catalogue editor (46 Ergebnisse)

Paperback. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Softcover. Exhibition catalogue. Pocket-sized item. Covers have several light surface scratches. Leading corners and spine ends are a little worn. Pages lightly sunned but clean. Contents sound. Illustrated. AF. Used.

28 x 21,5 cm ; kart. ; Zustand: Gut. 137 S. ; Großformatige englischsprachige Paperbackausgabe mit Schutzumschlag, 137 Seiten mit zahlreichen Abbildungen. Vorsatz mit Namenszug. Gutes Exemplar. hw448.

Santa Barbara: The Santa Barbara Museum of Art, 1976. Slim 4to. catalog, in white illustrated wraps w/ some staining to backstrip. Green endpapers. ß Details of 40 exhibits from Calvert, Linnell, Sherman, Palmer and Richmond, edited by Larry Gleeson. Bentley, BBS, p 293.

Soft cover. Zustand: Very Good. P/O last name to FFEP o/w clean, unmarked ex-cat. Solid stapled wraps, normal pinching to stapled area, else fine. BP/Artists/Warhol.

Hardcover. Zustand: FINE. Auction catalogue of posters, including: Early Aviation, Post-1920 Aviation, British Travel, Winter Sports, Mather Work Incentive, NY World's Fair, books. Price estimates included. 32 cm. Additional info or photos on request. Ships in sturdy cardboard packaging, with tracking and insurance.

28,5 x 20 cm -, kart. ; Zustand: Gut. 203 S. ; Großformatige Paperbackausgabe, Text in französischer und englischer Sprache, 203 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1239.

Hardcover. Quarto, Two volumes in slipcase. In Good plus condition with a Good minus slipcase. Slipcase in gold paper, paper title label on front panel; mild edge wear, small surface tear on front panel, small vendor label on spine. Spines are blue with gold print. Boards in blue cloth. Text blocks have owner stamp on front endpapers. Illustrated: b&w; facsimile pages are grey with pencil sketches. CONTENTS: [Fasimile] (unpaged) [Catalogue] vii, 56 pages. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. 1402193. FP New Rockville Stock.

Santa Barbara: Santa Barbara Museum of Art, 1976. 4to, 40 pp, with 18 black and white illustrations. Very good in wrappers, illustrated with a Richmond picture. ß Details of 40 exhibits from Calvert, Linnell, Sherman, Palmer and Richmond, edited by Larry Gleeson. Bentley, BBS, p 293.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Qto. 282 pages, contains a large quantity of colour illustrations. Unused, a Fine copy in a Fine dust jascket.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. This copy is in very good condition. No dust jacket as issued. Internally near fine.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fine. 1st Edition. Hbk, vii, 432 pages : illustrations (mostly in colour) ; 30 cm. "Published in conjunction with the exhibition . Palazzo Ducale, Venice, 2 June-7 October 1990, National Gallery of Art, Washington, 28 October 1990-27 January 1991." Some spotting to upper edge o/w a clean unmarked copy in very good condition. Dust wrapper in fine condition. Heavy item that will incur extra charges for overseas shipping. [Titian approximately 1488-1576 ; Exhibitions - Titian approximately 1488-1576 Criticism and interpretation] s47 / m14551.

20 x 19 cm ; kart. ; Zustand: Gut. 72, 17 S. ; Englischsprachige Paperbackausgabe, 72 Seiten mit zahlreichen Abbildungen, nebst schwedischsprachigem Begleitheft, 17 Seiten. Gutes Exemplar (good Condition). pwRegal-HH.

Hardcover. Zustand: New. 1st Edition. xii, 307 pages : chiefly colour illustrations ; 30 cm.

