Chaney jr lon (27 Ergebnisse)

Two vintage studio still photographs from the 1965 film. Based on the 1957 novel by screenwriter Frank Gruber. Gun-for-hire Tom Rosser (Dana Andrews) is almost killed by gunslinger Lee Ring (Lyle Bettger) who inadvertently kills Rosser's wife. A few years later Rosser arrives in a town in need of his services is run by Riley Condor (Bruce Cabot), the man who paid the killer of Rosser's wife. 8 x 10 inches. One, Very Good plus, with a small closed tear in bottom margin. One, Very Good, with several pinholes throughout.…

DVD. Zustand: Wie neu. 3 DVD B05-03-00F Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 100.

Vintage studio still photograph from the 1959 film. A young woman discovers that her new husband has transformed into an alligator-human hybrid as a result of a failed medical experiment. Director Roy Del Ruth's penultimate feature, released on a double bill with "Return of the Fly." Set in the fictional town of Bayou Landing, Louisiana. 8 x 10 inches. Very Good, toned, with a dampstain affecting the bottom center of the recto.…

Vintage studio still photograph from the 1957 film. While looking for a lost pilot in the Mexican jungle, members of a search party begin finding giant, mutated animals-and later discover that the pilot has mutated into a heavily disfigured, 25-feet-tall monster. An early career release for noted B-film producer and director Bert I. Gordon, best remembered today for his "giant monster" films. 10 x 8 inches. Very Good, with six pinholes on the margins, and a short closed tear at the center right.…

8°, Hardcover. Zustand: Gut. Import. 1 DVD good condition Sprache: Englisch Gewicht in Gramm: 1100.

Vintage publicity photograph from the 1951 film, showing actors Lon Chaney, Maureen O'Hara, and Buddy Baer. Mimeo snipe on the verso. A Bedouin chief competes with a Tunisian princess in hunting down a legendary black stallion, but join forces against the barbaric Corsair Lords. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good plus.…

Two vintage publicity photographs from the 1944 film, one showing actor Leo Carrillo, the other showing actors Ole Olsen and Chic Johnson. Printed mimeo snipes affixed to the versos. A pair of zany nightclub owners agree to help their new next-door neighbors exorcise the tap-dancing ghosts living in their house. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set in New York City. 8 x 10 inches. One Very Good plus, the other Very Good, with a chip at the bottom right corner.…

Vintage promotional booklet for the Danish release of the 1939 American film. Text and titles in Danish. Based on the classic 1937 novella by John Steinbeck, about two Depression-era migrant workers as they dream of opening their own farm while enduring cruelty and discrimination from the ranch workers they encounter. Nominated for four Academy Awards, including Best Picture. 5.5 x 7.5 inches. Four leaves. Pictorial wrappers, side-stapled. Near Fine.…

Vintage linen-backed publicity photograph from the 1952 film, showing actor Boris Karloff. Printed mimeo snipe affixed to the verso. A British gentleman arrives at a gothic castle, hellbent on uncovering his friends' mysterious disappearances. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.…

Vintage borderless publicity photograph from the 1945 film, showing actors Lon Chaney Jr. and Evelyn Ankers. Printed mimeo snipe affixed to the verso. A disgraced hypnotist and a former plastic surgeon work together in an eerie wax museum. The fourth installment in Universal's "Inner Sanctum" mystery film series, based on the successful radio series. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8.5 x 7.75 inches, trimmed irregularly. Very Good plus. …

Two vintage borderless publicity photographs from the 1945 film, one showing actor Glenn Strange in costume as Frankenstein's monster, the other showing Strange with Onslow Stevens. Second photograph with annotations in manuscript ink on the verso. The last entry in Universal's famed "monsters" canon, a direct sequel to 1944's "House of Frankenstein," which appropriately hosted Universal's "big three" monsters, all in Dracula's house, including the Prince of Darkness himself (Carradine), the Wolf Man (Chaney Jr.), and Frankenstein (Glenn Strange), along with the requisite mad scientist (Onslow Stevens) and hunchbacked assistant (Jane Adams). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Approximately 7 x 9 inches, trimmed irregularly. Very Good plus, one with adhesive residue on the verso. …

