carrion ulises (72 Ergebnisse)

Zustand: Neuf.

Zustand: Neuf.

tapa blanda. Zustand: Bien. Publicaciones seriadas o periódicas.(050) Revista de Occidente. Madrid. 2012. 21 cm. 160 p. Encuadernación en tapa blanda de editorial ilustrada. Fundada en 1923 por José Ortega y Gasset . (=2863978=) LB298.

tapa blanda. Zustand: Bien. Civilización, progreso y cultura.(008) Revista de Occidente. Madrid. 2012. 20 cm. Encuadernación en tapa blanda de editorial ilustrada. (=3552893=) JX42.

Encuadernación de tapa dura. Zustand: Excelente. Traducción al inglés Martha Hawley y traducción al portugúes de Paula Abramo. Colección "Alias, Nº 3". EXCELENTE ejemplar. s/n.

Zustand: New. Zustand des Schutzumschlags: NUEVO.

HARDCOVER. Zustand: Fine. Zustand des Schutzumschlags: As New. 1st Edition. 1st printing. Large 8vo in brown faux leather covered boards, 269pp, numerous illustrations in text, bibliography, index etc . [CONDITION: An extremely well preserved almost AS NEW unmarked and unread copy (hint of tanning to last few leaves) in an AS NEW complete Dust Jacket. An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked.

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked.

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.".

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Very Good. 6 mm. tear and 1 mm. loss to bottom edge of recto. Tearing along staple binding at spine measuring 6 mm., 5 mm., 1.3 cm., 1.1 cm. tears. Light yellowing of covers and pages. Contents clean and unmarked.

Softcover. The final issue of "Kontexts," a poetry and art periodical founded in 1969. The periodical published a total of ten issues. About Near Fine in perfect-bound wrappers, with a slight lean, light age toning on the pages, and brief wear at the spine ends.

Zustand: VG. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, Agora Studio, Maastricht, 1975. 160 x 160mm. 35pp. Printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centro di Arte y Communication, Buenos Aires; Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. An important small catalogue of the conceptual art scene of artists based in the Netherlands who via connections with South America (Cayc, Buenos Aires, Raul Marroquin, Ulises Carrion etc) had this touring exhibition. Cayc in turn had exhibitions in Europe (including ICA London, ICC Antwerp and Agora Studios Maastricht). Many of the artists would also feature in Agora's Fandangos magazine. Condition: Some toning to wraps, some rust to staples, internal pages very good+. Overall VG.

Soft cover. Zustand: Very Good. Text in dutch and english, oblong 8vo, soft cover, 96 pages, illustrated, very good copy. Rare.

Druck EPO, Antwerpen, 1993 - Neues Museum Weserburg Bremen First edtion Softcover. Ulises Carrion: Die neue Kunst des Büchermachens (Sammlung der Künstlerbücher Band 2). Druck EPO, Antwerpen 1993. Broschur, 24 Seiten, ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Der mexikanische Künstler und Schriftsteller Ulises Carrión hat 1975 diesen grundlegenden Text über das Wesen eines Künstlerbuches publiziert. Die deutsche Übersetzung von Hubert Kretschmer wurde in der Kunstzeitschrift WOLKENKRATZER im Okt./Nov 1982, Nr 3/82 veröffentlicht +++++ Sehr gutes frisches Exemplar - Fine clean copy. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Paperback. Zustand: Near fine in wraps. First Edition. 21 x 28cm near fine paperback with printed wraps in colour with black and white containing a pasted down brown envelope with ten thin strips of white paper. An edition of 500 copies, the last double issue of the artists' publication edited by Michael Gibbs featuring an assembling of experimental, visual, and concrete poetry by over twenty artists including Dick Higgins, Bill Bissett, Ulises Corrion and Endre Tot. The title page states the edition is limited to 500 copies, however, the inside back cover features a red rubber stamp with a handwritten number in ink which states: 'this is a limited edition of one million copies, of which this is no. 5621'.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Original printed wrappers in transparent dust jacket. Texts collected by Juan J. Agius. Text in English and French. Introductions Anne Moeglin-Delcroix and Clive Phillpot. Overview of Carrion's critical writing and treatises on artists' books, With a bibliography of books by Carrion. Limited first edition of 500 copies. 207 pp., 21 x 15 cm. Transparent dust jacket with tear and light wear, else fine. Rare first edition.

