charles w talbot (14 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 8vo, [ca 200 pp.]. Very Good. Soft Covers. Illustrated paper wraps. Minor chip on top edge, and penned notation on inside cover. Pages fine. B&W plates.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 245 pages; Series: The Robert Lehman collection, 2. Physical description: x, 245 p. : ill. (some col.), ports. ; 29 cm. Summary: In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. Among the works catalogued here are Petrus Christus' "Goldsmith in His Shop" of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's "Portrait of a Young Man" (ca. 1475-80), in which the sitter is posed before a landscape, a formula that had lasting repercussions in Italian as well as Northern art. Also included is Memling's "Annunciation", one of his finest and most original works. Well-known paintings by Simon Marmion, Jean Hey, Gerard David, Lucas Cranach the Elder and Younger, Hans Holbein, Gerard Terborch, Pieter de Hooch, Rembrandt, and El Greco all represent in their own way the best of the era and place in which they were created, as do masterful portraits by Francisco de Goya, George Romney, and Sir Henry Raeburn. All the paintings in the Robert Lehman Collection are reproduced in full color, supplemented by numerous comparative duotone illustrations. Subjects: Lehman, Robert, 1892-1969 -- Art collections -- Catalogs. 4 Kg.

Zustand: Very Good. Zustand des Schutzumschlags: Poor. 1st Edition. Very good condition overall. Both volumes are complete and solid, with clean, well-preserved gray cloth boards showing mild shelf wear and some sun fading in spots. Spines are straight and firm, with no splitting or structural issues. The original glassine wrapper is present for one volume but is in poor condition. Internally, the contents are clean and unmarked throughout, with crisp text, strong hinges, and high-quality plates well preserved. A handsome, stable set that has clearly been well cared for. Folio, 11 1/4" x 12 1/8". Complete in two volumes: Volume I (The Catalogue Raisonné) and Volume II (The Plates). This monumental scholarly work documents the Robert Sterling Clark Collection of European and American drawings from the sixteenth through nineteenth centuries, with authoritative catalogue entries and an extensive corpus of high-quality reproductions. A foundational reference in the field of drawing studies and museum scholarship, indispensable for historians, curators, and serious collectors of Old Master and nineteenth-century works on paper.

Hard. Zustand: Very Good. No Jacket. 1st. First edition. 2 volume hard cover set. Published New Haven: Yale University Press, 1964. Folio, 11 1/4" x 12 1/8". Vol 1 Text, xvi+164pp; Vol 2 Plates, ix+227, some plates in color. Brown cloth with gilt spine titles in black block. Minor dust spotting along top edge of page block, sun fade to the cloth at the spine. Very good, bindings tight, unworn. Lacking the slipcase.

Hardback. Zustand: Very Good. No Jacket. Durer, Albrecht (illustrator). First edition. 1st 1971. Very good condition with no wrapper. Exhibition dates at the National Gallery of Art, April 25 - June 6, 1971. Edited by Talbot, Notes by Ravenel & Levenson, Essay by Stechow. Large format. Red cloth boards, black title label with gilt title to spine. B/w illustrations throughout. 362 pages. A few marks to boards, top corners bumped, Spine slightly faded and worn at top & tail. Text block a little grubby. Contents clean. Packaged with care and promptly dispatched!

Paperback. Zustand: Very Good. First paperback edition exhibition catalogue with notes by Gaillard F. Ravenel and Jay A. Levenson, 1971, in overall very good used condition with minor signs of age, handling and storage - light rubbing to edges and spine tanned. Internally clean. Binding tight and appears little read; no annotations or inscriptions; toning to page-ends but text and illustrations bright and clear throughout. This book is both large (215mm x 280mm, 362pp) and heavy (1.5kg). Not an old library book.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

No Binding. Zustand: Very Good. Engraved By W.P. Benoist (illustrator). A fine original copper engraving with an oval portrait showing considerable detail. Mounted and ready to frame. Mount size is 12 x 10 ins, 29 x 23 cms - in excellent condition. Undated - circa 1795. Buried at Barrington, Gloucester.

Zustand: Good. Good condition. Acceptable dust jacket. (albrecht durer, art history, art, graphic art) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

4°, OKart. 361 SS. Reich bebilderter Ausstellungskatalog. Wenige leichte Gebrauchsspuren, Unterschnitt etwas lagerspurig/angeschmutzt, guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1800.

