casebere james (35 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Used-Very Good. Cloth, dj. Slight shelf-wear.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First edition. Oblong softcover. 15 pages. Artist book by Casebere printed in an edition of 1000 copies. A very near fine copy in stapled wrappers.

15 pp.; 21.5 x 28 cm.; staple bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book by James Casebere consisting of six black-and-white images and short tales of humor. Good / Very Good. Mild wear to recto cover. Contents clean and unmarked.

First edition. Oblong softcover. 48 pages. Exhibition catalog for a group show that ran September 20 through December 13, 1987 at the Walker Art Center and then January 29 through April 3, 1988 at the Museum of Contemporary Art in Chicago. Marge Goldwater writes on James Casebere and Sandy Skoglund. Elizabeth Armstong writes on Bruce Charlesworth and Boyd Webb. Adam D. Weinberg writes on Bernard Faucon and Ron O'Donnell. Includes 24 color and black and white images along with small black and white photographs of each artist. A near fine copy in wrappers with some very minor wear.

15 pp.; 21.5 x 28 cm.; staple bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book by James Casebere consisting of six black-and-white images and short tales of humor. Very Good. 5 mm. of bumping to top right corner of catalogue. 5.2 cm. of yellow soiling to verso. 1.3 cm. crease to right side of publication through to pages. Contents otherwise clean and unmarked.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0933286716.

First edition. Softcover. 95 pages. Features a foreword by Andy Grundberg and an essay by Maurice Berger. A catalog for a show that started in San Francisco and ran August 14 through October 20, 1996 and then traveled to Williamstown, MA for a run of August 16 through October 26, 1997. A collection of color and black and white images. A clean and tight near fine copy in French style wrappers with some minor wear to the top of the spine.

HARDCOVER. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st edition. 191pp, quarto, hc w/jacket, tight binding, clean pages throughout, clean boards with sharp corners, two small nicks to the bottom edges of the boards, bright spine titles, colorful and complete jacket with light shelf wear and mild corner wear.

First edition and first printing. Hardcover. 191 pages. Monograph on the photographs of James Casebere. Features texts by Anthony Vidler, Chris Chang, and Jeffrey Eugenides. Includes numerous color and black and white images, a checklist, list of previous exhibitions, and a bibliography. A fine copy in a very near fine dust jacket. A fresh copy.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; 313 pages : illustrations (some colour) ; 30 x 30 cm. Summary; James Casebere (born 1953) emerged in the Pictures Generation as an artist-photographer complicating the status of the photographic image alongside Cindy Sherman and Richard Prince. His earliest works dismantled the codes of American suburbia and the myth of the west, but he quickly arrived at the practice for which he is best known today: the construction of formally simplified architectural models--arenas, monasteries, tunnels, factories--which Casebere lights and photographs in his studio. In the early 1990s, as the ramifications of Michel Foucault's critiques of architecture and power took hold in American culture, Casebere's practice developed into a study of architectural typologies of the Enlightenment era, particularly prisons. The lighting in his photographs is dramatic, or rather it plays with the rhetoric of dramatic lighting, qualified by the sheer artifice of the architectural models themselves. Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison. James Casebere: Works 1975-2010 is the most comprehensive monograph to date on this important American artist. Subjects; Casebere, James Catalogs. Staged photography. Photography of sculpture. Models and modelmaking Pictorial works. Architectural photography. 2 Kg.

80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.

SOFTCOVER. Zustand: As New. 1st Edition. Medium size 4to in photo illustrated and gilt embossed stiff card covers, 120pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

First edition. 4to., 95 pp., b&w with some color illustrations from photographs. Photo-illustrated stiff wrappers with printed inner flaps. Near fine. Published as the catalogue for the exhibition, which originated at the Ansel Adams Center for Photography, San Francisco, August 14 - October 20, 1996, and traveled to, Williams College Museum of Art, Williamstown, Massachusetts, August 16 - October 26, 1997.

Paperback. Zustand: Very Good. First Paperback Edition. 4to. Large format paperback. Copiously illustrated in colour and black and white throughout. ISBN: 1879886464 Pages: 80 Very good indeed.

Zustand: New.

Paperback catalogue with a photograph in black and white from a different artist on each page. -good.-(Some wear on the edges of the cover, ex libris on the title page, but otherwise in good condition.).

Zustand: Good. 8vo. Oblong. 15 pp. Soft, stapled pictorial wrappers. Very good. Full page black and white plates. Catalog created on occasion of exhibit at the Galerie im Scheunenviertel in Berlin, Germany from March 30 through April 16, 1992. Limited edition: one of 1,000 copies.

