charles bode (13 Ergebnisse)

Zustand: Good. 4th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: New. Hardcover with DJ. An Unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Good. Good condition. Good dust jacket. (Italy, Wine) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

110 S. m. Abb. a. Taf. Ln. SU. Umschlag m. leichten Gebrauchsspuren, Widmung a. Vorsatz, sonst gut erhalten. de.

Softcover. Zustand: Very Good. Revised. Very good in wrappers. Some underlining. Cover rubbed.

Zustand: Bueno. : Listening in & Speaking Out: Intermediate es un libro diseñado para estudiantes de inglés como segundo idioma. Se centra en el inglés hablado espontáneo, con el objetivo de cerrar la brecha entre el inglés de aula y el inglés que se encuentra fuera de la clase. El libro incluye ejercicios y actividades para mejorar la comprensión auditiva y la expresión oral. EAN: 9780582797352 Tipo: Libros Categoría: Educación Título: Listening in & Speaking Out Autor: Gary James| Sharon Bode| Charles G. Whitley Editorial: Addison-Wesley Longman Ltd Idioma: en Páginas: 128 Formato: tapa blanda.

Peter Owen, 1956. Hardback, d/j, 8vo, 135pp, illust. D/j price-clipped and torn. A fair copy.

Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 8° - 110pp - Color & B/w Plates. first edition, text in German language. Original Binding and dust-jacket. In Fine condition.

Hardcover. Getr. Pag. [913 S.] Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Buchrücken leicht lichtrandig. Außenfalz leicht eingerissen. Ohne SU. Ansonsten gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 2000.

Zustand: Sehr gut. Kl.-8° (17.5*10.5 cm), XVI, 311, (15); (6), 272; (5), 314, (24, 2) S., Maschinenbütten, Handeinband in Ganzpergament auf vier durchgezogenen Bünden, kalligraphierter Rückentitel, roter Farbschnitt, umstochene Kapitalbändchen. Kassel, Basel etc., Bärenreiter Verlag MCMLIX. Lt. Katalog der Deutschen Nationalbibliothek wurde der Titel in drei Einbandvarianten vertrieben, brosch., Pp. und Pergament, vermutlich handelt es sich hier aber um einen späteren Privateinband. Gedrucktes Exlibris im Vorsatz, ohne Einträge, geruchsneutral. * Versand versichert & nachverfolgbar / Shipping fees include insurance & tracking. ** Auf Nachfrage werden Bibliotheken und öffentliche Einrichtungen gerne gegen offene Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 1050 Ledereinband, gebundene Ausgabe.

1p., 12mo. In fair condition, lightly aged. Reads: 'My dear Sir, | I shall feel much pleasure in joining Your party tomorrow evening, with my nephew C. Cazalet, who conveyed to me the wish you had expressed to see us at your lodgings, before your not came. | I am Your's sincerely | de Bode'. See John H. Harland, 'Baron de Bode and his Capstan', in The Mariner's Mirror, vol.99, 2013.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970. The present item reveals that the painting was acquired from the recipient Fisher [probably the auctioneer George Fisher] by the London art dealer Agnew, by whom it was sold to Kann. Nor has Murray's ownership of the painting hitherto been noted, and it seems that Bonacossi acquired it (as he did several other works) at the sale of Murray's collection in 1923. 4pp., 12mo. Bifolium. In fair condition, on aged and creased paper. After explaining that he has sent the letter in expectation that Fisher has returned from a foreign trip, Murray continues: 'I have a little piece of news that will interest you. Two days ago I re-purchased (this time definitely for myself) your Bellini "Crucifixion". I have been very sorry ever since Agnew [London art dealer] sold it to that ignoble Jew (German) Kann [the banker Rodolphe Kann] that I was unable to purchase it then. | The subsequent history is curious. When the Kann coll[ection] passed into the hands of Duveen [in 1907] it remained unsold, partly no doubt owing to the subject & partly to its being unsigned. It requires happily for me an intelligent art lover to appreciate its beauty. Duveen presented it to Dr. Bode [Wilhelm von Bode] in recognition of his help in selling the greater part of the coll[ectio]n. | For some reason (monetary perhaps) he Bode did not present it to the Berlin Mus[eu]m. but placed it in the hands of his crony Volpi [Count Elia Volpi], here for sale. Volpi included it in an auction he had here some time back but not getting the sum hoped for bought it in. It has remained in his hands since.' Murray had 'long ceased to visit' Volpi, but after writing to him was 'well received. I promptly seized the occasion to re-possess myself of the long coveted treasure together with a very fine bust of a cardinal ascribed to Bernini. So both now decorate my picture gallery since yesterday.' He concludes by giving his plans for returning to London, and in the hope that 'Mrs Fisher is better'.