chantry art (22 Ergebnisse)

softcover. Zustand: Fine copy. Profusely illustrated (illustrator). 2nd prt. Square 4to, 118 pp., Introduction by Greg Kot; poster annotatioins by Jay Ryan.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 64 pages. 7.50x7.50x0.50 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 320.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: No Jacket ( as Issued ). 1st Edition. A Heretic's History of 20th Century Graphic Design. Soft cover. A US first printing. The book is square and tight. There are no previous ownership inscriptions. The covers are clean and unfaded. The spine is bright and unfaded. The pages are clean and unmarked. No markings or annotations in the text. The closed page edges are unmarked. The binding is tight - no cracked hinges. No remainder marks. A very nice copy. PayPal accepted.

Paperback. Zustand: Brand New. 320 pages. 9.25x6.00x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 320 pages. 9.25x6.00x0.75 inches. In Stock.

Zustand: New. Editor(s): Rochester, Monica Rene. Num Pages: 264 pages, illustrations. BIC Classification: 3JJ; AKC. Category: (G) General (US: Trade). Dimension: 156 x 229 x 18. Weight in Grams: 436. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. updated edition. 118 pages. 9.00x9.00x0.50 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorArt Chantry: Art is a graphic designer (and 2017 AIGA Medalist) most often associated with the logos, posters and album art he created for countless punk, grunge and rock bands and their labels. . His work has bee.

Hardcover. Zustand: Brand New. 256 pages. 11.75x9.00x0.98 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 256 pages. 11.75x9.00x0.98 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Feral House presents an irreverent, educational and entertaining collection of essays by the Great Contrarian of graphic design, Art Chantry.

Taschenbuch. Zustand: Neu. Neuware - The Seattle music scene burst onto the world stage as the 20th century ended. Despite what clueless media said, there never was one 'Seattle Sound.' But there was a Seattle attitude. The best of our bands weren't trying to break into the corporate rock pantheon but to demolish it. The Seattle Scene was about decentralizing culture, about honest heartfelt expression. You don't have to be from NY, LA or SF to make music or art. 'You're the superstar,' as Krist Novoselic says. This is the tale I relate in LOSER: The Real Seattle Music Story. Achingly detailed and lavishly illustrated, it chronicles two decades of pre-punk, punk, post-punk, and neo-punk music in Seattle and the Northwest. It includes all the bands who made it big and plenty who didn't but are still worth remembering. It tells the interconnected origins and spectacular rise of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Hole, Screaming Trees, Mudhoney, TAD, the Posies, Love Battery, Gas Huffer, Seven Year Bitch, Flop, Fastbacks, the Supersuckers, Sir Mix-A-Lot, Built to Spill, Bikini Kill, Sky Cries Mary, the Young Fresh Fellows, Beat Happening, the Presidents of the United States of America, and all your other early-'90s Seattle music favorites. Originally published in late 1995, it's back in a (slightly late) twentieth anniversary edition. It's got over 240 big pages with over 800 illustrations. The new version has even more pix and stories, an updated discography, and many 'whatever became of' listings. LOSER remains the most lavish and detailed account of a phenomenon that rocked the world. - Selections from LOSER The spirit of the Seattle scene: If there's a common message among these bands, it's that your life and your culture count. You'll find this message in almost everything done here, from Sir Mix-A-Lot's tales of young black men who don't sell drugs or shoot each other, to Bikini Kill's anthems about surviving abusive relationships with pride intact, to Nirvana's elliptical pop songs about emotional confusion.You don't have to be from a media capital, you don't have to belong to the proper demographics, to have something worth saying. Make your own scene; don't conform to anybody. The Bird, Seattle's first punk club: It was a dark, narrow, warehouse-like space with a makeshift stage and a second-hand PA. As many as 200 crowded into the room, whose official capacity was 99. Graphic designer Art Chantry later speculated that 'the entire audience on opening night eventually formed their own bands.' The U-Men, perhaps the first true 'grunge' band: They were slow, harsh, and (in the early days) clumsy players. They invoked a Dionysian orgy of mutual aggression and abandon that no cartoon-devil metal band could match. Kurt Cobain's early days: The early ['50s] rockers had been white guys appropriating the hip-outcast status of blacks; Cobain was a straight guy appropriating the hip-outcast status of gays. He took the glam fascination with gay culture into the realm of teen vandalism, spraypainting 'God Is Gay' and 'Homo Sex Rules' around town just to infuriate the local rednecks. Sub Pop Records' early days: [Founders Bruce] Pavitt and [Jonathan] Poneman boasted publicly about making Seattle the music capital of the world. It's no exaggeration to say few people believed them at the time. Indie-rock moralism: In Seattle, it was OK to seek commercial success as long as you didn't 'act like a rock star.' In Olympia, you weren't even supposed to think of music as a career. To these folks, playing your own music to your friends was the only real reason to start a band.

Paperback. Zustand: Near Fine. First Edition. B & W Poster Reproductions; 4to 11" - 13" tall; 111 pages; 1985 Real Comet Press. Oversize paperback in glossy color pictorial covers. 1st edition. Tightly bound and fresh; feels and appears generally unread. Just a whisper of shelf evidence to cover extremities. Illustrated with hundred of b&w reproductions of Seattle club punk concert posters. NF.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Brand New. 440 pages. 14.00x11.00x14.30 inches. In Stock.

Hardcover. Zustand: Brand New. 440 pages. 14.00x11.00x14.30 inches. In Stock.

Paperback. Zustand: Brand New. illustrated edition. 160 pages. 12.00x9.50x0.75 inches. In Stock.

166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.