Zustand: Very Good. New Haven and London: Yale University Press, 1964. 2 volumes. 4to. 164pp (Volume I). B/W and color plates. Near fine. Some browning to the spine. Slipcase in good condition with wear to the edges. Frayed and slightly spilt at the lower right front corner. [Catalogue Raisonne] Inquire if you need further information.

New Haven & London,Yale University Press, 1964. 2 vols (text & plates). XVI,164 pp. 126 b./w. figs & 227 col. & b./w. plts. Orig. unifom quarter cloth bindins. In oritig. cardboard slipcase. 4to. - Slipcase sl. dam.Complete two volume set: Vol. 1. The catalogue raisonne ; Vol. 2. The plates.

Hardcover. Zustand: Fair. Charles Latham (Photographer) (illustrator). Two volume set. The format is approximately 14 inches by 18.5 inches. With One Hundred Forty-Five Plates, and One Hundred Eighty Illustrations in the Text. Footnotes. Chronological list of subjects illustrated. Index to illustrations and descriptive text. Ink notation on half-title page of Volume I. This copy has sustained some moisture impacts at the bottom. All pages are separate and there has only been limited impact on the pages (text or illustrations). The Preface is dated 1890. There appears to have been an issuance of this material in 1891 in six portfolios, but not in this bound volume form. This work was apparently initially sold via Subscription. Folio, [two volumes], xxii, 52pp, [66 plates]; 64pp, [79 plates]. Books measure 14 x 18.5 . Publisher's very worn and soiled binding is three quarter brown morocco, raised bands, title in gilt on spines. Top edge gilt. Text blocks solid. A complete set with 145 photogravure plates. Among the subject of illustrations are Exeter Cathedral, Burghley House, Merton College, and Kenilworth Castle. One of the most important considerations in the undertaking was the qualify of the photographic illustrations. The art of fitly illustrating architecture by means of the camera has not been wildly acquired, and we hold ourselves fortunate in having secured the services of Mr. Charles Latham. Charles Latham (15 May 1847 27 October 1912) was staff photographer of the magazine Country Life in the early years of the 20th century. His first work for Batsford was with the architect John Alfred Gotch on his book Architecture of the Renaissance in England. John Alfred Gotch (28 September 1852, Kettering, Northamptonshire 17 January 1942, Kettering, Northamptonshire was a noted English architect and architectural historian. John Gotch attended Kettering Grammar School and later studied at the University of Zürich and at King's College London. In 1879 Gotch set up a private architectural practice in Kettering which developed into Gotch & Saunders by entering into partnership with Charles Saunders in 1887. They were later joined by Henry Ralph Surridge and they jointly retired in 1938. The practice still exists as Gotch, Saunders & Surridge LLP, or GSSArchitecture. In Kettering, Gotch was responsible for the design and construction of shoe factories, warehouses, houses, shops, offices, banks, hospitals, schools, public houses, sports venues, entertainment venues and a temperance hall. The Practice was also responsible for the design of several First World War memorials, and the alteration and expansion of numerous historic country houses, for example, Madingley Hall, now the Institute of Continuing Education, part of the University of Cambridge. Following the end of the War, Gotch's practice designed and built over 140 branches of Midland Bank and, in association with Edwin Lutyens, Gotch designed the interior of the Bank's former headquarters in Poultry, London which is considered an Art Deco icon. As well as designing many buildings Gotch had an interest in Elizabethan and Jacobean architecture. He was the author of nine books in this field, as well as editor of a book on the history of the Royal Institute of British Architects (RIBA). Apart from his renown as an architectural historian, he also achieved eminence as a public figure and representative of the architectural profession. He was president of the Architectural Association in 1886-1887, vice-president of the Royal Institute of British Architects (RIBA) in 1914-1919, and president of RIBA in 1923-1925: the first provincial architect to be appointed president since the formation of the institute in 1834. In addition, he was vice-president of the Society of Antiquaries, a founder member of the Royal Fine Art Commission, a Trustee of the Soane Museum, and president of the Northamptonshire Association of Architects in 1911-1922. In 1924 he received an honorary M.A. degree from the University of Oxford. John Alfred Gotch was appointed the.