Christian patterson (18 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Taschenbuch. Zustand: Gut. 638 Seiten Goldmann - 1. Auf. 2005 : Richard North Patterson - tb I1-I0WE-5XY0 Sprache: Deutsch Gewicht in Gramm: 481.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Taschenbuch. Zustand: Gut. 638 Seiten anderes Cover 25796x (S) Sprache: Deutsch Gewicht in Gramm: 481.

Zustand: Very Good.

207 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Broschiert. Zustand: Gut. Mängelexemplar. ---. nein.

Paperback. Zustand: Brand New. 256 pages. 11.25x8.75x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. Third edition of this incredible photobook from Christian Patterson, with many inserts and a full booklet of text laid in to the back. Richly printed photographs in color and b/w from one of the best. This copy excellent. Binding solid, sturdy, tight, square. Interior bright clean, free of marks or damage of any kind. Boards clean and firm with just a teeny bit of wear to corners, now in mylar.…

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Soft cover. Zustand: Very Good. Softcover. Grey clean covers with a black-and-white photo of a telephone, and black lettering on the front cover and along the spine. Signed by an author, Christopher Patterson, on the title page. No date on title page. Copyright page dated 2016. Interiors are clean and unmarked. Black-and-white photos throughout. Contains part 1 and part 2 of the interview of Christian Patterson. A very good copy. Signed by Author(s).…

Paperback. Zustand: Good in wraps. First Edition. 21 x 28cm 177pp paperback, many shades of blue wraps featuring a picture of a lake. An artist's book in which a Telephone Directory for Wisconsin - Area Code 414 February 1973 has been collaged into and variously altered through the artist's interventions. Signed by the artist on the rear end paper.…

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782940624287.

Hardcover. Zustand: Wie neu. Schutzumschlag. 1. Auflage. TBW Books, Oakland. 2013. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Four books in hardcover with dustjacket. 230 x 275 mm (9 x 11 inch). Text in english. Perfect condition! Collector`s copy! 1) Wolfgang Tillmans - Utoquai: Taking his book title from a bathhouse in Zürich, Tillmans closes out the series with a deeply personal visual investigation of a single muse throughout the entirety of the book. It`s rare that a close up photo of an ear or an eye or a knee can be both endlessly interesting and unmistakably authored by one individual, but here Tillmans achieves just that. By re-examining the human body through photography we are left with a new understanding of viewing images by one of the world`s most prominent artists of our time." (from the publisher) 2) Alessandra Sanguinetti - Sorry, Welcome: "Sanguinetti veers away from the previous work that proved her to be a photographic powerhouse. Sorry, Welcome is a glimpse into the artist`s life the way it looked throughout the winter of 2012. The work was shot over a short period of time in which Sanguinetti took a step back becoming a voyeur of her own life. As a new romantic relationship bridges an ocean of distance we are also privy to watching her own daughter gain a new older sister. The work is pointed, tender, and a loving tribute to the family structure." (from the publisher) 3) Christian Patterson - Bottom of the Lake: "Working from a unique perspective and restrained stylistic viewpoint, Patterson continues to build on the visual narrative that propelled him to the forefront with his earlier book, Redheaded Peckerwood. In Bottom of the Lake, he revisits his Wisconsin hometown to reveal a dark, cold, and beer soaked world that looks unmistakably his. Bottom of The Lake would later go on to act as the groundwork for a larger body of work of the same name published by Walter Konig in 2015." (from the publisher) 4) Raymond Meeks - Erasure: "Meek`s poetic work plays out as the artist rides a bicycle around his newly adopted east coast home base. Loss and longing share equal roles as the artist traverses the concrete, snapping away in a style that marries the objectivity of Google Street View with the inquisitive sensitivity of Robert Frank. Using printing techniques that involve over-exposing and laying what Meek`s calls a "base fog" to the image, the artist literally masks what he deems "the painful and ugly" in his view of the world. This method of darkroom-manipulation creates an unsettling yet profoundly beautiful and unique book." (from the publisher)***************TBW Books, Oakland. 2013. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Vier Bücher in Hardcover mit Schutzumschlag. 230 x 275 mm. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. …

