Cecil k jones (11 Ergebnisse)

- Softcover
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- Softcover
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- Hardcover
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- Hardcover
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Verlag: Hispanic American Historical Review, Baltimore, Maryland, 1922
- Softcover
- Erstausgabe
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In den WarenkorbTan Wrappers. Zustand: Light Wear and Soiling. First Edition. Including collective biographies, histories of literature and selected general works. Notes by Jose Toribio Medina. 1281 entries followed by the critical notes on sources by Medina. Indexed. 200pp. Size: Octavo.

Verlag: University of the South, Sewanee, TN, 1960
- Softcover
- Erstausgabe
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In den WarenkorbSoftcover. Zustand: Very Good. First Edition. First edition. Blue wrappers. Octavo. 176pp. Yapped edges bumped, creased, and nicked, spine lightly cocked and sunned, very good. "Arthur Miller: The Strange Encounter" by Henry Popkin, "The Quiet Enemy" by Cecil Dawkins. Contributions by Rene Wellek, Calhoun Winton, Henry Popkin, Cecil Dawkins, James Dickey, James B. Hall, Daniel Huws, Arthur Gregor, Madison Jones, Daniel G. Hoffman, Denis Donoghue, Thomas Parkinson, Brom Weber, and Maynard Mack. …

Verlag: University of the South, Sewanee, TN, 1960
- Softcover
- Erstausgabe
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In den WarenkorbSoftcover. Zustand: Near Fine. First edition. Blue wrappers. Octavo. 176pp. Yapped edges bumped, near fine in the original *Seawanee Review* clasp envelope. "Arthur Miller: The Strange Encounter" by Henry Popkin, "The Quiet Enemy" by Cecil Dawkins. Contributions by Rene Wellek, Calhoun Winton, Henry Popkin, Cecil Dawkins, James Dickey, James B. Hall, Daniel Huws, Arthur Gregor, Madison Jones, Daniel G. Hoffman, Denis Donoghue, Thomas Parkinson, Brom Weber, and Maynard Mack.…

- Hardcover
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

- Hardcover
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Gebunden. Zustand: New.

- Softcover
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Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Verlag: Without place or date but after the demise of the 'New Witness' in and before G. K. Chesterton's death in 1936, 1923
- Manuskript/Papierantiquität
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In den Warenkorb3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street. There is held, generally speaking, a most mistaken view of that same Fleet Street which is for the most part regarded as the mere receptacle for the Capitalist press: the place where mis-statements by the million are issued from a rapidly revolving hoe and distributed broadcast.' She proceeds to describe 'another side of Fleet Street', 'an informal tribunal where men are tried for offences never mentioned in the public press', a place where arrogance is 'a sin'. It is here that there is 'no greater idol' than Chesterton, 'a supreme journalist' who 'can write anywhere and anywhen on anything'. She recounts an anecdote regarding an incident involving a 'distinguished literary critic' and Chesterton, 'during the life of the New Witness'. She concludes by stating that, having 'worked with him in difficult and troublous circumstances', she feels that Chesterton proves 'his title to genius more in his capacity for turning the commonplace of existence into the pure gold of fine thought'. It is unknown whether the piece was published.…