Clare carolin (13 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Very Good. Book is in very good condition. 130pp with colour and b/w photographs.

First Edition. First edition and first printing. Hardcover. Features essays by Michael Bracwell and Jeremy Miller along with the text of Clare Carolin's interview of Taylor-Wood. Includes numerous color images. A near fine copy in blue cloth boards and in a near fine dust jacket with some light rubbing.…

4to. pp 40. Original publisher's white wraps with black lettering at the front cover. Copiously illustrated throughout in colour and black and white. ISBN: 9780956194756 About fine.

Soft cover. Zustand: Near Fine. Book is in near fine condition. Pages all bright and clean. Spine is tight. Hayward Gallery. Colour illustrations throughout.

1. Auflage. 23,5 x 17 cm. 117 S. OKarton mit illustriertem OKlappenumschlag und zusätzlichem transparentem Plastikumschlag. Bibliotheksstempel auf Titelblatt verso, Bibliothekssticker auf Rücken und Vortitel. Laufzettel auf Vortitel, Papier ganz leicht nachgedunkelt, sonst gutes Exemplar. Katalog zur gleichnamigen Hayward Gallery Touring Exhibition (Exhibition tour: 17. September - 11. November 2006, Hatton Gallery, Newcastle; 5. Mai - 29. Juli 2007 Whitworth Art Gallery, Manchester). Beschäftigt sich auch mit Outsider Kunst.…

Couverture souple. Zustand: bon. RO90115152: 2003. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 309 pages. Numéro double. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

gr.-8°. 112 S. mit über 100 teils farbigen Abb., ill. OKart. ISBN 1853322407.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Buch. Zustand: Neu. Neuware - This book explores the Artistic Records Committee (ARC) of the Imperial War Museum (IWM) as a bureaucratic mechanism that enabled the deployment of art as an instrument of war.The ARC was established in 1972 to commission artistic records of activities involving the British Armed Forces (BAF) deployed in the North of Ireland as part of Operation Banner. Through a close reading of artworks, archival research, and interviews with artists, former IWM staff, and a former British Army psychological operations (PSYOPs) expert, this book shows that the ARC was implicated in the 'propaganda war' that the British Government waged to counteract negative public perceptions of British military presence and activity in the North of Ireland after 'Bloody Sunday,' and later during Britain's 1982 campaign to recapture the Falklands/Malvinas from Argentina (Operation Corporate). The two case studies are painter Ken Howard's ARC commissions to record Operation Banner in 1973 and 1978 and illustrator Linda Kitson's ARC commission to record the 'Falklands Campaign' in 1982. At a time when emergent conceptual and non-object-based art practices were increasingly concerned with exposure, concealment, and photographic evidence, the book demonstrates the potential operational significance of creating pictorial records and utilising art as a tool of warfare.This volume will be of interest to researchers and scholars of art history, museum studies, art and politics, and military and intelligence studies, as well as those studying the recent history of the North of Ireland and the Falklands/Malvinas war.…