chaplin david (28 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. softening to head and tail of spine, previous owner's name on FEP, pen marks, marginalia and underlining on pages 6-219. Used.

Paperback. Zustand: Brand New. 512 pages. 7.56x5.04x1.02 inches. In Stock.

Zustand: Good. Good condition. LTC Reprint No. 32-S. Spanish edition. (South American History, Peru, Industry) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: New. In.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Used good. 2025 JuneFiled bookcase near dr bios.

Hardcover. First edition. Octavo, 559 pages. In Very Good condition with a Very Good dust jacket. Spine is light green with black and orange print. Dust jacket in mylar; vendor label on front panel. Price unclipped: "$26.95". Boards quarter bound with brown cloth to spine and orange paper to boards. Signed in ink by the author on front endpaper. NOTE: Shelved in Netdesk Column Z. 1410346. FP New Rockville Stock.

First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 324 pages; Description: xviii, 324p. 23cm. Subjects: Textile workers --Peru. Labor supply --Peru. Notes: Bibliography: p. 287-310. 3 Kg.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Very Good. First Edition. Oxford University Press Auckland 1984 First Edition 112 pp illus (bw and col) VG+ (illus card covers, v sl rubbed and worn, spine sl faded).

Hardcover. Zustand: Like New. First Edition. Firm, square hardback with sharp corners and strong joints, just showing a few minor rubs and some mild cosmetic shelf wear. Hence a non-text page is stamped 'damaged'. Despite such this book is actually in nearly new condition. Thus the contents are crisp, fresh and clean. It has no pen-marks and is not from a library so no such stamps or labels. Now offered for sale at a very sensible price.

Zustand: Wie neu. Standard Version. Leichte Gebrauchspuren an der Hülle ansonsten neu! Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 112 DVD, Maße: 13.5 cm x 1.2 cm x 19 cm.

Zustand: very good, good. First? Edition. First? Printing. 23 cm, 324, footnotes, index, front DJ flap price clipped, DJ somewhat worn and soiled.

Paperback. Zustand: Brand New. 358 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: NEW.

Paperback. Zustand: Brand New. 342 pages. 9.21x6.14x0.75 inches. In Stock.

Zustand: New. In.

Zustand: New.

Hardcover. Zustand: Brand New. 358 pages. 9.25x6.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Offers an innovative look at why science and technology cannot alone meet the needs of energy policy making in the future.

Hardcover. Zustand: Brand New. 344 pages. 9.25x6.12x9.21 inches. In Stock.

hardcover. Zustand: Gut. 304 Seiten; 9783570102503.3 Gewicht in Gramm: 2.

Editions The Bodley Head, London, Sydney, Toronto. 1974 - 1 vol in-4, cartonnage éditeur + jaquette illustrée - 318 pages - Nombreuses illustrations en noir et blanc et en sépia en et hors texte. Bon état ( couverture protégée par un film plastique amovible ).

Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso, along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain, Finland, and Canada. 10 x 8 inches. Very Good plus, lightly worn at the corners.

Shooting script for the 1992 film, here under the working title "Charlie." Based on Charlie Chaplin's 1964 book "My Autobiography" and the 1985 biography "Chaplin: His Life and Art" by David Robinson. Opening on an elderly Chaplin in 1962, recounting his life for the editor of his autobiography, the film flashes back to his formative poverty-striken years in England, his astronomical success in the US, and his turbulent personal life and adversarial relationship with FBI Director J. Edgar Hoover. Starring Robert Downey Jr. in an acclaimed performance as Chaplin. Nominated for three Academy Awards, including Best Actor for Downey. Shot on location in California, London, and Switzerland. Front wrapper integral with title page, dated September 1991, noted as Shooting Script, with credits for screenwriter William Boyd, script consultant William Goldman, storyline Diana Hawkins, autobiographer Charles Chaplin, and author David Robinson. 131 leaves, with last page of text numbered 124. Xerographic duplication, rectos only, with blue and pink revision pages throughout, dated variously between October 1991 and October 11, 1991. Pages Very Good plus, bound with two gold brads.

Archive of 14 original reference photographs taken on the set of the 1965 film, and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964, inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer, and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer, gifting Palmer the contact sheets. Based on Boris Pasternak's controversial, Nobel Prize-winning 1957 novel, following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards, winning five, including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government, forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior, as well as the promise of snow. The film was shot over ten months, in Soria and Aragon, and at the Aldeadavila Dam, with a large-scale Moscow set built outside of Madrid, as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting, in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set, several shots featuring Palmer and director David Lean during a parade scene, with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city, including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann, who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain, Finland, and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus, several photographs with moderate toning.