christopher hatch (23 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 294.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Good. A reading copy with worn cover & worn, marked outer edge. Text pages are firmly bound & unmarked.

Zustand: Used - Very Good. VG paperback. 2001 1st edition with colour and B&W illustrations; cover uncreased, spine lightly creased; owner's inscription on first page; otherwise, a clean, tidy copy.

First Edition. Zustand: vg++/vg++. vg++ 1st Pocket Books 1998 edition hardcover with vg dw In stock shipped from our UK warehouse.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: good. First Edition. Duodecimo, 136 pages, green cloth (scuffed); dj nicked with a chip affectig the word "Book" on the top cover. Note: the pictorial color dust jacket itself presents a dilemma, a predicament. The Dilemmas are answered by the fab four of New York, but each appears with ample space for your own responses. One in the series of Simon & Schuster game books. This could be an intriguing game in the right company versus Pictionary or something similar. [ Lee Morley Bibliography, C-35]. " 4. You are the fortunate owner of an island offshore. You and your wife live there simply in a cottage with but one guest room.".

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780226319025.

Hardcover. Zustand: Used. No Jacket. First Edition. First Edition. First Printing. Minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight. Overall a really lovely edition!

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. This volume examines the creative work of the avant-gardist John Cage, from an interdisciplinary perspective. His activities as a composer, performer, thinker and artist are explored. Num Pages: 304 pages, 7 halftones, 11 drawings, 4 colour plates, 1 table, 22 musical reproductions. BIC Classification: 1KBB; AVGC6; AVH; DSBH; DSC; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 159 x 17. Weight in Grams: 446. . 2000. New edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Num Pages: 576 pages, figures, 140 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 151 x 32. Weight in Grams: 770. . 1994. 2nd ed. Paperback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 312 pages. 8.75x6.00x1.00 inches. In Stock.

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Paperback. Zustand: Brand New. 1st edition. 576 pages. 9.00x6.25x1.25 inches. In Stock.

Zustand: New. KlappentextrnrnIn recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays--written by theorists and musicologists--t.

Hard Cover. Zustand: Fine binding. A clean copy with no marks of any kind; appears to be unread and essentially unopened. Fine binding.

Taschenbuch. Zustand: Neu. Neuware - In recent decades, increased specialization has sharply separated music theory from historical musicology. 'Music Theory and the Exploration of the Past' brings together a group of essays--written by theorists and musicologists--that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship.In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, 'Music Theory and the Exploration of the Past' offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art.

Zustand: Gut. Unabridged. 5 Stunden, 48 Minuten, 1 Audio-CD Guter Zustand. AP1714 Sprache: Englisch Gewicht in Gramm: 91 MP3 CD, Größe: 16.5 x 1.6 x 14 cm.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow. He wrote his last poems laboriously - too weak to type them.' She explains that the poems in the selection 'move backwards in time, and span a period of 45 to 50 years. Choosing and rereading them has proved a nostalgic and sad experience; and they represent a minute quantity of his full output over those years.' The process has 'strengthened' her in her 'determination to publish more, on his behalf.' Clearly angling, she appeals for help, 'as I am not the best judge, but trust it may come some day'. She signs off with 'best wishes and affection'. TWO: Fifteen pages of photocopies of Dunn poems. Each page printed on a separate leaf of yellow, green and blue paper. Five of the pages duplicate pp.2-11 of Dunn's 'Selection from Flowering Grasses' ('Printed by The College Press | Dulwich Village' [1956]), reproducing fourteen of his poems. Another six pages carry copies of a poem apiece in typescripts, some with duplication of manuscript emendation. The poems are: 'Convulvulus' (October/September 1957); 'Badger in the Suburbs' from November 1957; ''The Blackbird: on Easter Saturday' (Winning Poem, Sussex Poet of the Year Competition, 1984); 'For Derrick, born September 2nd. 1903' ('?1995'); 'From Shri Krishna in England. | Shyama dresses to meet Radha in early springtime' (undated); and 'Jackdaws at Beachy Head' (undated). The last four pages carry copies of manuscript poems: 'So no more tears' ('?1995'); 'Called In Feb 1998'; 'The Request' (April 1998); untitled, beginning 'One day | One of us | Will not be here | or there | or anywhere' (1998).

Zustand: VG. NY 1947 - 1975 Schirmer. large octavo wraps. About 115 pages per issue. In lot: 1947: Jan, July, Oct; 1948 Jan; 1963 July; 1970 July , October; 1971 Jan, April, Oct; 1972 Jan, April, July, Oct; 1973 April, July , Oct; 1974 Jan, April, July; 1975 Jan , April, July, October. All VG or better. no owner marks.