Hardcover. Zustand: New. xiv, 274 pages : colour illustrations ; 30 cm. This volume reveals all the oil paintings in public ownership in the county of Nottinghamshire. It shows some 1,700 paintings on display or in store across 38 collections. The largest collection is that of Nottingham City Museums and Galleries with over 700 paintings ranging from Old Masters to contemporary works as well as works by important local artists such as Richard Bonington, William Nicholson, Laura and Harold Knight and Arthur Spooner. Other notable collections including Newstead Abbey, Bassetlaw Museum and The University of Nottingham are joined in the catalogue by paintings held by local libraries, hospitals and schools. The catalogue highlights the broad scope and importance of the county's paintings. Collections included Ashfield District Council; Bassetlaw District Council; British Horological Institute; Castle College Nottingham; Creswell Crags Museum and Education Centre; Djanogly City Academy Nottingham; Galleries of Justice; Gedling Borough Council; Government Office for the East Midlands; Langwith Whaley Thorns Heritage Centre; Mansfield District Council; Mansfield Fire Station Museum; Newark and Sherwood Museum Service; Newark Town Council; Newstead Abbey; NHS Nottinghamshire County; Nottingham Central Library; Nottingham City Museums and Galleries; Nottingham Magistrates' Court; Nottingham Trent University; Nottinghamshire Archives; Nottinghamshire County Cricket Club; Nottinghamshire County Football Club; Nottinghamshire County Hall; Nottinghamshire County Library Service; Nottinghamshire Police; Portland College; Retford Town Hall; Ruddington Parish Council; Ruddington Village Museum; Rushcliffe Borough Council; Sherwood Forest Hospitals NHS Foundation Trust; Southwell Town Council; The Congregational Memorial Hall Trust (1978) Limited; The Council House, Nottingham; The Holocaust Centre; The Sherwood Rangers Yeomanry Regimental Association; The University of Nottingham; The Worcestershire and Sherwood Foresters Museum (The Sherwood Foresters Collection) of the Mercian Regiment.

Zustand: Near Fine. First edition, complete in two hardback volumes. Both volumes are quarto (28cm by 21cm). Volume 1 (the sketchbook) has 64 pages of sketches. Volume 2 (the text) has 56 pages and 58 text illustrations. Both volumes are bound in blue cloth with the titling blocked in silver on the spine, and the books are housed in a green card slipcase. There is a minor scuffmark to the front board of volume 2, else the books are in very good condition; the slipcase is in good to very good condition (some light rubbing, light indentation of the main panels).

Wraps. Zustand: good. First Printing [Stated]. Format is approximately 10 inches by 10 inches. [6], 141 pages. Illustrations. A Catalogue of the Exhibit in the Denver Public Library, Commemorating the 100th Anniversary of Colorado's Statehood and the 200th Anniversary of the Republic's Independence. Includes a forward by James A. Michener, "The Land and the People." Also includes a Foreword by Henry G. Shearouse, Jr., Denver City Librarian. Profusely illustrated, some illustrations in black and white, and many in color. Also includes maps. Small "ding" at top left edge of front cover. The 1976 Bicentennial of the United States of America also marked the Centennial of the State of Colorado. The Denver Public Library Foundation conceived the idea of an exhibit and catalogue that would show the history of Colorado's first 200 years, with documentation supplied primarily by materials owned by the Western History Department of the Library, covering the 100 years prior to statehood, and the 100 years since Colorado entered the Union. Barbara Sudler Hornby's vocation was the preservation of Colorado's history and the saving of the state's cultural and aesthetic resources. President of Historic Denver from 1974 to 1979, she spearheaded the preservation of the early Denver residences at Ninth Street Historic Park on the Auraria Campus, and was instrumental in the rehabilitation of residences in the Curtis Park historic district. She was the first woman to serve as president of the Colorado Historical Society. Her leadership guided the restoration of the Society's 1899 Pearce-McAllister Cottage in Denver and initiated the long-standing partnership with the Denver Museum of Dolls, Toys, and Miniatures. She also undertook the reconstruction of the nineteenth-century engineering marvel, the Devil's Gate high trestle bridge at the Georgetown Loop Historic Mining and Railroad Park and the restoration and public opening of the 1883 Byers-Evans House Museum.