Softcover. Zustand: Sehr gut. 1. Auflage. ULISES CARRIÓN CONTENTS (DECEMBER 1976) Warsaw: Galeria Remont, 1976. [16] pp., 4to, printed wrappers, staple-bound. Rare catalogue for Carrión's first exhibition at Henryk Gajewski's Galeria Remont. Includes his important manifesto The New Art of Making Books and an artist's statement outlining his shift from traditional literature to experimental language and symbolic systems. Text largely presented in Carrión's bold handwritten style. In very good condition, with slight handling creases.

Soft cover. Zustand: As New. Madrid: Museo Reina Sofía, 2016. Softcover. 272 pages with CD. English language. New and sealed. Key figure in Mexican conceptual art, Ulises Carrión was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde. Dear Reader. Don't Read, an A4-size, 272-page book with CD, issued in collaboration with the Museum Reina Sofia in Madrid within the context of Carrion large retrospective, is focused on Ulises Carrión's personal and groundbreaking approach, managing to illustrate all aspects of his artistic and intellectual work. This includes books, magazines, videos, films, sound pieces, mail art, public projects, and performances, along with Carrión's initiatives as curator, editor, distributor, lecturer, archivist, art theorist, and writer. It is a significant body of original work structured to place a spotlight on every facet of his production. Without losing sight of the unclassifiable nature of his oeuvre, this book emphasizes Ulises Carrión's constant search for new cultural strategies and the extent to which his projects were determined by two fundamental themes: structure and language. These represent artistic guidelines influenced by a literary education, which he invariably struggled against, and are pervasive in his work. This duality corresponds to the exhibition title Dear Reader. Don't Read which illustrates his ambiguous relation to literature, a recurring theme in his work. Due to his interest in new art forms and innovative trends, Carrión actively participated in most of the artistic disciplines of his time. He co-founded the independent artist-run space In-Out Center in Amsterdam and founded the legendary bookshop-gallery Other Books and So (1975-79), the first of its kind dedicated to the presentation, production, and distribution of publications that were no longer literary texts nor about art, but rather books that were art or, as Carrión himself called them, "non-books, anti-books, pseudo books, quasi books, concrete books, visual books, conceptual books, structural books, project books, statement books, instruction books". Along with his artistic activities, Ulises Carrión developed a wide range of theoretical work having a great influence on young visual artists. It is fascinating to see that Ulises Carrión's theories are seemingly precursors to more recent art theories of the twenty-first-century digital world. During his most creative artistic period, he participated in the international mail art network which Carrión considered a kind of guerilla strategy.

Book. Ephemera: A monthly journal of mail & ephemeral work, edited by Ulises Carrion, Aart van Barneveld, Anna Banana and Salvador Flores.Other Books & So, Amsterdam, 1978. One of the most elegant, stylish, and essential mail art periodicals with strong links to both South American artists and Eastern European Avant Gardes. Beautiful design and layout by Carrion with variety of collage elements (but never too much as can be the case with some mail art pieces). Issue 8 includes Piotr Rypson, Anna Banana, Al Souza, Giulia Niccolai, Tom van As. 8 pp with rubber stamps and special doublespread by Pawel Petasz - 'Ephemeral Motives' (a Surreal boardgame). Please note this copy is *missing* the Ulises Carrion small envelope. Folded twice for mailing. Condition: some wear to edges, light handling marks. Very Good.

Zustand: Fine. Ulises Carrión, Here and Now, Amsterdam, Other Books and So, 1979. 106 x 142 mm. Postcard. Printed black on white card stock. Condition: fine.

Zustand: Fine. 1st Edition. Exhibition Catalogue. 268x 187mm. 276 pages.Text in English. Includes CD enclosure (the Poet's Tongue). Printed black and white with grey wraps. Illustrated profusely throughout. An exhaustive survey with many sections including themes such as: ephemera, bookshop (other books & so), exhibitions, films, lectures, mail art, performances, rubber stamps,theories, videos, postcards, bibliography etc. A selection of Carrion original works and ephemera are held in our archive. This essential resource is now out of print. Catalogue as new in original shrink wrap. Heavy item extra postage required .Condition: fine.

Amsterdam, Museum Fodor, 1992. 127 pag., illustrated in b/w, paperback, quarto (as new) = A catalogue produced on the occasion of Ulises Carrion's exhibition at the Museum Fodor, Amsterdam 1992. Includes a text by Ulises Carrion and essays by Guy Schraenen, Rob Perree, Annie Wright. A comprehensive survey of a significant Dutch-Mexican Avant-garde artist during the 1970s who ran Other Books & So, organised performances, happenings and shows.