Zustand: Good. 4to. 95 pp. Very Good. Soft Covers with French folds. Printed pictorial wraps. Pages fine. B&W plates throughout. A catalog for a show that started in San Francisco and ran August 14 through October 20, 1996 and then traveled to Williamstown, MA for a run of August 16 through October 26, 1997. Photographs by James Casebere. Foreword by Andy Grundberg. Essay by Maurice Berger. Conversation with the artist by Steven Jenkins. Includes a biography, awards, selected exhibition history, selected bibliography, public commissions and a checklist. 58 four-color and black-and-white plates. Published by The Friends of Photography, in collaboration with Galleria Galliani, Genoa, and Lisson Gallery, London. ISBN 10: 0933286716 ISBN 13: 9780933286719.

Zustand: Fine. Clean and unmarked. [2] pp.; 14.2 x 20 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double-sided announcement card for exhibition held at Jean Bernier, Athens, Greece, April 17 - May 17, 1997. Recto features image of "Hospital," 1997.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition, first printing. Hardcover. Textured paper-covered boards, with photographically illustrated dust jacket. Photographs by James Casebere. Essays (in English) by Christopher Chang (Photographer), Jeffrey Eugenides and Anthony Vidler. Includes a list of works, an illustrated exhibition history and illustrated bibliography. 192 pp. with 40 four-color plates, 36 duotone plates and 27 black-and-white reference illustrations. 12-1/4 x 9-3/4 inches. Near Fine, in Near Fine dust jacket (bump to the heel of the spine, else Fine). From the publisher: "Over the last 25 years James Casebere has utilized the combined influences of film, architecture, sculpture, and conceptual art, occasionally in large temporary installations, but primarily in the construction of table top models he then photographs in his studio. Casebere's early work examined myths of American identity, concentrating on images of main street, suburbia, home, and work. While consistently evoking the broad sweep of history, Casebere moved on to consider the subject matter of the American landscape and stereotypes of the American West. Since 1992 his work has focused upon such varied social spaces as prisons, schools, libraries, corridors, underground tunnels and sewers; spaces of isolation and circulation. His mysterious, beautiful, and often uncanny work has been exhibited and collected by museums worldwide. This monograph surveys the development and career of this groundbreaking artist.".

Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Photographs by James Casebere. Foreword by Andy Grundberg. Essay by Maurice Berger. Conversation with the artist by Steven Jenkins. Includes a biography, awards, selected exhibition history, selected bibliography, public commissions and a checklist. 96 pp., with 58 four-color and black-and-white plates and additional illustrations. 10-1/2 x 9-1/2 inches. Published on the occasion of an exhibition at the Ansel Adams Center for Photography, San Francisco, and traveling to other venues. Near Fine (moderate surface wear and light wear to the extremities, else Fine.).

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Textured paper-covered boards, with dust jacket. Photographs by James Casebere. Essays (in English) by Christopher Chang (Photographer), Jeffrey Eugenides and Anthony Vidler. Includes a list of works, an illustrated exhibition history and illustrated bibliography. 192 pp. with 40 four-color plates, 36 duotone plates and 27 black and white reference illustrations. 12-1/4 x 9-3/4 inches. New in New dust jacket. A Mint copy. From the publisher: "Over the last 25 years James Casebere has utilized the combined influences of film, architecture, sculpture, and conceptual art, occasionally in large temporary installations, but primarily in the construction of table top models he then photographs in his studio. Casebere's early work examined myths of American identity, concentrating on images of main street, suburbia, home, and work. While consistently evoking the broad sweep of history, Casebere moved on to consider the subject matter of the American landscape and stereotypes of the American West. Since 1992 his work has focused upon such varied social spaces as prisons, schools, libraries, corridors, underground tunnels and sewers; spaces of isolation and circulation. His mysterious, beautiful, and often uncanny work has been exhibited and collected by museums worldwide. This monograph surveys the development and career of this groundbreaking artist.".

SOFTCOVER. Zustand: As New. 1st Edition. 4to in photo illustrated stiff card covers, 63pp on stiff paper, plates etc. Dual text in French and English . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

78 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T.S. Martin; "Comment: Spitting Out An Eyeful at the Film Feast," by Ellen Kaufman "Proposals," by Dennis Balk and by James Casebere. Cover by John Baldessari. Very Good. Bumping of bottom right corner of publication with 2.5 cm. dog-ear to verso. Light edgewear. Contents clean and unmarked.

78 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T.S. Martin; "Comment: Spitting Out An Eyeful at the Film Feast," by Ellen Kaufman "Proposals," by Dennis Balk and by James Casebere. Cover by John Baldessari. Very Good. 3.2 cm. dog-ear with bumping to top right corner of cover and publication, light bumping of top left corner, light rubbing of covers and cover edges. Contents clean and unmarked. Includes 1985 advertising rate card.

Zustand: Good. 8vo. [24] pp. Stapled Wraps. Exhibition Catalogue. Essay by Roberta Smith. Color and Black and White Plates. Good, minor tears at staple edges.