Vintage photograph from the 1944 film. Universal Pictures' follow up to "Frankenstein Meets the Wolf Man," ups the ante on its predecessor with the addition of Dracula (John Carradine), a mad scientist (Boris Karloff) and a hunchback (J. Carroll Naish). Glenn Strange takes up the role of the creature (the fourth actor to play the part) with Lon Chaney Jr. reprising his role as the Wolf Man, making it the first multi-monster movie from Universal. Set in Switzerland. 7.75 x 10 inches. Very Good Plus with faint creasing at a few extremities. Weaver and Brunas, Universal Horrors.…

Vintage studio still photograph from the 1950 film noir, showing actors June Havoc and Iris Adrian. With a date stamp and blind stamp to the verso. A woman trying to lead an honest life finds herself led back into the world of crime when she falls for a gambling con man. Set in San Francisco and Los Angeles, California. 10 x 8 inches. Very Good plus, slightly wavy to the upper edge, with light soil to the verso. Grant US. Selby US. Spicer US.…

Four studio still photographs from the 1941 film, struck from the original negative circa mid-1970s. Includes one photo showing Lon Chaney Jr. menacing Evelyn Ankers, one showing Chaney Jr. behind a tree, one showing Chaney Jr. behind some leafless branches, and the last showing Chaney Jr. being groomed by makeup artist Jack P. Pierce. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures from 1935-1958. A man visiting his ancestral home in Wales is bitten by a strange, wolf-like creature, leading to his occasional, moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film, preceded by the less successful "Werewolf of London" (1935), and followed by several "Wolf Man" monster mash-up sequels, including "Frankenstein Meets the Wolf Man" (1943) and "House of Frankenstein" (1944). Set in Llanwelly, Wales. 8 x 10 inches. Fine. Weaver and Brunas, Universal Horror.…

Vintage publicity photograph of Lon Chaney Jr. and Anne Gwynne from the 1944 film, with a mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. The second of six installments in "The Inner Sanctum Mysteries," preceded by "Calling Dr. Death: An Inner Sanctum Mystery" (1943), and followed by "Dead Man's Eyes: An Inner Sanctum Mystery" (1944). Lon Chaney Jr. travels to the South Seas where he falls in love with Anne Gwynne, a mysterious and exotic native woman who the locals believe to be some kind of supernatural being. 8 x 10 inches. Near Fine. Weaver and Brunas, Universal Horrors 1931-1946.…

Vintage reference photograph of director Fred Zinnemann and assistant director Emmett Emerson on the set of the 1952 film. A town marshal faces off against three vengeful killers on the eve of his wedding. Nominated for seven Academy Awards, winning four, including Best Actor for Gary Cooper. Set in New Mexico, shot on location in Warnerville and Jamestown, California. 7.25 x 5 inches. Fine. Pitts 1877.…

Zustand: Very Good. Original British vintage movie film cinema poster one sheet lobby or outside advertisement poster. Quad crown, size 30 inches by 40 inches (762mm x 1020mm), landscape format. Small crease lines to the top and bottom edges, once folded. In Very Good condition. Member of the P.B.F.A. THEATRE (Cinema) POSTERS.…

Two vintage photographs from the 1943 film, including one studio still photograph showing actors Lon Chaney Jr. and Ramsay Ames, and one reference photograph showing Chaney Jr. alone. One with a printed mimeo snipe affixed to the verso. The first film in Universal's "Inner Sanctum" series. Universal struck a deal with publishers Simon and Schuster in 1943, obtaining screen rights to their "Inner Sanctum" radio series, with Chaney Jr. slated to star. "Calling Dr. Death" would set the standard for the series, including the classic introductory sequence of a fortune teller who warns the audience of impending, albeit cinematic, doom, and the recurrent "stream of consciousness" voiceover. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 10 x 8 inches. Very Good plus, lightly faded. Weaver, Universal Horrors.…

Vintage borderless publicity photograph from the 1944 film, showing actress Virginia Christine. Annotations in manuscript ink and pencil on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901. Jones worked for Paramount Pictures in the early 1930s, and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. After being unearthed due to an irrigation project, the mummy Kharis roams the bayou, searching for his lost love, Princess Ananka. The fifth entry in Universal's "Mummy" series, preceded by "The Mummy's Ghost." Set in the Louisiana bayou. 8 x 10 inches. Near Fine. Weaver and Brunas, Universal Horrors.…