Zustand: Fine. 127pp. 205 x 295 mm. Printed black and white and bound in grey printed wraps. A catalogue produced on the occasion of Ulises Carrion's exhibition at the Museum Fodor, Amsterdam 1992. Includes a text by Ulises Carrion and essays by Guy Schraenen, Rob Perree, Annie Wright. A comprehensive survey of a significant Dutch-Mexican Avant-garde artist during the 1970s who ran Other Books & So, organised performances, happenings and shows. Condition: Fine.

Zustand: Very Good. Flavio Pons, Ulises Carrion, Rezente Buchbildhauerei Von Flavio Pons, Other Books and So Archive, Amsterdam, 1982. 312 x 215mm. Folded information sheet. Printed in green, red and black on cream stock. Printed by Ulises Carrion. Condition: Folded twice for mailing, three small pinholes top centre. Overall Very Good.

Soft cover. Zustand: Very Good. 1st Edition. Amsterdam: Stichting de Appel, 1984. First Edition. Staplebound softcover. 18 pages. 8 1/4" x 6". Mostly in Dutch, One article appears in in English as well. Very Good. Light edge wear and minor wear to spine. Stapled binding secure. Covers and inside clean and unmarked. Contents include: Introduction by curator Saskia Bos, Explanatory text about each film to be shown as part of the festival, Ulises Carrión interview Lilia Prado in Mexico DF, On the Tracks of Ulises Carrión and Ulises Carrión's Curriculum Vitae. Program for Ulises Carrión's film festival celebrating his favorite actor from his childhood, Lilia Prado. Prado (1928-2006) starred in a number of Mexican films as well as several directed by Luis Buñuel in the 1950s. "Under the motto Lilia Prado Superstar a unique film event is being organized, to be held first in Amsterdam, then in Groningen, Arnhem and Rotterdam. Five Mexican films from the early fifties will be shown in a single day in the presence of the star who plays the leading role: Lilia Prado. She is coming to the Netherlands from Mexico especially for this occasion. The extraordinary thing about the event is not only that the initiative came from De Appel art centre rather than from the film world, but also that this superstar is totally unknown in the Netherlands! The event is a project of the artist Ulises Carrión, who travelled to Mexico for this purpose and, after a long search, selected five films from the period 1950-1952. He also ran into the star of the five films, Lilia Prado, now in her fifties, who is still active in film, television and on the stage. With a project like Lilia Prado Superstar Carrión attempts to recall his own culture his past and place it in the present, his goal being to share that culture with the society in which he now finds himself. Wednesday July 4, 1984: Amsterdam, Kriterion, Roetersstraat 170 Thursday July 5, 1984: Rotterdam, Venster I, Gouvernestraat 133 Friday July 6, 1984: Groningen, Liga 68, Poelestraat 30 Saturday July 7, 1984: Arnhem, Filmhuis, Korenmarkt 42 Programme: (the films will be shown consecutively) Rumba Caliente, Gilberto Martinez Solares, 1952 Subida al Cielo, Luis Buñuel, 1952 live-interview with Lilia Prado Las Mujeres de mi General, Ismael Rodríquez, 1950 Las 3 Alegres Comadres, Tito Davison, 1952" - De Appel.

Zustand: Fine. Ulises Carrión, Multiple Choice, Amsterdam, De Appel, 1981. 106 x 148mm. Postcard. Printed black on white card stock. Photographs by H. Hoffmann and Marike Stooker. Condition: Fine.

10 pages including covers. Bound at bottom right edge by metal ring with light rust marks. Attached to cover is a postcard by Mehka. Includes stamps in color and tipped in parts .

Zustand: Fine. Ulises Carrión, Lilia Prado: Superstar Film Festival, Stichting de Appel, Amsterdam, 1984. 210 x 150mm. 18 pp. Staplebound booklet. Programme for Ulises Carrión's retrospective film festival celebrating Lilia Prado, a Mexican movie star who was internationally famous during his childhood (featuring, for instance, in films by Luis Buñuel). Prado attended the Superstar Film Festival, in which Carrión screened four of her movies from the 1950s in four cities across Amsterdam. Condition: Fine.

Zustand: Fine. Ulises Carrión, Other Books and So Archive, Amsterdam, undated (c.1982). 105 x 143mm. Postcard printed black on white card stock, with Carrion's cartoon design to verso the same design is printed on an envelope addressed to Willy Scholte in January 1982. Condition: fine.