Hardcover. Zustand: New. xiv, 345 pages : color illustrations, portraits ; 30 cm. This catalogue brings together over 2,300 oil paintings from 10 publicly-owned collections across Bristol. The largest collection reproduced is Bristol Museum and Art Gallery with over 1,200 paintings spanning Northern and Italian Renaissance painting, Baroque to modern French art, and British painting from the seventeenth century to the twenty-first. The collection tells the story of art in Bristol and internationally. Also catalogued are the holdings of the Royal West of England Academy, the Society of Merchant Venturers and the University of Bristol. Collections included Bristol City Council; Bristol Museum and Art Gallery; Bristol Old Vic Theatre; Glenside Hospital Museum; North Bristol NHS Trust, Southmead Hospital; Royal West of England Academy; Society of Merchant Venturers; University Hospitals Bristol NHS Foundation Trust; University of Bristol; University of Bristol Theatre Collection.

Hardcover. Zustand: New. xiv, 334 pages : chiefly colour illustrations ; 30 cm. "This catalogue reveals the rich and diverse cultural heritage of Essex through its 59 public collections and their 2,135 oil paintings. While there is much to admire amongst the county's paintings from the eighteenth and nineteenth centuries, it is the twentieth century works that stand out. These include 638 works in oil by Sir Alfred Munnings at his house in Dedham, 60 by the North-West Essex artists in the Fry Gallery at Saffron Walden and the largest collection of publicly owned Latin American contemporary art in Europe at the University of Essex."--Jacket.

Hardcover. Zustand: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 328 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket show edge wear, wear marks, scuffs and scratches on the front cover, spine and back cover. Edges bumped and slightly turning inwards. Interior with minor signs of wear.; Louis Art Museum's collection of Japanese military prints and related materials-one of the largest collections of such works in the world. The selected works in the exhibition and the catalogue are part of some 1,400 objects assembled by Charles and Rosalyn Lowenhaupt of St. Louis over the course of several decades and given to the Museum between 2004 and 2015. The objects in the Lowenhaupt Collection are mostly color woodblock prints, but the holdings also include paintings, lithographs, photographs, stereographs, books, magazines, maps, game boards, textiles, ceramics, toys, sketchbooks, and commemorative materials. In addition to two introductory objects from the Edo period (1615-1868), this extraordinary body of visual material chronicles Japan's rise as a modern nation from the beginning of the Meiji Restoration in 1868 through the aftermath of Pearl Harbor in 1942, focusing on the Sino- Japanese War (1894-1895) and the Russo-Japanese War (1904-1905). With meticulously researched explanatory texts and essays by leading scholars, Conflicts of Interest illuminates an important aspect of Japan's visual culture and the narratives it circulated for its citizens, allies, and enemies on the world stage. The catalogue is richly illustrated with more than 200 full-color images, with many print impressions and other works of art that are being published for the first time. A comprehensive bibliography brings together more than a century of international scholarship on the historical and cultural background of art and war in modern Japan.

