Christopher john christopher jay (14 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Brand New. 192 pages. 6.00x0.69x9.00 inches. In Stock.

Paperback. Zustand: Brand New. 96 pages. 9.13x6.38x0.39 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Viii, 206 Pp. Dark Blue Cloth. Gilt. First Printing, 1988. Fine In Fine Dust Jacket Priced 15 Pounds Net (Uk).

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine. …

Zustand: New. Klappentextrnrn The Web of Violence explores the interrelationship among personal, collective, national, and global levels of violence. This unique collection brings together a number of internationally known contributors to address the genesis.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. 2nd Printing, 1961. 600 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dust jacket with moderate external wear, crisp pages and clean text. Dust jacket shows extensive wear and rips along the front and back. …

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

154 pp.; 30.4 x 22.8 cm.; glue bound; black-and-white & color; edition size 60000; unsigned and unnumbered; offset-printed; The May - June 1970 issue of Art in America magazine with a special focus on Mormon art in America. Edited by Jean Lipman. Contents include: "A Panorama of Mormon Life," by Carl Carmer; "Mormon Art and Architecture," by Mahonri Sharp Young; "Mormon Society - A Photo Story," with a note by Kimball Young; "Collectors: Dr. and Mrs. Irving Levitt," by Milton Esterow; "Eleven Sugar Cubes," by Dan Graham; "At Home With Art: The Lawrence Bloedel Guesthouse," photographed by E.E. Le Claire; "Presenting Mike Selig," by Robert A. Ewing; "Three New Theaters," by John S. Margolies; "Art Under $500," by Nan R. Piene; "Boston - New Directions," by Christopher Andreae; "The Artist Speaks: Robert Morris," by E.C. Goossen; "Paris: Unrolling the Red Carpet," by John Russell; "To MOMA, From Germany," by Nan R. Piene; "Canada's Group of Seven," by Mario Amaya: "Letters to the Editor;" "The State of Taste: Meet Me in the Lobby," by Russell Lynes; "New York Gallery Notes: Collectible vs Conceptual," by Grace Glueck; "Forum: Black Creativity in Quest of an Audience," by Henri Ghent; "Graphics '70: Alexander Calder," presented by Donald H. Karshan; "West Coast Report: L.A. - The Stuccoed Box," by David Gebhard and "Books: The Dispossedded Muses," by Jay Jacobs. Cover by Carl hcristian Anton Christensen. Includes an original offset lithograph by Alexander Calder, printed by Triton Press, published (folded) in Art and America in an edition of 60,000. Very Good. Light edge-wear with curling of covers and bumping of corners. 5 mm. tears to top and bottom corners of spine. Light yellowing of pages, contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Vintage reference photograph from the 1972 film, showing actress Marisa Berenson. With a printed mimeo snipe affixed to the verso. Based on Joe Masteroff's 1966 musical, which was based on John Van Druten's 1951 Broadway play "I Am a Camera," which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent, beautiful story of cabaret life, desperation, and love, all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight, including Best Picture, Best Director, Best Cinematography, Best Adapted Screenplay, Best Actress for Liza Minnelli, and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 10 x 8 inches. Near Fine. National Film Registry.…

Vintage reference photograph from the 1972 film, showing actors Fritz Wepper and Marisa Berenson. French release stamps on the verso. Based on Joe Masteroff's 1966 musical, which was based on John Van Druten's 1951 Broadway play "I Am a Camera," which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent, beautiful story of cabaret life, desperation, and love, all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight, including Best Picture, Best Director, Best Cinematography, Best Adapted Screenplay, Best Actress for Minnelli, and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 8 x 10 inches, with a wide bottom margin. Near Fine. National Film Registry.…

Vintage borderless reference photograph from the 1972 film, showing actress Liza Minnelli. Based on Joe Masteroff's 1966 musical, which was based on John Van Druten's 1951 Broadway play "I Am a Camera," which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent, beautiful story of cabaret life, desperation, and love, all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight, including Best Picture, Best Director, Best Cinematography, Best Adapted Screenplay, Best Actress for Minnelli, and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 10 x 8 inches. Slightly curled, else Near Fine. National Film Registry.…

