Charles publ (14 Ergebnisse)

Broschiert. Zustand: Gut. 32 Seiten; Neben dem oben aufgeführten Artikel befinden sich auch weitere Beiträge auch anderer Autoren in dem gut erhaltenen Heft. Sprache: Englisch Gewicht in Gramm: 100.

Zustand: NEW.

Zustand: Gut. CV, 677 S., Ill. Oeuvres de Descartes. Correspondance I. April 1622- Février 1638. Publiées par Charles Adam & Paul Tannery. Nouvelle Présentation, en co-èdition avec Le Centre National de la Recherche Scientifique. Besitzvermerk. Buch minimal verzogen. Kleine Lesefalte am Buchrücken. Einband mit leichten Gebrauchsspuren. Sonst guter Gesamtzustand. Sprache: Französisch Gewicht in Gramm: 1316 Gr.-8°(=22,5-25cm), Broschiert. Grobschnitt. …

Original brochure, 14*22,5 cm. Zustand: Gut. 34 p., Suppl.: Cast list. Cover slightly rubbed, otherwise good and very clean. - Contents: Barry Laine: The Many Moods of "Carmen" -- The Program -- Wings for "Carmen".- ALEXANDER H. COHEN and HILDY PARKS present Peter Brook's production of la tragédie de CarmeN. Adapted from Georges Bizet's opera by Marius Constant, |ean-Claude Carrière and Peter Brook, Musical Director: Marius Constant, Costume Designer: Chloé Obolensky -- Orchestra Conductors: Randall Behr, Roger Cantrell -- Artistic Advisor: Bernard Lefort -- Stage Designed by Jean-Guy Lecat -- Associate Director: Maurice Benlchou. As originally presented in Paris at The Bouffes du Nord by the Théâtre National de L'Opéra de Paris and the Centre International de Créations Théâtrales, Micheline Rozan, Producer. Co-produced by Roy A. Somlyo. Presented In association with James Nederlander, Jr. and Arthur Rubin. - Cast: Carmen: Cynthia Clarey -- Don Jose: James Hoback -- Micaela: Beverly Morgan -- Escamillo: John Rath -- Lilias Pastia/ Garcia: Alain Maratrat -- Lt. Zuniga/ Old Woman: Tapa Sudana -- Orchestra conducted by Marius Constant -- Biographies of the performers appear in the Stagebill. Sprache: Englisch Gewicht in Gramm: 550.…

Paperback. viii,38 pp. French text and viii152 pp. in English; 29x20.5 cm. " Numéro Spécial du Studio printemps 1913 " Text in French / Français. - (covers very slightly damaged, booksellers ticket on cover, small signs of use, slightly browned) Although very good, see picture 1140g.

Print Magazine. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket. Ex-library book with stickers and/or stamps throughout.

3 vol. in-8 - br. manque le tome IV.

Print Magazine. Zustand: Very Good.

Zustand: VG. 4e éd. 2 vols. in 1. Small 8vo. (IV)+173;(II)+141 pp. With 2 identical engr. title vignettes. Hardcover. Contemp. full calf, spine gilt; marbled endpapers; red paper edges. (Spine ends & corners sl. dam.; light browning/foxing). * Barbier I, 682 (1st ed. same year).

Zustand: Good. Etching, Oblong, 11 x 8 cm. Good with staining, blemish to upper right corner.From the Collection of Hon. Gerald Henry Brabazon Ponsonby (1829 - 1908), Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough.

319pp., 2e édition, reliure demi-toile, 22cm., cachet sur page de titre, quelques rousseurs, bon état, E55511.

3 tomes ; iv,459 + 521 + 513pp., Tome 3 contient 3 cartes dépliantes, 22cm., reliures en toile (dos en cuir avec titre doré), qqs.rousseurs, [cette série est complet en 3 tomes; a partir de 1859 cette publication devient bi-mensuelle, mensuelle plus tard, sous le titre de "Etudes religieuses, historiques et littéraires", cfr. De Backer-Sommervogel, III-1093 no.34]. …

Zustand: Good. Etching. 21.6 x 18.3 cm. Very Good; tiny tear at margin. Text En Francais.Portrait of the artist Horace Vernet.

sm4to, 19.8x 15.5cm, First edition., two volume in One, various paginations, engraved title and 78 engraved plates (of 95), in later (19th cent) full brown calf, black ruled and decorated raised bands, small black stamped device decorations in the panels, the rules are tied over the hinges onto the boards, blind stamped borders on the boads, margin of one plate reinforced; french marbled endpapers, edges stain red as suits the period, very good to fine condition (ds1.Lt). ~ Fine stipple-engraved plates, printed in sepia, by Charles Taylor and John Ogborne, both students of Bartolozzi, renowned British engraver. These were executed after designs by Robert Smirke (1752-1845) and Samuel Shelley (1750-1808); the authors represented in this work include Shakespeare, Gay, Dryden, Pope, Milton, Goldsmith, Burns, etc. The work was published from parts issued by Charles Taylor and this copy, as all others we have checked, lacks some of the parts and some plates. Other defective copies cited in the ESTC include those at the British Library, the Bodleian and the Huntington. While it would seem to top and bottom margins were trimmed other copies refers to here were similar sizes and colliations to this copy.…