Carter suzanne (27 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Carter, Abby (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Carter, Abby (illustrator).

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Carter, Abby (illustrator).

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 352 pages. 9.25x6.00x1.25 inches. In Stock.

hardcover. Zustand: fine. 16 full-page color plates. 40 pages. Thin oblong 4to, reddish cloth. New York: Ameringer McEnry Yohe, (2017). A fine copy. Published to coincide with the exhibition of the same name. Caporael, Suzanne (illustrator).

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Zustand: New. In English.

Paperback. Zustand: Brand New. 256 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: Good. 4to. Oblong. 40 pp. Hard Cover. Color illustrations. Very Good, minor rubs to cover edges.

Zustand: Good. 4to. [ca 40 pp.]. Oblong. First Edition. Hard Cover. Brand New, in publisher's original shrink wrap. Scarce. ISBN: 9780997945423 0997945427.

Paperback. Zustand: Brand New. bilingual edition. 472 pages. 9.50x7.25x1.25 inches. In Stock.

Zustand: New. 2018. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - An accessible introduction to Maori culture, history, and society from an indigenous perspective.Te Koparapara allows the Maori world to speak for itself through 21 illustrated chapters by leading scholars. Explore Maori culture, including tikanga, powhiri, and tangihanga; Maori history, from waka migration to protest and urbanization; and contemporary Maori society, including education, health, political economy, and identity.- Discover Maori tikanga on and off the marae- Understand key rituals like powhiri and tangihanga- Trace Maori history from creation to todayWith images, maps, diagrams, songs, and sayings, this is an essential resource for anyone seeking a deeper insight into the indigenous people of Aotearoa New Zealand. For professional and scholarly audiences.…

Hardcover. Zustand: Brand New. 263 pages. 9.00x6.00x0.75 inches. In Stock.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; January/February 1979 issue of the periodical "Journal." Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Contents include: "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. Larsen; "A Critic's Critics," by Suzanne Muchnic; "On the Nature of Abstraction," by James Hayward; "Paul McCarthy," by Barbara Smith and "Rachel Rosenthal," by Jim Moisan. Cover by JoAnn Callis. Fair / Good. Mailed copy with mailing marks and mailing wear and printed address sticker. Yellowing of covers and pages. 3.8 cm. tear to bottom edge of recto with 8.5 cm. area of creasing. 2.2 cm. loss to top right corner of recto and 5 mm. tear to top edge. 2.6 cm. loss to top right corner of first page. Additional light wear to edges and corners of publication, contents otherwise clean and unmarked.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Ronny Cohen on Janis Provisor Ronny Cohen on Richard Stankiewicz Glenn O Brien on Jan Müller Glenn O Brien on Daryl Trivieri Jeanne Silverthorne on Louise Lawler Jeanne Silverthorne on Agnes Martin Ed Hill and Suzanne Bloom on The Nicaragua Media Project Donald Kuspit on Gene Davis Donald Kuspit on Walt Kuhn Donald Kuspit on The Success of Failure Thomas McEvilley on Carolee Schneemann Thomas McEvilley on Pat Steir John Howell on Arnold Mesches John Howell on Time and Space Limited Barbara Kruger on Difference: On Representation and Sexuality Patricia C. Phillips on Susan Smith Patricia C. Phillips on Donna Byars Patricia C. Phillips on Susana Torre, Allan Wexler Charles Hagan on Chuck Close Charles Hagan on Paper Tiger Television.…

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; January/February 1979 issue of the periodical "Journal." Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Contents include: "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. Larsen; "A Critic's Critics," by Suzanne Muchnic; "On the Nature of Abstraction," by James Hayward; "Paul McCarthy," by Barbara Smith and "Rachel Rosenthal," by Jim Moisan. Cover by JoAnn Callis. Very Good. Light bumping of top edge of publication. 2.2 cm. yellow soiling to bottom right side of recto. 1.7 cm. tear to top edge of verso. Contents clean and unmarked.…

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good. Light yellow staining across covers with circular textured distortions sprinkled near top and a 1 cm. surface tear with bumping to upper edge of recto. 2 cm. dog-ear to bottom right corner of recto. Light creasing to bottom corners of recto. Light yellowing of text block edge, contents clean and unmarked.…

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good / Very Good. Light rubbing and yellowing of covers; 1 mm. yellow stain to recto; light foxing and bumping of top right corner of recto; light bumping and creasing to top and bottom edges and corners of recto, and top edge of verso. Rubbing of text block edge. Contents clean and unmarked.…