clark gregory t (14 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. pp. 104 64 Illus. (40 Col.).

1st edition. Red cloth with gilt lettering. A bright, tidy copy in tight binding with b/w illustrations. Used - Very Good. VG hardback (no dust jacket).

Paperback. Zustand: Brand New. 1st edition. 104 pages. 9.00x7.25x0.25 inches. In Stock.

Soft cover. Zustand: Very Good. Dorothy T. C. Ward, M. Kelly, T. W. Poulter, G. P. Clark, Victor Gregory, Claud Lewis, M. Nicol, R. E. de A. Woollcombe and Frederick Wells. (illustrator). A portfolio of 10 prints produced by the Tavistock Group of Artists in 1970. All prints (A4) depict scenes in and around Tavistock. Artits include Dorothy T. C. Ward, M. Kelly, T. W. Poulter, G. P. Clark, Victor Gregory, Claud Lewis, M. Nicol, R. E. de A. Woollcombe and Frederick Wells. Folder slightly grubby at edges but contents in near fine condition.

Zustand: New.

Hardcover. Zustand: Good. No Jacket. 4to. xviii, 171pp. Frontispiece. 57 illus. on plates.Original cloth, slightly worn.

175pp., with bl/w ills., 26cm., editor's red cloth with gilt lettering, very good condition, S87267.

Hardcover. Zustand: Very good. Presumed First Edition, First printing. The format is approximately 7.75 inches by 10.25 inches. xviii, 171, [9] pages. Illustrations. Footnotes. Selected Bibliography of Robert A. Koch. No dust jacket present. Gilt lettering on front cover and spine. Signed with date on the fep. Signature may be that of Harbison--one of the contributors. Acknowledgements by Barbara T. Ross, Associated Curator of Prints and Drawings, The Art Museum, Princeton University. Introduction by John Oliver Hand, National Gallery of Art, Washington, D.C. Robert Koch was a professor emeritus of art at Princeton. In 1942, Koch earned a master's degree from the University of North Carolina. After Army service from 1942 to 1946, he earned in 1954 a Ph.D. in art from Princeton. He started at Princeton in 1948 as a teaching assistant, and in 1949 he became anassistant director of Princeton University Art Museum. Koch became an assistant professor in 1955 and in 1966 was promoted to full professor. He remained as assistant director of the art museum until 1962, and then was faculty curator of prints. He retired in 1990. A scholar of Northern Renaissance art, Koch received a Fulbright grant in 1956 for study in Belgium, and in 1961 won a grant from the American Council of Learned Societies. He authored several books. As described in Princeton Alumni Weekly's June 2, 2010, article "When Art Historians Went to War," more than a dozen Princetonians helped locate and return Nazi-confiscated art works for the Monuments, Fine Arts, and Archives Service. Koch was one of these "Monuments Men," the last surviving Princetonian among them. In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies. Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide-ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.

Hardcover. Front free e-p removed. Cloth, VG, slip-case, Commentary volume only, without the facsimile; incl Clark's contribution (history of the MS & descriptions of the miniatures) in the original English. Speculum Humanae Salvationis.

Bound, black cloth, illustrated dustjacket, 205 x 305mm., 499pp., profoundly illustrated in colour and b/w. ISBN 9782503508788. The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin. Book is in very good condition. 777 g.

Hardcover. Zustand: Good. 1. Verfärbung. German English Der Kommentarband zur Faksimileausgabe des Da-Costa-Stundenbuchs (MS M.399) aus der Morgan Library & Museum in New York bietet eine umfassende wissenschaftliche Untersuchung dieser bedeutenden flämischen Handschrift aus dem frühen 16. Jahrhundert. Gregory T. Clark analysiert Entstehung, historische Hintergründe, Auftraggeber, künstlerischen Kontext und das ikonographische Programm der reich illuminierten Handschrift, die mit der Werkstatt des Miniaturisten Simon Bening in Gent oder Brügge verbunden wird. Der Band beschreibt detailliert die Miniaturen, Ornamentik und Textstruktur des Stundenbuchs und ordnet das Werk in die Tradition der spätmittelalterlichen flämischen Buchmalerei ein. This commentary volume accompanying the facsimile edition of the Da Costa Hours (MS M.399) from The Morgan Library & Museum in New York presents a comprehensive scholarly study of this important early-sixteenth-century Flemish manuscript. Gregory T. Clark examines the origin, historical background, patronage, artistic context and iconographic programme of the richly illuminated Book of Hours, traditionally associated with the workshop of the miniaturist Simon Bening in Ghent or Bruges. The volume provides detailed descriptions of the miniatures, ornamentation and textual structure of the manuscript and situates the work within the broader tradition of late medieval Flemish manuscript illumination.

[Turnhout, Brepols, 2000]. 499 pp. 234 col. & b./w. ills. Orig. hardcover (black cloth with gilt lettering on spine), d./j. 4to. (Ars Nova. Studies in Late Medieval and Renaissance Northern Painting and Illumination, [5]).

Turnhout, Brepols, 2000, large in-8°, 499 pp, with 234 black/white figures and 24 colour illustrations, index, bibliography, publisher's black cloth with dust jacket. Fine copy with a manuscript ex-dono of the author.