Christopher keaveney (21 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Hardcover. Zustand: New. xii, 254 pages ; 23 cm. Yamamoto Sanehiko's (1885-1952) achievements as a publisher, writer, and politician in the interwar period served as both a catalyst and a template for developments after the wars. While exploring the accomplishments the compelling figure, this study sheds new light on the social, cultural, and political changes that occurred in postwar Japan.…

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. &Uumlber den AutorChristopher Keaveney is an associate professor of Japanese and co-chair of the Asian Studies program at Linfield College in McMinnville, Oregon. His publications, which include The Subversive Self in Modern Chinese Lit.

Hardcover. Zustand: Brand New. 224 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: New. Yamamoto Sanehiko's (1885-1952) achievements as a publisher, writer, and politician in the interwar period served as both a catalyst and a template for developments after the wars. While exploring the accomplishments the compelling figure, this study sheds new light on the social, cultural, and political changes that occurred in postwar Japan. Num Pages: 266 pages, biography. BIC Classification: 2G; DSBH; DSBH5; HBTB. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 343. . 2013. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. An examination of whether Chinese writers of the Creation Society, a Chinese literary coterie, successfully appropriated shishosetsu, a quintessentially Japanese form of autobiographical narrative, into a form to be exploited for their own ends, especially political ends. Series: Comparative Perspectives on Modern Asia. Num Pages: 224 pages, biography. BIC Classification: 2G; DSBH5. Category: (G) General (US: Trade). Dimension: 216 x 140 x 12. Weight in Grams: 295. . 2004. Softcover reprint of the original 1st ed. 2004. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New.

Zustand: New. Yamamoto Sanehiko's (1885-1952) achievements as a publisher, writer, and politician in the interwar period served as both a catalyst and a template for developments after the wars. While exploring the accomplishments the compelling figure, this study sheds new light on the social, cultural, and political changes that occurred in postwar Japan. Num Pages: 266 pages, biography. BIC Classification: 1FPJ; 2GJ; 3JJP; DSK; HBTB; JFC; KNTP. Category: (P) Professional & Vocational. Dimension: 143 x 217 x 20. Weight in Grams: 444. . 2013. Hardback. . . . . Books ship from the US and Ireland. …

Zustand: New. pp. 242.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. The Cultural Evolution of Postwar Japan | The Intellectual Contributions of Kaiz?'s Yamamoto Sanehiko | Christopher Keaveney | Taschenbuch | xii | Englisch | 2013 | Palgrave Macmillan | EAN 9781349474035 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Hardcover. Zustand: Brand New. 200 pages. 6.00x0.50x9.00 inches. In Stock.

Zustand: New.

Buch. Zustand: Neu. Neuware - This book explores the practice among Japanese writers in the modern era of composing kanshi, traditional Sinitic poetry. For the Japanese, writing poetry in Literary Sinitic (also known as Classical Chinese) is an 'exophonic' practice, referring to the act of writing in a language other than one's native tongue. Meiji period (1868-1912) writers who, like generations of Japanese before them, received a traditional Confucian education, including studies in Literary Sinitic, were by and large capable of composing kanshi. As a result of changes in the Japanese education system following the Imperial Rescript on Education of 1890, and of shifting attitudes toward China after the Sino-Japanese War (1894-95), subsequent generations of Japanese were less proficient in Literary Sinitic. Yet, as this book documents, throughout the twentieth century and even in the twenty-first century, a small number of Japanese writers have continued to produce kanshi. Moreover, each generation of Japanese writers who have composed kanshi has turned to kanshi composition for a certain purpose and directed it to a specific audience in an act that this study refers to as 'exophonic literary performance.' Interestingly, as the Japanese literary community has become increasingly multicultural, writers with roots in China have appeared, for whom the exophonic performance of kanshi takes on a special meaning, challenging the very idea of what it means to be a Japanese writer.…