An extremely rare survival, a dealer's deluxe showroom catalogue for Chris-Craft motor boats covering the complete range - from their highly popular mahogany Runabouts to cabin and stateroom cruisers. The accompanying promotional sales letters explain that these volumes were costly to produce, and, as stock changed, additional images would be sent to replace those to be struck from the catalogue. With the additional supplied images, this is as complete an exemplar as could be wished for. The album opens with a sequence of photographs of the famed Miss Detroit hydroplane series - Miss Chicago, Miss Detroit II, Miss Minneapolis, Miss Toronto II, Baby Reliance II & III, Packard Chris-Craft II - and others designed and built by Chris Smith, designer/racer Garfield Arthur "Gar" Wood - the first man to travel at over 100 mph on water - and Jack Beebe, chief mechanic who drove Miss Detroit to the 1915 American Power Boat Association Gold Cup. These hydroplanes went on to gather speed records and trophies around the world when, following World War I, Christ Smith invested in service surplus aircraft engines as power plant for his svelte mahogany speedboats. Other images offer a tour of the Chris-Craft factory for which Smith adopted some of Henry Ford's assembly line production methods, introducing standardised parts, special shapers, and conveyor lines moving the craft from one end of the factory to the other as the double-planked mahogany hulls were assembled, sanded, and varnished. Fuelled by the extravagances of the Jazz Age, demand from the Prohibition rumrunners, and a growing interest in sport boating, the company expanded quickly through the 1920s. By the time this dealer catalogue was produced, Chris-Craft was offering 16 models ranging from the 22-foot Cadet runabout to a 38-foot motor yacht, and featuring the first appearance of a cabin cruiser in the company line. The 38-foot Commuter was the first yacht to introduce a flying bridge, roll-down windows, and even a rack for wine glasses. Other images include a group of 26-foot Chris-Craft built as tenders for the yachts of some of the leading figures of the day - Commodore Robert Law's Robador, Henry Ford's Sialia, Pierpont Morgan's Corsair, E.C. Benedict's Oneida, and Vincent Astor's Winchester - and Chris-Craft Cadets on the Detroit and St Clair Rivers and the coastal waters of Florida and Connecticut, one showing a runabout racing past the Battleship Iowa. An excellent sequence of eight shows the Chris-Craft display at the 1928 New York Boat Show, a crammed central trophy cabinet bearing the heading "Awarded Supremacy 1927"; an easel to one side is covered with photographs similar to those gathered here. A similar easel features in an interior shot of the company's New York showroom. The album retains 76 of the original 88 images listed on the supplied index, together with an additional 19 replacement photographs of similar content and quality, including two prints, one of them with hand-colour, of the impressive Jeanette II, ordered by the Minnesota Marine Corporation, sitting on the flatbed truck; a Chris-Craft Model No. 3, 24-footer next to a Dee-Wite Runabout in the Gifford showroom; a publicity shot of a Bantam Austin automobile on the Detroit Yacht Club dock next to a 17-foot Chris-Craft in the water, with caption text verso headed, "A Car for Sister; a Boat for Brother". Photographers for the additional photos include Charles W. Howson of Howson Studios in Minneapolis, active during the 1930s; Sarah Hibbard, Walter Norton and Clifford Peel of Hibbard Studios, perhaps the leading commercial studio in Minneapolis; and the world-renowned marine photographer Morris Rosenfeld (1885-1968) who chronicled decades of shipping, power boating, yachting, and yacht racing. The album also includes four images of details of the Dee-Wite Runabout mahogany boats built by Dwight Lumber in the Detroit area during the 1920s. Unlike Chris-Craft, Dee-Wite were not lithe enough to survive the Great Depression. Their boats are now rare, with less than a dozen believed to survive in any condition. A superbly produced piece, evoking the high days of classic Chris-Craft production. We have been unable to trace another similar catalogue institutionally or at sale. See: Chris Caswell, The Legend of Chris-Craft: The Story Behind a Legendary Company, Boats Group (2019); Wilson Wright, Chris-Craft Antique Boats: Mahogany Memories; Fred Farley, The Saga of Jack Beebe, Hydroplane & Raceboat Museum (2019). Landscape quarto (208 x 295 mm). 2 leaves with carbon-copy typescript index on company letterhead; 99 silver gelatin photographs (197 x 254 mm) - featuring the full range of the boat-builder's renowned mahogany motor boats and hydroplanes, together with factory interiors showing the company's craftsmen at work, publicity shots, including the Chris-Craft display at the 1928 New York Boat Show - 76 of them linen-backed and bound in on white linen hinges, these mostly with inked numbers to the top-right-hand corner; and 23, originally loosely inserted, now bound in within archival sleeves, some of these with pencil annotations verso, a few with mounted typed press-release captions, many with the photographers' wet or embossed stamps verso, one of these loose photographs hand-coloured. Original simulated leather padded post-binder - "BurkArt processed" by the Burkhardt Co. Inc. of Detroit - painted and embossed logo and cover art of Chris-Craft runabout at speed, black moiré cloth doublures, containing 99 original photographs; together with 28 single-page mimeographed sales letters on headed stationery, originally sent to boat distributors and marine dealers, the intended recipients of these deluxe catalogues, wet stamp of the Gifford Marine Corporation, Milwaukee, Wisconsin to recto of the first image, portrait of Chris Smith, and verso of three other images. Housed in a black cloth flat-back box by the Chelsea Bindery. A little rubbed, particularly along the e. …