Carter manfred (11 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Very good paperback. Pages are clean and unmarked. Covers show very minor shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Trade Paperback. Zustand: Very Good. No Jacket. First Edition. Vol 24 # 129 of Ellery Queen's Mystery Magazine, September 1954. Contains stories by Ellery Queen (Frederic Dannay & Manfred Bennington Lee - Diamonds in Paradise), John F Suter (When Are the People Going to Learn?), Michael Gilbert (The Customer is Not Always Right), Philip MacDonald (The Man Out of the Rain), Hugh Pentecost (Judson Pentecost Philips - Murder Plays Through), Jack London (The Unexpected), Hodding Carter (William Hodding Carter II - Bad Check), Zenna Henderson (You Know What, Teacher?), Helen Simpson (Helen de Guerry Simpson - A Posteriori), Norbert Davis (Do a Dame a Favor?), Babette Rosmond (Best of Friends), and others. Light wear at the edges. The color on the cover and spine is exceptionally bright. Very small horizontal closed tear to the fore edge of pages 137 through the end. The interior is clean and tight. Light browning to the pages. A very good or better copy. George Salter (cover) (illustrator).…

Soft Cover. Zustand: Very Good. Second Printing. POETRY-This small soft cover is very good; edge wear & fading to the wraps. yellow wraps 8vo - over 7¾" - 9¾" tall 0.0.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Good. 4to. 279 pp. Soft wraps. Good with edgewear along spine and marginal toning. Mostly black and white plates. Published on occasion of traveling exhibit by same name from June 1st, 1978 to May 26, 1979 in multiple locations. Previous owner's (Pasquale Iannetti) stamp and lending card on inside front cover.…

Taschenbuch. Zustand: Neu. Neuware - Manfred A. Carter's 'Colony of the Unfit' explores the chilling potential of social engineering and genetic manipulation in a society obsessed with creating a perfect future. This thought-provoking work of dystopian fiction delves into the dangerous consequences of eugenics and the suppression of individual freedom in the name of utopian ideals. Set in a meticulously controlled environment, the novel raises profound questions about the ethics of genetic engineering and the very definition of human worth. As a powerful critique of utopian aspirations, 'Colony of the Unfit' serves as a stark warning against the seductive allure of social control. This republication of Carter's work offers readers a crucial glimpse into anxieties surrounding scientific progress and its potential impact on humanity. A chilling and timeless exploration of power, control, and the cost of a 'perfect' society.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Vintage reference photograph from "The Adventure of Veronica's Veils," season 1 episode 9 of the 1975-1976 television series. With detached mimeo snipe. Loosely based on the 1929 novel, "The Roman Hat Mystery" by Frederic Dannay and Manfred Bennington Lee under their joint pseudonym Ellery Queen. The series follows a detective solving various absurd crimes. In this episode a producer who works a t burlesque club has a heart attack and dies. He left a tape before he died asking someone to find his murderer. Set in New York City. 7 x 9 inches. About Fine. …

Hardcover. Zustand: Fine. Book. 421 x 303mm. A complete set of six volumes (1988-1991) of this richly illustrated, portfolio periodical with each issue's title letterpress printed on the front cover, together with different coloured end papers. The colophon is printed in a grey, red and black constructivist design on white stock across all volumes. Each volume was published in a limited edition of one hundred and fifty copies, except for Number 2, which was produced in an edition of 120 numbered copies, and Number 3 is not numbered. Blank Page was a biannual portfolio publication, designed and edited by Philip Dobree, with Adrian Self acting as literary editor. It is notable for its display of original works of pure abstraction (many signed and numbered), with critical texts interspersed throughout by significant theorists, writers and designers - these essays have been designed with a strict red and black constructivist aesthetic in mind, continuing the graphic style that unites all volumes. For example, in Volume 4, a cut-out black and white image by Douglas Allsop has been embedded with Geoff Bennington's text, "Not One". Presented as original multiples, the works featured include: lithographs; screen prints; relief prints; woodcuts; collages, etc. Volume 6, the final publication, is particularly rich in its gathering of many leading practitioners of pure abstraction, such as Charles Biederman, Cesar Domela, Anthony Hill, Michael Kidner, Francois Morellet and George Rickey. Taken individually, and as a collective series, Blank Page provides an impressive and extensive survey of the plastic arts and European constructivist design made during the period of its publication. Each portfolio performs like a mini, self-contained exhibition, with contributions by: Number One (unnumbered on cover, gold on green): Selima Hill, Michael Symmons Roberts, David Powell, Alan Bold, Patricia Conolly, Nicholas Rawson, A. R. Lamb, Norman MacAffee, Douglas Allsop, Matthew Tyson, Teal Trigs, Francesca Lowery, Childe Roland, Volker Strater, Matteo Adinolfi, Marco Bettoni, and Josephine Pryde. Number Two (red gilt on black): Jean Jacques Bauweraerts, Andrej Dluzniewski, Dre Devens, Ernest Edmonds, Heinz Gappmayr, Heinz Gruchot, Jean Pierre Husquinet, Michel Jouet, Fre Ligen, Jean Pierre Maury, Peter Meyer, Martine Meunier, Manfred Mohr, Tadeusz Myslowski, Nausica Pastra, Sigurd Rompza, Stefan Themerson, Dirk Verhaegen, and Steven Wheeler. Number Three (blue on light grey) : Juan Agudelo, Nubia Arcia, Bosco Centeno, Jonny Chavarria, Elvis Chavarria, Ivan Guevara, Donald Guevara, Pedro Pablo Meneses, Felipe Pena, Olivia Silva, Charles Bezie, John Carter, Gottfried Honneger, James Juszczyk, Claude Pasquer, Yves Popet, Nico W. Pot, Perry Roberts, David Saunders, Francisco Soto Mesa, Jaak Vuylsteke, and Elizabeth Willmoth. Number Four (black on brown): Andrew Benjamin, Geoff Bennington, Jean-Francois Lyotard, Stephen Melville, Timothy Murray, Peter Osborne, Douglas Allsop, Richard Bell, Marian Bruce, Tam Giles, John Goodyear, Rity Jansen Heijtmeijer, James Hugonin, Ray Masters, Dora Maurer, David Rubello, Albert Rubens, Clifford Singer, G. R. Thomson, Ian Tyson, and Opy Zouni. Number Five (red on orange): Dietrich Mahlow, Mirella Bentivolgio, Peter Downsborough, Heinz Gappmayer, Pierre Garnier, Ilse Garnier, Bohumila Grogerova, Josef Hirsal, Wilfred Huet, Angelika Janz, Arrigo Lora- Totino, Ann Noel, Mari Orensanz, Andrzej Partum, Jadwiga Przbylak & Janusz Bakowsky, Eino Ruutsalo, Takahashi Shohachiro, Yves de Smet, Grzegorz Sztabinski, Bernar Villiers, and Emmett Williams. Number Six (yellow on red): Stephen Bann, Andrew Benjamin, Andrew Wilson, Marcel Baugniet, Charles Biederman, Cesar Domela, Marcel Floris, Anthony Hill, Gottfried Honegger, Michael Kidner, Max Mahlmann, Francois Morellet, Aurelie NemNemours, Gudrun Piper, George Rickey, Michel Seuphor, and Anton Stankowski.…