hardcover. Zustand: Fine. FOUR BOOK SET - 4 VOLUMI. Christian Patterson: "Bottom of the Lake? Fotografie a colori e in bianco e nero. Alessandra Sanguinetti: ?Sorry, Welcome? Fotografie in bianco e nero. Raymond Meeks: ?Erasure. Fotografie a colori e in bianco e nero. Wolfgang Tillmans: ?Utoquai? Fotografie a colori Book design: Pauil Schiek. Copia N. 840. Cm 28x23. pp. 80 ca. . Ottimo (Fine). . Prima edizione di 1500 esemplari numerati (First edition of 1500 numbered copies). . Alessandra Sanguinetti - Sorry, Welcome è uno scorcio nella vita dell'artista durante l'inverno del 2012. Il lavoro è stato scattato in un breve periodo di tempo in cui Sanguinetti ha fatto un passo indietro diventando una voyeur della sua stessa vita.Christian Patterson - Bottom of the Lake: Patterson continua a basarsi sulla narrazione visiva che lo ha portato alla pubblicazione del suo libro precedente, Redheaded Peckerwood. In Bottom of the Lake, rivisita la sua città natale nel Wisconsin per rivelare un mondo oscuro, freddo e imbevuto di birra che sembra inconfondibilmente suo.Raymond Meeks - Erasure: l'opera poetica di Meek si rivela mentre il fotografo gira in bicicletta intorno alla sua nuova residenza sulla costa orientale. Perdita e desiderio hanno il medesimo spazio, mentre l'artista attraversa spazi di cemento, in uno stile che sposa l'oggettività di Google Street View con la sensibilità curiosa di Robert Frank. Utilizza per i suoi scatti tecniche di stampa che implicano l'over-exposing e una tecnica che Meeks chiama "base fog".Wolfgang Tillmans - Utoquai: prendendo il titolo del suo libro da uno stabilimento balneare di Zurigo, Tillmans chiude la serie con un'indagine visiva profondamente personale, basata su di una singola musa in tutto il libro. È raro che la foto ravvicinata di un orecchio o di un occhio o di un ginocchio possa essere allo stesso tempo infinitamente interessante e inconfondibilmente autoriale, ma qui Tillmans riesce proprio a farlo. Prima edizione di 1500 esemplari numerati (First edition of 1500 numbered copies). Book. …

[2] pp.; 56 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. Also indexes "Yam Day" events staged on May 11 - 12 at the Hardware Poet's Palyounse featuring works by George Brecht, Robert Watts, Ben Patterson, Dick Higgins, Mary Ashley, Robert Ashley, Philip Krumm, Carolyn Fozznick, Robert Breer, Earle Brown, Joseph Byrd, John Cage, Barney Childs, Philip Corner, Lucia Dlugosqewski, Robert Filliou, Malcolm Goldstein, Al Hansen, Spencer Holst, Terry Jennings, Ray Johnson, Jill Johnston, Joe Jones, Alison Knowles, Arthur Køpcke, Takehisa Kosugi, Gary Kuehn, Peter Longazo, George Maciunas, Jackson Mac Low, Robert Morris, Robin Page, Yvonne Rainer, Diter Rot [Dieter Roth], Tomas Schmit, Robert Swisshelm, James Tenney, Stan Van Der Beek, James Waring, Diane Wakoski, Emmett Williams, Christian Wolff, and La Monte Young. Reference : No. 75 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 68. Fair / Poor. Folded once as issued. Losses along edges and closed separation along fold. Discoloration along fold. Moving away from edges the work is in Good condition. See image for accurate rendering of condition issues. Sold "as-is.".…