Hardcover. Zustand: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 24 x 31 cm.; 2.2 kg.; 386 pages with 121 colour and 130 black and white illustrations plus 10 maps. Includes loose map of China's Administrative Divisions.; ISBN 0-394-51256.; Used with signs of wear on the exterior and interior. The front cover has scratches and wear marks throughout and a tear at the top. Two scratches on the front cover. The spine is scuffed on the top and bottom. Wear marks on the back cover. Interior in very good condition with minor signs of wear.; Catalogue from an exhibition held at The Metropolitan Museum of Art, New York, April 12-July 9, 1980; Field Museum of Natural History, Chicago, August 20-October 29, 1980; Kimbell Art Museum, Fort Worth, December 10, 1980-February 18, 1981; Los Angeles County Museum of Art, April 1-June 10, 1981; Museum of Fine Arts, Boston, July 22-September 30, 1981.;Here, in one magnificent volume, in authoritative text and color photographs of unparalleled richness, is the first com- prehensive view of China's Bronze Age. From random discoveries over the centuries, from legends and written records that seem scarcely removed from the realm of legend, and from a few limited excavations, the Bronze Age in China has long been thought to be one of the great epochs in the history of art. Now, thanks to astonishing recent finds by Chinese archaeologists, those legendary glories have become reality. The evidence is here, in this book and in the unprecedented exhibition on which it is based-105 precious objects in bronze, jade, and terracotta, chosen by the People's Republic of China from among the finest and most spectacular discoveries of recent years, and now seen for the first time outside their land of origin. Beginning with the shadowy Xia dynasty (which traditional chronology dates from 2205 to 1760 B.C.), coming into full flower in the Shang (now dated from about 1700 to about 1030 B.C.) and the Zhou (about 1030. to 256 B.C.), and lingering on through the Qin (221 to 206 B.C.) and into the Han that followed, the Chinese Bronze Age saw the development of the Chinese state, of writing and religious rituals, of architectural styles and urban culture. It also and pre- eminently-saw the rise and refinement of bronze metallurgy, and the works of art that were its highest expression. No other people on earth has ever created such bronzes. The group shown and discussed here-ritual vessels, weapons, bronze standards, even a complete set of fourteen exquisite bells- may be the most impressive ever assembled, and includes discoveries so recent that they are virtually unknown even to scholars. Here are jars and cups in the shapes of rhinos and elephants and bulls and rams, surfaces inlaid with jade and malachite and precious metals, weapons echoing with the clangor of ancient wars. Here, too, is a splendid array of carved jade pieces-ceremonial blades and tablets, figurines, jewelry. And there is more. Possibly the most stunning archaeological find of the twentieth century occurred in 1974, when excavation began in the huge mausoleum of Qin Shihuangdi, the First Emperor of Qin, who died in 210 B.C. after unifying China for the first time in history. Diggers came upon an entire army-no less than seven thousand life-size terracotta figures of soldiers, cavalrymen, and horses, with chariots and other battle gear, still standing, rank after rank, as they had been buried as a guard for their dead emperor more than two thousand years before. Individually modeled with great sensitivity and realism, they evoke their lost world with almost painful immediacy. Eight of them-six men and two horses- are included here, the first to be placed on exhibit anywhere outside China.

Soft cover. Zustand: Good. No Jacket. 1st Edition. English text.; Paperback.; 21.5 x 30 cm.; 1 Kg.; 209 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. Edge wear. Sign of a sticker removed from the front free endpaper. Good condition overall.; Catalogue with 80 entries from an exhibition held at Kaikodo gallery in New York from 23 March - 20 April 1996 with mainly Chinese and Japanese paintings, but also bronzes, laquered boxes, figures, porcelains.; "This Kaikodo Journal corresponds to an exhibition held in our New York gallery between March 25 and April 20, 1996. Although a sales exhibition, an attempt was made in a number of catalogue entries to go somewhat beyond the piece at hand to explore larger questions suggested by the iconography, the shape or form of some objects, the dating, or the lives of individual artists. It is hoped that a proper emphasis remains on the works themselves and that the additional material will prove of further use to students or collectors." excerpt from the preface by Howard Rogers, January 1996, Kamakura.

Hardcover. Zustand: Brand New. 249 pages. 11.50x9.25x1.00 inches. In Stock.

"Wroc?aw: Association of Polish Artists, Wroc?aw District collection , 2022. 1 volume broché(s) format In-4 bon 184 pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. A crisp clean tightly bound auction catalog of rare arms and armour. Bound in black cloth with simple "peter FIner" gilt titles, marbled endpapers and heavy glossy stock. Glossy black pictorial dust jacket shows a trace of shelf and edge wear only.

Soft cover. Zustand: Good. 44 pages : illustrations (some colour), portraits ; 29 cm.