Vintage photograph of Onslow Stevens lighting Lon Chaney, Jr.'s way up a macabre stone stairway from the 1945 film. The last entry in Universal's famed "monsters" canon, a direct sequel to 1944's "House of Frankenstein," which appropriately hosted Universal's "big three" monsters, all in Dracula's house, including the Prince of Darkness himself (John Carradine), the Wolf Man (Chaney Jr.), and Frankenstein (Glenn Strange), along with the requisite mad scientist (Onslow Stevens) and hunchbacked assistant (Jane Adams). 8 x 10 inches. Near Fine. Weaver and Brunas, Universal Horrors.…

Vintage publicity photograph from the 1945 film, showing actor John Carradine as Count Dracula. The last entry in Universal's famed "monsters" canon, a direct sequel to 1944's "House of Frankenstein," which appropriately hosted Universal's "big three" monsters, all in Dracula's house, including the Prince of Darkness himself (Carradine), the Wolf Man (Chaney Jr.), and Frankenstein (Glenn Strange), along with the requisite mad scientist (Onslow Stevens) and hunchbacked assistant (Jane Adams). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Fine.…

Vintage borderless reference photograph of screenwriter Carl Foreman on the set of the 1952 film. Provenance stamp on the verso. A town marshal faces off against three vengeful killers on the eve of his wedding. Nominated for seven Academy Awards, winning four, including Best Actor for Gary Cooper. Set in New Mexico, shot on location in Warnerville and Jamestown, California. 8.25 x 10 inches. Fine. Pitts 1877. …

Kein Einband. Zustand: Gut. signiert von dem amerikanischen Schauspieler Lon Chaney junior (1906-1973). Lon Chaney junior war häufig in Horrrofilmen zu sehen, aber auch in Krimis und Western (z.b "Zwölf Uhr mittags ") .Lon Chaney junior spielte Dracula , Frankensteins Monster, die Mumie und den Wolfsmenschen. Mit seinem Tod endete die "goldenen Ära" des klassischen Horrorkinos. unter Passepartout im Holzrahmen.Mit Certificate of authenticity von Fraser`s England. leichte Gebrauchspuren. paper signed by actor Size: 37x24 cm. Vom Schauspieler signiert. Autograph.…

Vintage reference photograph from the 1944 film, showing Lon Chaney Jr. and Elena Verdugo. Universal Pictures' follow up to "Frankenstein Meets the Wolf Man." Glenn Strange takes up the role of the creature (the fourth actor to play the part) with Lon Chaney Jr. reprising his role as the Wolf Man, making it the first multi-monster movie from Universal. Set in Switzerland. 8 x 10 inches. Near Fine. Weaver and Brunas, Universal Horrors. …

Five vintage reference photographs from the 1942 film. One with a mimeo snipe on the verso, and three with annotations in manuscript ink on the same. The fourth film in Universal Pictures' Frankenstein series, preceded by "Frankenstein" (1931), "Bride of Frankenstein" (1935), and "Son of Frankenstein" (1939), and the first to star Lon Chaney as the monster. Set in the fictional village of Frankenstein. 8 x 10 inches. Generally Very Good plus to Near Fine, one photograph with tape near the margins of the recto, one with pinholes at the corners, and one with paper residue at the bottom left corner. Weaver and Brunas, Universal Horror.…

Two vintage photographs of Bela Lugosi as Frankenstein's Monster, for the 1943 film. One photograph with a provenance label on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. The first of Universal's "monster rally films," which incorporated seemingly disparate Universal monsters into a single narrative, and the only film to feature Lugosi as the monster, originally made famous by Boris Karloff in the 1931 film "Frankenstein." Accidentally revived by grave robbers,"wolf man" Lawrence Talbot, seeks out Dr. Frankenstein in the hopes of finding a cure, only to discover the doctor has died but finds his creature still very much alive. 8 x 10 inches. Near Fine. …

0,0 x 0,0 x 0,0 cm, DVD. Zustand: Gut. Auflage: Standard Version. Kleine Gebrauchsspuren H102F12DVD15 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 505.