carter robert allan (12 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No dust jacket.

36 pp.; 20.3 x 22.8; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 23 - November 11, 1978. Artists include Katharine T. Carter, Tom Hatch, James R. Hill, Alexa Kleinbard, Janis Provisor, and Dan Rizzie. Texts by Marcia Tucker, Kathleen Thomas, Robert McDonald, Susan Logan, Phil Linhares, Allan Schwartzmann, and Robert M. Murdock. Includes artist biographies. Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 4th printing ; xiv, 194 p. : ill. (some col.) ; 24 cm. ISBN 9781930897083 1930897081 LCCN 2002510026 ; LC SB61 .C67 2001 Dewey 635.0922 ; off-white textured boards in pictorial dustjacket ; SIGNED by both authors on the title page ; "One spring morning a lady walking through a garden in the Midwest was fascinated by a row of handsome, vigorous hollies. They were just what she needed for her own garden, and she asked her host what they were. "Those are Nellie Stevens hollies," was the reply. She looked again and couldn't help but wonder about the name. Who in the world is Nellie Stevens, and how did her name ever become associated with this plant? She noted other intriguing names, and she asked similar questions. She saw a beautifulblue clematis and wondered if Betty Corning was still alive and what stories she had to tell.She wondered about the places and people whose names are associated with so many popular garden plants. She is not alone. If necessity is the mother of invention, curiosity is the mother of research. In many cases, we wonder not what our gardens grow, but who our gardens grow. Until now, these accounts have not been compiled and unfortunately, many of the people are disappearing, their stories with them. Now gardeners can enjoy the beauty of their plants and delight in the tales they tell." ; Contents: Anna, Illinois -- Arnold Arboretum -- Janes Bath -- Lole Benedict -- ray Bracken -- Luther Burbank -- Molly Bush -- Cedar lane Farm -- John Champneys, Phillippe Noisette -- Corbett, maryland -- Betty Corning -- John Creech -- Roy Davidson -- Vince and Barbara Dooley -- Eco-Gardens -- Katie Ferguson -- Henry and Sally Fuller -- Fred Galle -- Gardenview Horticultural park -- Azilda Gerbing -- Goodness Grows -- Kim Hawks -- mary Gibson Henry -- Poly Hill -- Andre Iseli -- Tina James -- Joseph Kassab -- Hella Lacy -- Michael Lindsey -- Carol Mackie -- Frank N Meyer -- Montrose Nursery -- David Mooberry -- Mt. Airy Arboretum -- Jane Platt -- Saul Nurseries -- Shadow Nursery -- Betty Sheffield -- Nellie R Stevens -- Helene Strybing -- Sunny Border Nurseries -- George L Taber Sr -- Claudia Wannamaker -- Wave Hill -- Francis Williams ; FINE/FINE. Signed by Author(s). Book.

Hardcover. Zustand: Brand New. 558 pages. 12.50x9.50x1.50 inches. In Stock.

241 + 43pp, appendices, 27 x 20.5cm. Ex library copy with usual stamps and deaccession markings, spiral bound, occasional markings in pen and pencil, paper covers somewhat worn, upper cover little torn with loss, a good reading copy. An analysis of Indonesia's political and economic climate, prepared for President Kennedy following discussions between him and Sukarno in early 1961 regarding American economic aid to Indonesia.

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good. Light yellow staining across covers with circular textured distortions sprinkled near top and a 1 cm. surface tear with bumping to upper edge of recto. 2 cm. dog-ear to bottom right corner of recto. Light creasing to bottom corners of recto. Light yellowing of text block edge, contents clean and unmarked.

96 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 1 of Extensions. Edited by Suzanne Zavrain and Joachim Neugroschel with original contributions by Vito Acconci, Jack Anderson, Corrado Augias, André Du Bouchet, Robert David Cohen, Stanley Cooperman, Gail Deeb, Lane Dunlop, Dan Graham, Allan Kaplan, Steve Katx, Ursule Molinaro, Miodrag Pavlovic, Tony Perniciaro, John Perreault, Carter Ratcliff, Erling Salmonsen, George Schneeman, Ron Padgett, Hugh Seidman, Stephen Stepanchev, Hannah Weiner, Pete Winslow, and Student Graffiti (France). Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 259. Good / Very Good. Light rubbing and yellowing of covers; 1 mm. yellow stain to recto; light foxing and bumping of top right corner of recto; light bumping and creasing to top and bottom edges and corners of recto, and top edge of verso. Rubbing of text block edge. Contents clean and unmarked.