cauchetier (33 Ergebnisse)

Softcover. Zustand: Très bon. Cauchetier, Patrice; Chambas, Jean-Paul (illustrator). Légères traces d'usure sur la couverture. Edition 1990. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 1990. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paris, Prisma Editions, 1950. In-8 cartonné bleu, lettrage doré, 384 p. Très nombreuses photos en noir. Très bon état.

Paris, Prisma Editions, 1949. In-8 cartonné marron, lettrage doré, 364 p. Très nombreuses photos en noir. Bon état.

Collection of photographs of Saigon from the 1950's by the French photographer when Vietnam was under French colonial rule. Nominal wear to corners, spine o/w tight, s-olid trade paper copy. Scarce. KRM/French/Vietnam.

Couverture souple. Zustand: Bon. Broché in-4, 9 pp. et 96 planches photographiques en héliogravure, couverture rempliée illustrée en couleurs. Page de titre décollée, coins et dos frottés, intérieur frais.

Zustand: 2. Cauchetier, Patrice; Chambas, Jean-Paul (illustrator). broche.

Hardcover. Zustand: Brand New. 237 pages. 12.50x10.00x1.25 inches. In Stock.

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Un programme in-8°, broché. Avec plusieurs études sur cet opéra et lun faxc-simiilé du livret. TRES BON ETAT.

Couverture souple. Zustand: bon. Cauchetier, Patrice; Chambas, Jean-Paul (illustrator). R200028437: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages. Quelques illustrations en noir et blanc dans le format texte. Annotation sur la première page. . . . Classification Dewey : 792-Théâtre.

Zustand: Used: Like New. Broché, comme neuf.

Zustand: Neuf.

Hardcover. Zustand: Very Good. 1st Edition. 4° - 157pp - Color photo-reproductions and b/w photo-reproductions (gravures). Wonderful Photo-book on Cambodge. First edition, text in French language, published in 10000 copies. Original pictorial boards. In very good condition.

[4491].

Couverture souple. Zustand: bon. RO30305331: 1979. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 79 pages augmentées de nombreuses photos en couleurs et noir et blanc,dans le texte (quelques photos encollées). Texte sur 2 colonnes. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture rigide. Zustand: Assez bon. Imprimé en Suisse .Commandement de l'Air en Extreme-Orient . 1953 . Un volume cartonné sous couverture rempliée illustrée , 22 x 28 cm , de 110 pages illustrées . Premier plat détaché .

Zustand: Très bon état. Edition originale. In-4 28 x 22 cm. Broché, couverture rempliée illustrée en couleurs, 122 pp., 106 héliogravures, commentaires. Exemplaire en très bon état. édité en1953, pour rappeler aux aviateurs français engagés dans la guerre d'Indochine, les différents aspects de leurs missions, cet album est devenu avec le temps un précieux témoignage historique sur un conflit dont l'issue est longtemps demeurée incertaine. Vendu exclusivement par souscriptions, il n'a jamais été commercialisé. Raymond Cauchetier, né en 1920, ne découvre la photographie qu'à l'âge de trente ans, au cours de la campagne d'Indochine. Ses photos sont immédiatement diffusées dans le monde entier. in-4°.

in-8, reliure rigide éditeur, 384p, nbses photos, nbses publicités, bon état.

Zustand: Good. 17.5 x 23 cm. B&W glossy photograph. Very Good, creased at one edge. Provenance Paul Paulet, French actor from the 1930s-1970s.

Zustand: Très bon. Broché, jaquette, 110p. photographies de Raymond Cauchetier. Exemplaire n°319/2000 sur vélin d'Arches.

Image France Editions - 2007 - In-4 à l'italienne, cartonnage illustré - 145 pages - Illustrations en N&B, in et hors texte, dans l'ouvrage Très bon état.

Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With manuscript annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece, one of the great French noirs, based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this, his most playful film. Part thriller, part comedy, part tragedy, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags, guns, clowns, and thugs, this razor-sharp homage to the American gangster film is pure nouvelle vague." 11.5 x 9 inches. Near Fine. Criterion Collection. Grant France.

Collection of 16 vintage studio still photographs from the 1963 film. Based on French serial killer Henri Desire Landru. During World War I, Henri Landru (Charles Denner) supplements his income by luring middle-class women through newspaper ads, to a villa outside Paris where he seduces and kills them, burns their bodies, then helps himself to their bank accounts, keeping himself, his wife, his mistress, and his four children in the lifestyle to which they are accustomed. Shot on location in Paris and Gambais, France. 8 x 10 inches. Very Good plus. Light creasing in margins, three with pinholes to corners, one with notable creasing in left margin. Grant France.

Eight vintage borderless reference studio still photographs, five with bottom margins, from the 1962 film. One with cropping annotation in blue and red holigraph pencil and remainder of label, since removed, on verso. Based on the 1953 novel by Henri-Pierre Roche. One of the founding films of the French New Wave, examining a long relationship between two men and an impulsive young woman before, during, and after the First World War. Shot on location throughout France. One photograph 9.25 x 7 inches, the other seven photographs 7 x 5 inches. Near Fine. Criterion Collection 281. Ebert II. Schrader, Canon Fodder 27.

Vintage borderless reference photograph of Jean-Claude Brialy and Anna Karina from the 1961 film. "Michel Casanova" stamp and "R. Levy" stamp on verso. Godard's homage to romantic comedies and the Hollywood musical, about a woman who wants to have child, but is caught between her resistant boyfriend and his overeager best friend. Perhaps the director's warmest and funniest film. Set in and shot on location in Paris. 9.25 x 7.25 inches. Near Fine. Criterion Collection 238.

Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso, along with manuscript pencil and ink annotations. Agnes Varda's second feature film, following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director, writer, and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers, her early work, including this film, stylistically prefigures the French New Wave, and is today considered very much a part of it. Set and shot on location in Paris. 4.5 x 6.5 inches. Near Fine.

Vintage borderless reference photograph from the 1962 French film, showing actors Michel Legrand, Corinne Marchand, and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film, following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director, writer, and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers, her early work, including this film, stylistically prefigures the French New Wave, and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine.

Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome," and provenance label of "de Selva - Tapabor," on verso. Jacques Demy's tribute to Max Ophuls, with title and character inspired by Josef von Sternberg's "Der Blaue Engel" (1930), starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola, a girl he dated in his teens before the war. Roland finds a renewed purpose in life, realizing he is still in love with Lola, now a cabaret dancer and mother who hopes her son's father, her true love, may still return. Shot on location in Nantes, France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000.

Vintage borderless black-and-white double weight photograph from the set of the 1968 French film noir. With a rubber stamped date of March 12, 1970 on the verso, along with numerous press annotations and markings. A wonderful candid shot of Truffaut, Jade, and Léaud sitting on a park bench during principal shooting of the film. Raymond Cauchetier began his career as a set photographer in 1956, on Marcel Camus' 1957 film, "Fugitive in Saigon." Cauchetier's film career is closely linked to the French New Wave, for whose founders he became a favorite still photographer. Between "Breathless" in 1960, and "Stolen Kisses in 1968 (his final film), Cauchetier worked with most of the emblematic directors of that movement, including Truffaut, Jean-Luc Godard, Claude Chabrol, Jacques Demy, Agnes Varda, and Jacques Rozier. He was honored with a monograph "Photos de cinema: Autour de la Nouvelle Vague (1958-1968)" (Image France Editions, 2007), in which several of his most evocative images can be seen. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical character Antoine Doinel. 9.75 x 8 inches. Some impressions visible on the recto from the press annotations on the verso, otherwise Near Fine. Criterion Collection 186.