Illustrierter Pappband. Zustand: Guter Zustand. Zustand des Schutzumschlags: Kein Schutzumschlag. 48 Seiten mit ganzseitigen farbigen Abbildungen; Text in Englisch und Französisch; gutes und sauberes Exemplar; wegen der Größe 5 Euro Versandkosten für Deutschland;

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. English and German text; Hardcover.; 28 x 32.5 cm.; 2.4 Kg.; 336 pages with 477 colour and 17 black and white illustrations.; Used with minor signs of wear on the exterior and interior.; Catalogue from the exhibition Heroes of the Stage and Beauties of the Night. Masterpieces of the Japanese Woodblock Printing from the Otto Riese and Johann Georg Geyger Collections held at Museum fur Angewandte Kunst Frankfurt, from the 19th February to the 10th of May 2009.; The Japanese woodcut is one of the rare forms of cultural expression that only attain immortality after being transferred into another culture. Created between the sixteenth and eighteenth centuries, the ukiyo-e woodcut has only been counted among the most influential Japanese contributions to world art since the late nineteenth century. Painters like Monet and Van Gogh succumbed to its charm, followed by numerous artists and collectors all over the world. The subject of this publication are one of the most important German ukiyo-e collections, which present all of the great artists and themes of this genres, including theather prints, scenes from the red light districts, and topographical landscapes - from the early phases through to the classic masters of courtesan and actor's portraits, Utamaro and Sharaku, and including the great names of later years like Hokusai and Hiroshige. 235 woodcuts offer a representative survey of the most important chapters of this great Japanese art form.

Hardcover. Zustand: New. Dust Jacket Included. 1st Edition. English and Chinese text; Hardcover (with dust jacket) in slipcase.; 25.5 x 33 cm; 3.2 Kg; 400 pages with colour illustrations throughout.; New. May show signs of handling and shelf wear.; Catalogue from the exhibtion held Art Museum, Institute of Chinese Studies, The Chinese University of Hong Kong, from the 11.11.2007 to the 30.03.2008.; "The Qing imperial vases and bottles from the Huaihaitang Collection featured in this catalogue provide a good illustration of the rich reportoire of the "closed forms" fired at Jingdezhen Imperial Factory and attest to the prosperity of the Factory, the tour de force of the potters and the unreserved patronage from the imperial household. This exhibition presenting porcelain vases and bottles of the Imperial Qing is the first of its kind and offers great opportunities for academic studiy and appreciation by the scholars, collectors and laymen." excerpt from the introductory text by Peter Y.K.Lam, Director, Art Museum, The Chinese University of Hong Kong.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English and Chinese text.; Hardcover (cloth with dust jacket).; 26.5 x 36.5 cm.; 2.7 kg.; 328 pages with colour illustrations.; Used with signs of wear on the dust jacket that shows scuffs, scratches and wear marks on the front, spine and back cover. Interior in very good condition with minor signs of wear.; "Over the past three decades, the majority of J. S.'s collection had been generously donated in the name of Bei Shan Tang to the Art Museum in many batches. Comprising of more than 5,800 items, these gifts form nearly half of the permanent collection of the Art Museum. They are both the core and the highlight of the Museum's collection. This exhibition of The Bei Shan Tang Legacy - Gifts of Chinese Art is a selection of the most important items of the gifts from J. S. They include paintings, calligraphy, calligraphic rubbings, ceramics, jade and hard stone carvings to bronzes, seals, and carvings in bamboo, wood, ivory and bone, inksticks, items for the scholars' studio and furniture. The exhibition, to be installed in all the four galleries of the Art Museum, is a tribute to J. S. for his generosity and lifelong support to the Museum. It is also an unprecedented comprehensive display of the collection which is well known to many by its reputation. But because of the modesty and low profile of J. S. few actually have had a first-hand knowledge of it." excerpt from the introductory text by Peter Y. K. Lam Director, Art Museum, 2009.

Soft cover. Zustand: Good. 303 pages : colour illustrations ; 33 cm. Text in Turkish. "This catalogue has been prepared for the 70th Anniversary of the Republic and "Istanbul 1993" events, for the "Women in Anatolia for Ages" exhibitions opened in Istanbul in 1993.".