Christopher straub (12 Ergebnisse)

Zustand: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Softcover. Zustand: Near Fine. First edition. 157pp. Pictorial wrappers. Wrappers lightly rubbed, else fine.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 375 pages. 9.00x6.00x1.25 inches. In Stock.

Zustand: very good. First Printing. 21 cm, 157, wraps, some wear and scuffing to covers.

Taschenbuch. Zustand: Neu. Neuware - Narrative directly impacts the threat environment whether in a physical conflict zone, or in terms of the effects of radicalization, or the interference of foreign governments in domestic politics. Therefore dominating the narrative space should be a priority. That is where non-state actors fight best. That is where foreign governments have proven effective in waging war against us without getting dirty hands. That is precisely where our enemies dominate, and no amount of firepower will create a win in that space. The center of gravity in any conflict is the narrative space. It always has been. But in the past we have mis-identified parts for the whole; just as terrorism is only one aspect of psychological warfare, so too psychological warfare is only one aspect of Narrative Warfare. Narrative Identity Theory is the basis of Narrative Warfare. Psychological, Information, Influence, and Stability Operations, are all aspects of Narrative Warfare. They fall under its domain. The most effective weapons in warfare have always been the ones that target the cognitive space because they are the most enduring. Kautilya in India in the 4th century BC refers to the psychologically based tactics and strategies of those before him, suggesting that the strategies may have been employed as early as 650 BC. Hits in the cognitive space were prescribed by Sun Tzu, practiced by Genghis Khan's armies, employed by Xerxes, the Persian General 2,500 years ago, by Hannibal more than 200 years before the birth of Christ. Native American tribes understood that their blood-curdling screams terrorized their enemies, thereby reducing their will to fight before the fight began. But hits in the cognitive space do more than produce a win before the bullets fly. It is a mistake to assume that narrative is only a non-kinetic strategy that belongs in the soft power toolbox. Narrative underlies any conflict, even the most kinetically oriented. …

467+ pp.; 23 x 18.3 cm.; glue bound; die-cut; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Zone was a short lived, over-sized journal edited by Jonathan Crary, Michel Feher, Hal Foster, Sanford Kwinter and designed by design-demi-God Bruce Mau. Issue 1/2 edited by Michel Feher and Sandford Kwinter. Issue 1/2 includes essays by Paul Virilo, Eric Alliez and Michel Feher, Marc Guillaume, Stanford Kwinter, Christopher Alexander, Jonathan Crary, Manuel De Landa, Gilles Deleuze and Félix Guattari, Anne Querrien, Didier Gille, Jean-POaul de Gaudemar, Annie L. Cot, Eric Alliez and Michel Feher, Timothy Druckrey, and Carol Squiers. Also, this issue incorporates artists' projects by John Baldessari, Dara Birnbaum, Keith Sonnier, Gretchen Bender, Françoise Schein, Justen Ladda, and Dan Graham. Also includes a section on Gordon Matta-Clark. Answers to the Zone questionaire by Krenneth Frampton, William Labov, Michael Piore, Peter Cook, Marc Guillaume, Peter Eisenman, Richard Serra, Daniel Libeskind, Alice Aycock, Melvin Charney, Rem Koolhaas, Raimund Abraham, Rosemarie Haag Bletter, Jean-Marie Straub, Dennis Adams, Krzysztof Wodiczko, Félix Guattari, Herbert Muschamp, and Sol Yurick. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 313. Good. Cover wear including 1.2 cm. crease to bottom right edge of recto with rubbing of cover edges and scratching of covers. 6 cm. scratch to verso carrying through to endpapers. 10 cm. area of impression from pen writing to verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…