonian among them. In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies. Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide-ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.…

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Couverture rigide. Zustand: As New. Zustand des Schutzumschlags: As New. prima edizione. Gregory T.Clark,Made in Flanders.The Master of the Ghent Privileges and manuscript painting in the Southern Netherlands in the Time of Philip the Good.Turnhout 2000 BREPOLS Publishers pages 499 ills.24 color plates and 234 in b/w Quarto cloth ( Ars Nova Studies in Late Medieval and RenaissanceNorthen Painting and Illumination .- Euro 180,00.-xx G. Clark Made in Flanders. The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good This monograph seeks both to order, analyze, and evaluate the work of the Ghent Privileges Master and to position his achievement in the larger context of the history and arts of the Burgundian Netherlands. The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Öst. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonné of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin. Add to basket -> 500 p., + 400 ills, 210 x 297 mm, 2000 ISBN: 978-2-503-50878-8 Languages: English Hardback The publication is available. Retail price: EUR 180,00 Size: 210 x 297 mm.Coll. Bibl.Jardin Coll. Bibl.Maison Plafond.…

Zustand: gut. MADE IN FLANDERS. THE MASTER OF THE GHENT PRIVILEGES AND MANUSCRIPT PAINTING IN THE SOUTHERN NETHERLANDS IN THE TIME OF PHILIP THE GOOD In deutscher Sprache. pages.

Hardcover. Front free e-p removed. Cloth, VG, slip-case, Commentary volume only, without the facsimile; incl Clark's contribution (history of the MS & descriptions of the miniatures) in the original English. Speculum Humanae Salvationis.

29 cm, 318 Seiten/pages. it Illustrtionen/illustrated. Leineneinband mit golderner Deckel- und Rückenprägung im Schuber. Cloth-bound with gilt titling to front board and spine, in slipcase. Nur der Kommentarband. Schuber gering angestaubt und mit wenigen sehr leichten Kratzern. Kurze handschriftliche Widmung auf dem Schmutztitel. Sonst einwandfreis Exemplar. Commentary volume only. Slipcase slightly dust-soiled with a few very minor scratches. Brief inscription in ink on half-title page. Otherwise an excellent copy.…

Bound, black cloth, illustrated dustjacket, 205 x 305mm., 499pp., profoundly illustrated in colour and b/w. ISBN 9782503508788. The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin. Book is in very good condition. 777 g.…

1st Ed. 4to. 499pp. + [i]. Profusely illus. throughout including 16 pages in colour. From the library of Jerrold Northrop Moore, very good in d/w. Ars Nova - Studies in Late Medieval and Renaissance Northern Painting and Illumination. Additional postage may be necessary ISBN 9782503508788 US$82.