Chiara franceschini (25 Ergebnisse)

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Paperback. Zustand: Brand New. 01 edition. 271 pages. French language. 11.00x8.50x1.00 inches. In Stock.

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Kartoniert / Broschiert. Zustand: New. New discoveries on the patronage and art of several important chapels in Roman churches&Uumlber den AutorChiara Franceschini is associate professor of Early Modern Art History at the Ludwig-Maximilians-Universitaet in Munich. Her pub.

Taschenbuch. Zustand: Neu. Neuware - 'Seldom does a collection of art history essays leave readers yearning for a second volume.'Barbara Wisch, Renaissance Quarterly ?Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.…

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Hardcover. Zustand: Brand New. 231 pages. 6.00x0.49x9.00 inches. In Stock.

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Hardcover. Zustand: Brand New. 319 pages. 11.25x8.75x1.00 inches. In Stock.

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Buch. Zustand: Neu. Neuware - Children play a key role in the visual cultures of early modern Europe. On the one hand, they are central figures because of the Christian belief in a divine embodiment as a child; on the other, since children were assigned with values of mediation and transitions between different worlds, liminality became one of the ideas that structured the extensive spectrum of their roles in premodern imaginations. By fostering a conversation between art historians from different backgrounds and specializations, this volume departs from the conventional focus on representations of children as evidence for inquiries into childhood to explore their status as (normative) images. Starting from the ancient putto and liminal representations of children, before moving on to holy children, the Christ Child or child martyrs at the crossroad of religious conflict, the eight essays in this book seek to grasp the many different ambiguous meanings carried by objects representing children and the ways in which artists and viewers reflected on the concepts of childhood and liminality between the fourteenth and the nineteenth centuries across different European trajectories: from Ravenna to Sarajevo, from Milan to Mechelen, and beyond.…

Zustand: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - Early modern objects, images and artworks were often nodes of discussion and contestation. If images were sometimes contested by external and often competing agencies (religious and secular authorities, image theoreticians, various Inquisitions etc.), artists and objects were often just as likely to impose their own rules and standards through the continuation and/or contestation of established visual traditions, styles, iconographies, materialities, reproductions and reframings. While issues such as censorship and iconoclasm have already received much attention from scholars, the actual role and capacity of the image as agent-either in actual legal processes or, more generally, in the creation of new visual standards-has yet to be adequately thematised. At present, no comprehensive study collects the many diverse instances of the multi-layered normative power of images, objects and art. This volume 'Contested forms' aims to provide a first exploration of image normativity by means of a series of case studies, which will focus in different ways on the intersections between the limits of the sacred image and the power of art, especially but not exclusively in Europe, between 1450 and 1650. Each essay will approach the question of normativity in sacred images from different perspectives. Dealing with different types of images and materials, authors will discuss the status of images and objects in trials, contested portraits, objects and iconographies, the limits to representations of suffering, the tensions between theology and art, and the significance of copies and adaptations that establish as well as contest visual norms from Europe and beyond.…

Zustand: gut. 2022. Sacred Images and Normativity : Contested Forms in Early Modern Art In deutscher Sprache. pages.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

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Hardback, Pages: 231, Size:216 x 280 mm, Illustrations:8 b/w, 91 col., Language: English. ISBN 9782503586984. Summary Children play a key role in the visual cultures of early modern Europe. On the one hand, they are central figures because of the Christian belief in a divine embodiment as a child; on the other, since children were assigned with values of mediation and transitions between different worlds, liminality became one of the ideas that structured the extensive spectrum of their roles in premodern imaginations. By fostering a conversation between art historians from different backgrounds and specializations, this volume departs from the conventional focus on representations of children as evidence for inquiries into childhood to explore their status as (normative) images. Starting from the ancient putto and liminal representations of children, before moving on to holy children, the Christ Child or child martyrs at the crossroad of religious conflict, the eight essays in this book seek to grasp the many different ambiguous meanings carried by objects representing children and the ways in which artists and viewers reflected on the concepts of childhood and liminality between the fourteenth and the nineteenth centuries across different European trajectories: from Ravenna to Sarajevo, from Milan to Mechelen, and beyond. TABLE OF CONTENTS Introduction Holy Children, Liminal Bodies: An Introduction Chiara Franceschini, Cloe Cavero de Carondelet Chapter 1 Fragments of Desire: On the Ravenna Thrones and their Multiple Contexts of Reuse Chiara Franceschini Chapter 2 Baptising the Putto: Transmigration of the Infantile Forms in Sacred Settings between the Adriatic and the Alps Jasenka Gudelj Chapter 3 Prudence, Memory and the Liminal Child in the "Medieval Housebook" Andrea Pearson Chapter 4 From Sacred to Secular: The Infants Christ and Saint John the Baptist Embracing Nelleke de Vries Chapter 5 Re-thinking so-called 'Holy Dolls': The Performative and Devotional Context of Christ Child Sculptures in the Early Italian Renaissance Patricia Simons Chapter 6 Child and God: The Body of the Christ Child in Medieval and Early Modern Italian Sculptures Fabien Lacouture Chapter 7 The Cult of the Holy Child from Sarajevo: Sanctity between Official Orthodoxy and Multiconfessional Piety Vuk Dautovi? Chapter 8 From Norwich to Nagasaki: Hieronymus Wierix and the Iconography of Crucified Child Martyrs Cloe Cavero de Carondelet Bibliography Indexes 0 g. …

Taschenbuch. Zustand: Neu. Neuware - Ugo Procacci non fu solo il difensore del patrimonio artistico fiorentino e toscano, ma anche il maestro di una storia dell'arte interessata alla 'vita' degli artisti e delle opere in tutti i loro aspetti. I sedici saggi qui raccolti, testimonianza del suo ampio spettro di interessi, forniscono alcuni dei migliori esempi delle sue scoperte storico-artistiche e del suo metodo di lavoro tanto vicino alle fonti storiche, quanto alla materialita degli oggetti e dei loro 'ambienti'. Un'autorevole voce del Novecento che ci parla di temi ancor'oggi attuali: dalla vita materiale degli artisti alle condizioni e ai contesti sociali ed economici di produzione, dalle diverse fasi di creazione alla sopravvivenza delle stesse opere nel tempo attraverso cambiamenti di gusto, riquadrature, catastrofi, distruzioni e rinascite.…

Torino, Einaudi, 2017, 8vo brossura con copertina illustrata a colori, pp. 540 con illustrazioni in nero nel testo e 36 tavole fotografiche a colori fuori testo. Condizioni molto buone.